While they often go hand-in-hand and the distinction between the two is frequently blurred, authority and power are distinct concepts and abilities - this was a problem that the Church tussled with throughout the High and Late Middle Ages. Claims of authority, efforts to have that authority recognized, and the struggle to transform it into more tangible forms of power were defining factors of the medieval Church's existence. As the studies assembled here demonstrate, claims to authority by members of the Church were often in inverse proportion to their actual power - a problematic paradox which resulted from the uneven and uncertain acceptance of ecclesiastical authority by lay powers and, indeed, fellow members of the ecclesia. The chapters of this book reveal how clerical claims to authority and power were frequently debated, refined, opposed, and resisted in their expression and implementation. The clergy had to negotiate a complex landscape of overlapping and competing claims in pursuit of their rights. They waged these struggles in arenas that ranged from papal, royal, and imperial curiae, through monastic houses, law courts and parliaments, urban religious communities and devotional networks, to contact and conflict with the laity on the ground; the weapons deployed included art, manuscripts, dress, letters, petitions, treatises, legal claims, legates, and the physical arms of allied lay powers. In an effort to further our understanding of this central aspect of ecclesiastical history, this interdisciplinary volume, which effects a broad temporal, geographical, and thematic sweep, points the way to new avenues of research and new approaches to a traditional topic. It fuses historical methodologies with art history, gender studies, musicology, and material culture, and presents fresh insights into one of the most significant institutions of the medieval world.

It is impossible to understand how the medieval church functioned and, in turn, influenced the lay world within its care without understanding "canon law". This book examines its development from its beginnings to the end of the Middle Ages, updating its findings in light of recent scholarly trends. This second edition has been fully revised and updated by Melodie H. Eichbauer to include additional material on the early Middle Ages; the significance of the discovery of earlier versions of Gratian’s Decretum; and the new research into law emanating from secular authorities, councils, episcopal acta, and juridical commentary to rethink our understanding of the sources of law and canon law's place in medieval society. Separate chapters examine canon law in intellectual spaces; the canonical courts and their procedures; and, using the case studies of deviation from orthodoxy and marriage, canon law in the lives of people. The main body of the book concludes with the influence of canon law in Western society, but has been reworked by integrating sections cut from the first edition chapters on canon law in private and public life to highlight the importance of this field of research. Throughout the work and found in the bibliography are references to current literature and resources in order to make researching in the field more accessible. The first appendix provides examples of how canonical texts are cited while the second offers biographical notes on canonists featured in the work. The end result is a second edition that is significantly rewritten and updated but retains the spirit of Brundage’s original text. Covering all aspects of medieval canon law and its influence on medieval politics, society, and culture, this book provides students of medieval history with an accessible overview of this foundational aspect of medieval history.

The structures and concepts of ecclesiastical authority that existed in the Middle Ages fundamentally underpinned the medieval world, yet disciplinary boundaries have often inhibited scholarsâe(tm) approaches in this area of research. The purpose of this book is to reconsider the traditional approach to medieval Church authority, which is focused on the Church as an institution, by examining recent research in other related disciplines, such as the history of art, cultural history, liturgy, and musicology. Although work on medieval ecclesiastical authority has been undertaken separately in these different disciplines, they have not spoken to each other often enough: the studies here explicitly set out to break down these disciplinary barriers and to forge new ground in the study of a traditional subject by providing an outlet for the new research initiatives of both established and early career scholars. Power Manifest considers the topic of ecclesiastical authority in the Middle Ages, c.1100-c.1500, from a variety of disciplinary perspectives. The volume encompasses the nature of papal authority, episcopal power and the ranking of bishops at the royal court, the use of art to propound authority in absentia, the relations of the western Church with the eastern churches, the expression of ecclesiastical authority through music, the importance of collective clerical petitions, the cultural history of the papal chapel, as well as secular culture and the Church. Each contributor asks how ecclesiastical authority was conceptualised, analyses the structures through which it was expressed - in other words, how authority manifested itself as power - and most importantly, offers improved insight into the varying importance of structures and concepts under consideration. The essays all address new areas of research, and this, combined with the inter-disciplinary approaches arrayed in the volume, make it a volume which will have a significant impact on the historiography.

Gender and Exemplarity in Medieval and Early Modern Spain gathers a series of studies on the interplay between gender, sanctity and exemplarity in regard to literary production in the Iberian peninsula. The first section examines how women were con¬strued as saintly examples through narratives, mostly composed by male writers; the second focuses on the use made of exemplary life-accounts by women writers in order to fashion their own social identity and their role as authors. The volume includes studies on relevant models (Mary Magdalen, Virgin Mary, living saints), means of transmission, sponsorship and agency (reading circles, print, patronage), and female writers (Leonor López de Córdoba, Isabel de Villena, Teresa of Ávila) involved in creating textual exemplars for women. Contributors are: Pablo Acosta-García, Andrew M. Beresford, Jimena Gamba Corradine, Ryan D. Giles, María Morrás, Lesley K. Twomey, Roa Vidal Doval, and Christopher van Ginhoven Rey.