With Paul Johnsgard, we follow the annual migration of the sandhill cranes from the American Southwest to their Alaskan mating grounds and then home again. It is a flight unaltered in nearly ten million years. By presenting various cycles of the migration in four time periods from 1860 to 1980, Johnsgard, a prominent naturalist, is able toøshow how man's encroachments have imperiled the flocks. In each section there is interaction between a child and an adult brought about by some ritual event in the migration of the cranes. The story is enriched by the author's exquisite illustrations, by Zuni prayers, and by Eskimo and Pueblo legends.

Originally published: New York: St. Martin's Press, c1981.

With Paul A. Johnsgard, we follow the migration of the sandhill cranes from the American Southwest to their Alaskan breeding grounds and back again, an annual pattern that has persisted over millions of years. By selecting four historic time frames of the migration between 1860 and 1980, Johnsgard illustrates how humans have influenced the flocks and how different American cultures have variously responded to the birds and perceived their value. Each section focuses on the interactions between children of four different American cultures and sandhill cranes, triggered by events occurring during the annual life cycle of the cranes. The story is enriched by the author's exquisite illustrations, by Zuni prayers, and by Inuit and Pueblo legends. With a new preface and afterword and a new gallery of photographs by the author, Those of the Gray Wind is a classic story of a timeless ritual that can be enjoyed for generations to come.

These fourteen essays originally appeared in Prairie Fire, a monthly newspaper that for seven years has carried important messages of social, environmental, and economic issues to residents of Nebraska, Iowa, Colorado, and South Dakota, and subscribers in the rest of the world. They discuss the North American east-west ecological boundaries, spring migration events, bird feeders, feathered survivors of a glacial past, the threatened sharp-tailed grouse, the effects of climate change, some "sacred places"-Aransas National Wildlife Refuge, the Ashfall Fossil Beds, Squaw Creek Refuge, the Hutton Niobrara Ranch Sanctuary, and Yellowstone National Park-, our troubles with mountain lions and grizzly bears, and crane season in Wyoming. There is also an expanded informal autobiography, "My Life in Biology" and a current and comprehensive list of all publications of a writer described as "probably the world's most prolific living author of ornithological and natural history literature."

The New York Times bestseller “The Shadow of the Wind is ultimately a love letter to literature, intended for readers as passionate about storytelling as its young hero.” —Entertainment Weekly (Editor's Choice) “One gorgeous read.” —Stephen King Barcelona, 1945: A city slowly heals in the aftermath of the Spanish Civil War, and Daniel, an antiquarian book dealer’s son who mourns the loss of his mother, finds solace in a mysterious book entitled The Shadow of the Wind, by one Julián Carax. But when he sets out to find the author’s other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax’s books in existence. Soon Daniel’s seemingly innocent quest opens a door into one of Barcelona’s darkest secrets--an epic story of murder, madness, and doomed love.

A taut, lyrical portrait of four people thrown together on a single day in rural Argentina The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is evangelizing across the Argentinian countryside with Leni, his teenage daughter, when their car breaks down. This act of God or fate leads them to the workshop and home of an aging mechanic called Gringo Brauer and a young boy named Tapioca. As a long day passes, curiosity and intrigue transform into an unexpected intimacy between four people: one man who believes deeply in God, morality, and his own righteousness, and another whose life experiences have only entrenched his moral relativism and mild apathy; a quietly earnest and idealistic mechanic’s assistant, and a restless, skeptical preacher’s daughter. As tensions between these characters ebb and flow, beliefs are questioned and allegiances are tested, until finally the growing storm breaks over the plains. Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a tactile experience of the mountain, the sun, the squat trees, the broken cars, the sweat-stained shirts, and the destroyed lives. The Wind That Lays Waste is a philosophical, beautiful, and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.

Short stories by the author of the cult favorite "Border Town Blood." Six variations on the theme of thresholds, gateways, mirrors and alternate universes. The stories run the gamut through science fiction, contemporary fantasy and horror. Are you ready to cross over?