This book is a reprint with revisions of one of Thomas Howard's earliest and most popular books. It is somewhat autobiographical, revealing the thoughts of a young man who has been seized by the love of Christ and, at first, sees dogmas and institutions as obscuring the terrible truth of God's love in Christ. But even at that earlier period, Howard showed his awareness that without those institutions there would be no way of encountering Christ the tiger. Howard is able to bring out the true vitality of what this faith is and should be, the radical nature of the Christian faith. This book powerfully presents who Christ is and what faith in him means. from 'Christ the Tiger': In the figure of Jesus we saw Immanuel, that is, God, that is, Love. It was a figure who, appearing so inauspiciously among us, broke up our secularist and our religious categories and beckoned us and judged us and damned us and saved us and exhibited to us a kind of life that participates in the indestructible. And it was a figure who announced the validity of our eternal effort to discover significance and beauty beyond inanition and horror by announcing to us the unthinkable: redemption.

In this deeply moving narrative, Thomas Howard describes his pilgrimage from Evangelicalism (which he loves and reveres as the religion of his youth) to liturgical Christianity. He soon afterward became a Roman Catholic. He describes Evangelicalism with great sympathy and then examines more formal, liturgical worship with the freshness of someone discovering for the first time what his soul had always hungered for. This is a book of apologetics without polemics. Non-Catholics will gain an appreciation of the formal and liturgical side of Catholicism. Catholics will see with fresh eyes the beauty of their tradition. Worship, prayer, the Blessed Virgin, the Mass, and the liturgical year are taken one after the other, and what may have seemed routine and repetitive suddenly comes to life under the enchanting wand of Howard's beautiful prose. Howard unfolds for us just what occurs in the vision and imagination of a Christian who, nurtured in the earnestness of Protestant Evangelicalism, finds himself yearning for "whatever-it-is" that has been there in the Church for 2000 years. It traces Howard's soul-searching and shows why he believes the practices of the liturgical Church are an invaluable aid for any Christian's spiritual life. Reminiscent of the style and scope of Newman, Lewis and Knox, this book is destined to be a classic. "The question, What is the Church? becomes, finally, intractable; and one finds oneself unable to offer any very telling reasons why the phrase 'one, holy, catholic, and apostolic', is to be understood in any other than the way in which it was understood for 1500 years." -- Thomas Howard

A drug addict who hunts sorcerers, the most renowned swordsman no one's ever heard of, and a thieving magick-wielding woman hellbent on revenge collide during a last ditch effort to stop an insane superhuman serial killer from becoming a god.

Distractions, fatigue, boredom at Sunday worship -- maybe we experience these because we don't fully appreciate what's going on at Mass. This profound and practical look at the liturgy focuses our wandering minds. It reminds us that at Mass the veil separating heaven and earth lifts, so that we stand with angels and saints in the presence of God Most High.

Thomas Howard shows us that every room of your house-the living room, the kitchen, the bedroom, and even the bathroom-is a holy place where God's grace awaits you, if only you know how to recognize His presence there. With a rich awareness of God's all-encompassing love, Howard takes you on a spiritual tour through your own home and shows you how everything in it can lead you closer to God. In each room, Howard shows you the surprising ways you can meet God there. With wonderful insights, he reveals how, even in your daily activities you can meet the same God who came to Israel in the terror, smoke and fire in the Tabernacle, and the God who died for us on Cross. But they're by no means confined to a lofty spiritual plane: Howard sees chances to love and serve God, and sees His gentle hand, in the most seemingly dull and ordinary of places and actions. So take up this book to find out how cooking and cleaning, having family dinners together, and all the other commonplace actions that make up the fabric of your daily life can actually disclose God's presence to you. Your daily life as well as your devotional life will be forever transformed by this unusual look at how lovingly God awaits us even in the smallest things.

The Ebbs and Flows of Fortune is the first comprehensive biography of Norfolk. In this study David M. Head confronts the central paradox of Norfolk's career - one that lies in his unpleasant personality, marked by vain and tyrannical behavior. Ultimately these flaws prohibited him from achieving the social position he believed was owed to him, mainly because of his family's status and wealth. Essentially a conservative, socially and religiously, Norfolk was uncomfortable with reformation ideology and the "low-brow" men of the court. The duke sought a primary position within the court on the model of that earned by Cromwell and Wolsey but was unwilling to perform the sustained hard work required to achieve that stature. By the 1540s Norfolk was probably the richest man in England, but nonetheless, at the hands of Cromwell and Wolsey, he was repeatedly exiled from the court for emotional excesses. He found himself assigned to posts at considerable distances from the crown - military assignments in France and diplomatic appointments to Ireland and Scotland. While in France he illustrated the cruelty of his character by hanging dozens of men and lamenting his lack of authority to execute more.

The fanciful novels of Charles Williams have long fascinated a rather elite reading public - T.S. Eliot, W.H. Auden, and C.S. Lewis, for example, were among his great admirers. But those books - which include 'The Place of the Lion', 'Descent into Hell', and 'All Hallows' Eve' - are also dense and perplexing, and even the writer's fondest devotees have found the meanings of his fiction elusive. Here at last is a clear and informed guide to the complexities and rich rewards of Charles Williams' novels. As Thomas Howard notes, Williams' tales might best be described as metaphysical thrillers, in which Williams used occult machinery in much the same way that Conrad used exotic locales and Joyce used the subconscious: to vivify human experience and awaken readers to its range and possibilities. One tale might feature a chase for the Holy Grail across Hertfordshire fields, while in another the picture may switch with no apology at all from a policeman at a crossroad to the Byzantine Emperor. As Howard lucidly demonstrates, the controlling factor behind Williams' work is an essentially Christian worldview in which heaven and hell seem to lurk under every bush and the constant theme is order versus disintegration. Concentrating on Williams' novels, Howard brilliantly illuminates the major concerns that informed all of Williams' thinking. Howard also considers Williams' work in the context of modern fictional practice and assesses its place in the tradition of the English language novel.