This classic work of Japanese literature is considered the masterpiece of Japanese novelist Seken Munasanya. This Scheming World (Seken Munasanyo) was published in 1692, one year before the author’s death. It represents the culmination of Saikaku’s perceptive genius, and in structure, is one of the most consolidated of all his works. Most of the stories are told as incidents or episodes relating to New Year’s Eve, when in those days it was the custom to balance all debits and credits for the year. Saikaku portrays his characters with so lifelike a touch that, even though three centuries have passed since his time, it seems as if they were our contemporaries. Decidedly inclined towards the debtors, Saikaku has them slipping off to the homes of their favorite mistresses, leaving town on “sudden” business trips, or becoming actors for the day in order to deceive the ever–persistent year–end collectors. Some of his characters are successful, while some are beset by even more troubles in trying to avoid the collectors. The episodes are always frank, often with humor, and occasionally pathetic. But more than anything else, the seventeenth century day–to–day way of living by the commoners comes vividly to life.

Ihara Saikaku "wrote of the lowest class in the Tokugawa world -- the townsmen who were rising in wealth and power but not in official status."--Back cover.

First published in 1686, Five Women Who Loved Love was an immediate bestseller in the bawdy, life-loving world that was Genroku Japan.

NATIONAL BESTSELLER • From the author of the widely acclaimed The Book of Ruth comes a harrowing, heartbreaking drama about a rural American family and a disastrous event that forever changes their lives. "It takes a writer of rare power and discipline to carry off an achievement like A Map of the World. Hamilton proves here that she is one of the best." —Newsweek The Goodwins, Howard, Alice, and their little girls, Emma and Claire, live on a dairy farm in Wisconsin. Although suspiciously regarded by their neighbors as "that hippie couple" because of their well-educated, urban background, Howard and Alice believe they have found a source of emotional strength in the farm, he tending the barn while Alice works as a nurse in the local elementary school. But their peaceful life is shattered one day when a neighbor's two-year-old daughter drowns in the Goodwins' pond while under Alice's care. Tormented by the accident, Alice descends even further into darkness when she is accused of sexually abusing a student at the elementary school. Soon, Alice is arrested, incarcerated, and as good as convicted in the eyes of a suspicious community. As a child, Alice designed her own map of the world to find her bearings. Now, as an adult, she must find her way again, through a maze of lies, doubt and ill will. A vivid human drama of guilt and betrayal, A Map of the World chronicles the intricate geographies of the human heart and all its mysterious, uncharted terrain. The result is a piercing drama about family bonds and a disappearing rural American life.

In Comrade Loves of a Samurai, the theme of homosexual love between the samurai is explored. To the old Japanese such love among samurai was quite permissible. The sons of samurai families were urged to form homosexual alliances while youth lasted, and often these loves matured into lifelong companionships. Saikaku describes Japanese love scenes of all kinds with a frankness that has made him a favorite with expurgators, but he discusses different types of love with tenderness and compassion. The Songs of the Geisha included in this volume is a collection of geisha folk songs composed to be sung to the accompaniment of the shamisen. All of the songs have a charmingly nostalgic quality which fitted well with the time and the circumstances for which they were composed. They are intimately personal, expressing the feelings of the geisha towards their sympathetic listeners. Love, frustration, and the futility of hope are their main themes. These lyrics, for all their erotic symbolism, are restrained and tactful, and their erotic beauty must be felt rather than heard. Both books were originally privately published in London in 1928 as a two volume set entitled Eastern Love.

"Five charming novellas … which have astonishing freshness, color, and warmth."-- The New Yorker First published in 1686, this collection of five novellas by Ihara Saikaku was an immediate bestseller in the bawdy world of Genroku Japan. The book's popularity has only increased with age, making it a literary classic like Boccaccio's Decameron, or the works of Rabelais. Each of the five stories follows a determined woman on her quest for amorous adventure: The Story of Seijuro in Himeji -- Onatsu, already wise in the ways of love the tender age of sixteen. The Barrelmaker Brimful of Love -- Osen, a faithful wife until unjustly accused of adultery. What the Seasons Brought the Almanac Maker-- Osan, a Kyoto beauty who falls asleep in the wrong bed. The Greengrocer's Daughter with a Bundle of Love -- Oshichi, willing to burn down a city to meet her samurai lover. Gengobei, the Mountain of Love -- Oman, who has to compete with handsome boys to win her lover's affections. But the book is more than a collection of skillfully told erotic tales, for "Saikaku …could not delve into the inmost secrets of human life only to expose them to ridicule or snickering prurience. Obviously fascinated by the variety and complexity of human love, but always retaining a sense of its intrinsic dignity … he is both a discriminating and compassionate judge of his fellow man." Saikaku's style, as allusive as it is witty, is a challenge that few translators have dared to face, and certainly never before with the success here. Accentuated by gorgeous 17th-century illustrations. Theodore de Bary's translation manages to recapture the heady flavor of the original in this sumptuous collection of romantic tales.

In Bright of the Sky, Kay Kenyon introduced a milieu unique in science fiction and fantasy: The Entire, a five-armed radial universe that exists in a dimension without stars and planets and is parallel to our own universe. Stretched over The Entire is a lid of plasma, called the bright, which ebbs and flows, bringing day and twilight. Under the vast canopy of the bright live many galactic species, copied from our own universe. Former star pilot Titus Quinn loves The Entire, but now he must risk annihilating it by destroying the fortress of Ahnenhoon. To sustain a faltering Entire, Ahnenhoon's great engine will soon reach through the brane separating the universes and consume our own universe in a concentrated ball of fire. Quinn sets off on a journey across The Entire armed with the nan, a small ankle bracelet containing nanoscale military technology that can reduce Ahnenhoon and its deadly engine to chaos. He must pursue his mission even though his wife is held prisoner in Ahnenhoon and his own daughter has sent the assassin MoTi to hunt him down. As he traverses the galactic distances of The Entire, he learns more of the secrets of its geography, its fragile storm walls, its eons-long history, and the factions that contend for dominance. One of these factions is led by his daughter, who though young and a slave, has at her command a transforming and revolutionary power. As Quinn wrestles with looming disaster and approaches the fabled concentric rings of Ahnenhoon's defenses, he learns that in the Entire, nothing is what it appears. Its denizens are all harboring secrets, and the greatest of these is the nature of the Entire itself.