Seven-year-old Huxley searches for a best friend but life is confusing when he doesn't know who is trustworthy.

While shipwrecked on the island of Pala, Will Farnaby, a disenchanted journalist, discovers a utopian society that has flourished for the past 120 years. Although he at first disregards the possibility of an ideal society, as Farnaby spends time with the people of Pala his ideas about humanity change. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Jessica Donnelly’s life is beginning to unravel. When the attorney turned stay-at-home mom tentatively volunteers to represent Amina Hamid, a woman seeking asylum, Jessica must learn an unfamiliar area of the law. Soon, rising opposition to Muslim immigration and unexpected prejudices put her relationships on shaky ground. Amina fled Syria with little more than memories that now fight against the images splashed on the news. Seeking a secure future and freedom from guilt and grief, she must learn to trust others amidst the reality of fear and hate. To find stability, Jessica and Amina will both need to harness their own strengths, which may lie in connections that transcend generations, cultures, and continents.

"This is Mr. Huxley's best novel for a very long time . . . admirably constructed . . . bright and sun-pierced." New Statesman and Nation

Those Barren Leaves is a satirical novel by Aldous Huxley, published in 1925. The title is derived from the poem 'The Tables Turned' by William Wordsworth which ends with the words: Enough of Science and of Art; Close up those barren leaves; Come forth, and bring with you a heart That watches and receives. Stripping the pretensions of those who claim a spot among the cultural elite, it is the story of Mrs. Aldwinkle and her entourage, who are gathered in an Italian palace to relive the glories of the Renaissance. For all their supposed sophistication, they are nothing but sad and superficial individuals in the final analysis.