Describes the different sorts of poetry Whitman, Dickinson, and Melville wrote, their comparable reasons for writing, and the posthumous critical effects of their having done so.

These four timeless poetry collections showcase the pioneering work of some of America’s most beloved and influential poets. New Hampshire by Robert Frost: This Pulitzer Prize–winning collection features some of Frost’s most enduring works, all inspired by the cold and wild New Hampshire winter. Along with the title poem, this volume includes “Fire and Ice,” “Nothing Gold Can Stay,” and “Stopping by Woods on a Snowy Evening,” which Frost himself called “my best bid for remembrance.” Tender Buttons by Gertrude Stein: Stein’s first published work of poetry, this avant-garde meditation on ordinary living is presented in three sections: “Objects,” “Food,” and “Rooms.” Emphasizing rhythm and sonority over traditional grammar, Stein’s wordplay has garnered praise from readers and critics alike. Selected Poems by T. S. Eliot: This twenty-four poem volume is a rich collection of Eliot’s greatest works—including “The Love Song of J. Alfred Prufrock,” “Gerontion,” “Sweeny Among the Nightingales,” and others—all of which expertly explore the desires, grievances, failures, and heart of modern humanity. Selected Poems by Emily Dickinson: This collection of poems by “one of America’s greatest and most original poets of all time” includes some of Dickinson’s best-known works, reflecting her thoughts on nature, life, death, the mind, and the spirit (Poetry Foundation).

Definitive, broadly representative anthology of poets born after 1960

Seer, critic, lover, madwoman--the poet's sensibility gives us a chance to experience them all. This rich, wide-ranging collection of work by scores of America's contemporary poets brings you both wisdom and entertainment in short verse. In it are represented, with one poem each, the chancellors, fellows, and award winners of the Academy of American Poets since 1934. The result is a unique sampler of the various literary styles and themes that have left their marks on the past five decades. Fifty Years of American Poetry gives readers the opportunity to hear familiar voices and new ones--and encounter the great American poems that have captured both our minds and our hearts. The Academy of American Poets has as its stated purpose ''To encourage, stimulate, and foster the production of American poetry..." This was never limited to poets of any particular school, method, or category of poetry so this anthology is as representative a cross-section of American poetry in the last 50 years as any of its kind. The Academy is not a stodgy eastem provincial institution. It encourages young poets, recognizes the importance of change and growth in the poetry of America, and believes that poetry is not for poets only. This anthology was compiled on this basis. Fifty Years Of American Poetry is not only educational, but also inspirational, hopefully imbuing everyone who reads it with a sense of the dynamic and development of American poetry in the last half century. The Academy of American Poets is the only institution which could compile such a unique anthology because it is the oniy group which has consistently played a large part in the American poetry scene through its patronage to poets and its mission to make poetry an accessible and vital part of the American literary landscape. -->

Late in his life T. S. Eliot, when asked if his poetry belonged in the tradition of American literature, replied: “I’d say that my poetry has obviously more in common with my distinguished contemporaries in America than with anything written in my generation in England. That I’m sure of. . . . In its sources, in its emotional springs, it comes from America.” In T. S. Eliot: The Making of an American Poet, James Miller offers the first sustained account of Eliot’s early years, showing that the emotional springs of his poetry did indeed come from America. Miller challenges long-held assumptions about Eliot’s poetry and his life. Eliot himself always maintained that his poems were not based on personal experience, and thus should not be read as personal poems. But Miller convincingly combines a reading of the early work with careful analysis of surviving early correspondence, accounts from Eliot’s friends and acquaintances, and new scholarship that delves into Eliot’s Harvard years. Ultimately, Miller demonstrates that Eliot’s poetry is filled with reflections of his personal experiences: his relationships with family, friends, and wives; his sexuality; his intellectual and social development; his influences. Publication of T. S. Eliot: The Making of an American Poet marks a milestone in Eliot scholarship. At last we have a balanced portrait of the poet and the man, one that takes seriously his American roots. In the process, we gain a fuller appreciation for some of the best-loved poetry of the twentieth century.

Redefines the great canon of American poetry from its origins in the 17th century right up to the present.