How the interactions of non-elites influenced Athenian material culture and society The seventh century BC in ancient Greece is referred to as the Orientalizing period because of the strong presence of Near Eastern elements in art and culture. Conventional narratives argue that goods and knowledge flowed from East to West through cosmopolitan elites. Rejecting this explanation, Athens at the Margins proposes a new narrative of the origins behind the style and its significance, investigating how material culture shaped the ways people and communities thought of themselves. Athens and the region of Attica belonged to an interconnected Mediterranean, in which people, goods, and ideas moved in unexpected directions. Network thinking provides a way to conceive of this mobility, which generated a style of pottery that was heterogeneous and dynamic. Although the elite had power, they were unable to agree on the norms of conspicuous consumption and status display. A range of social actors used objects, contributing to cultural change and to the socially mediated production of meaning. Historiography and the analysis of evidence from a wide range of contexts—cemeteries, sanctuaries, workshops, and symposia—offers the possibility to step outside the aesthetic frameworks imposed by classical Greek masterpieces and to expand the canon of Greek art. Highlighting the results of new excavations and looking at the interactions of people with material culture, Athens at the Margins provocatively shifts perspectives on Greek art and its relationship to the eastern Mediterranean.

An easy-to-use guide to the nature and stagecraft of ancient plays

The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections, the handbook begins with Background and Definitions, which contains articles establishing the discipline in its historical, geographical, and chronological settings and in its relation to other disciplines. The second section, Chronology and Geography, contains articles examining the Bronze Age Aegean by chronological period (Early Bronze Age, Middle Bronze Age, Late Bronze Age). Each of the periods are further subdivided geographically, so that individual articles are concerned with Mainland Greece during the Early Bronze Age, Crete during the Early Bronze Age, the Cycladic Islands during the Early Bronze Age, and the same for the Middle Bronze Age, followed by the Late Bronze Age. The third section, Thematic and Specific Topics, includes articles examining thematic topics that cannot be done justice in a strictly chronological/geographical treatment, including religion, state and society, trade, warfare, pottery, writing, and burial customs, as well as specific events, such as the eruption of Santorini and the Trojan War. The fourth section, Specific Sites and Areas, contains articles examining the most important regions and sites in the Bronze Age Aegean, including Mycenae, Tiryns, Pylos, Knossos, Kommos, Rhodes, the northern Aegean, and the Uluburun shipwreck, as well as adjacent areas such as the Levant, Egypt, and the western Mediterranean. Containing new work by an international team of experts, The Oxford Handbook of the Bronze Age Aegean represents the most comprehensive, authoritative, and up-to-date single-volume survey of the field. It will be indispensable for scholars and advanced students alike.

A synthesis of research on the material culture of Greece in the Archaic and Classical periods.

This is an examination of the information available about a number of fortified sites in Attica with a focus on 1960 excavations at the site of Koroni on the east coast of the Attic peninsula near Porto Raphti. The corpus of all known sites includes original site maps and plans, as well as much previously unpublished information collected during topographic investigations by the author. Many of the sites surveyed were established around 325-250 B.C. in the uncertain times following Alexander the Great's death, especially during the Chremonidean War when Ptolemaic forces were active in the region. The author traces their later history, extending his description of military encampments around Athens up to the present day.

The ancient Greek word koine was used to describe the new common language dialect that became widespread in the ancient Greek world after the conquests of Alexander the Great. Modern scholars have increasingly used the word to conceptualise regional homogeneities in the material culture of the ancient Mediterranean. In this volume, twenty scholars from various disciplines present case studies that focus on the fundamental question of how to perceive and the social and cultural mechanisms that led to the spread and consumption of material culture in the Greek early Iron Age. Combined the chapters provide a critical examination of the use of the koine concept as a heuristic tool in historical research and discuss to what degree similarities in material culture reflect cultural connections. The volume will be of interest scholars interested in archaeological theory and method, the social significance of material culture, and the history of the ancient Greek world in the first half of the first millennium BC.

This Blackwell Guide provides a broad-ranging introduction to ancient Greek drama, which flourished principally in Athens from the sixth to the third century bc. All three genres of Greek drama are discussed – tragedy, comedy, and satyr play – as well as the five surviving playwrights – Aeschylus, Sophocles, Euripides, Aristophanes, and Menander, together with brief entries on lost playwrights. The Guide also addresses contextual issues, such as: the origins of the dramatic art forms; the conventions of the festivals, the theater, and the performers; the relationship between drama and the worship of Dionysos; the political dimension; and how to read and watch Greek drama. The final section consists of 46 one-page synopses of each of the surviving plays.