Most historical studies bury us in wars and politics, paying scant attention to the everyday effects of pop culture. Welcome to America's other history—the arts, activities, common items, and popular opinions that profoundly impacted our national way of life. The twelve narrative chapters in this volume provide a textured look at everyday life, youth, and the many different sides of American culture during the 1930s. Additional resources include a cost comparison of common goods and services, a timeline of important events, notes arranged by chapter, an extensive bibliography for further reading, and a subject index. The dark cloud of the Depression shadowed most Americans' lives during the 1930s. Books, movies, songs, and stories of the 1930s gave Americans something to hope for by depicting a world of luxury and money. Major figures of the age included Fred Astaire and Ginger Rogers, Irving Berlin, Amelia Earhart, Duke Ellington, the Marx Brothers, Margaret Mitchell, Cole Porter, Joe Louis, Babe Ruth, Shirley Temple, and Frank Lloyd Wright. Innovations in technology and travel hinted at a Utopian society just off the horizon, group sports and activities gave the unemployed masses ways to spend their days, and a powerful new demographic—the American teenager—suddenly found itself courted by advertisers and entertainers.

Erika Funke, WVIA Senior Producer/Program Host, recommends this book: "The word "panorama" was introduced in the 1780s by Irish Artist Robert Barker, derived from Greek roots suggesting "a complete view." Barker hoped the viewer would "feel as if really on the spot." In titling his study 1938: American Historical Panorama, Dr. Spear signals his aim in examining this pivotal year, giving us the "big picture" but also human stories that allow us to "feel as if really on the spot." And clarity is a hallmark of his writing. The complex, multilayered Spanish Civil War is narrated with all its contradictions. The factions, alliances and consequences are explained with straightforward comprehensibility, and we feel the suffering of the civilians. Dr. Spear gives us a strong grounding in a critical year while evoking echoes in our own times. He addresses matters of race, gender, justice and the media in the big picture and through people's stories, so we feel the impact." Summary: Isolationism kept the U. S. out of war, but several thousand left-leaning Americans volunteered to fight in the Spanish Civil. There was also the diversion of a radio “war” as actor-director Orson Welles orchestrated an on-air version of the H. G. Wells 1890s science fiction classic about a Martian invasion of Earth. Advances in aviation were indeed real, however. The most successful effort belonged to Howard Hughes. Nineteen thirty-eight also marked the advent of the first “superhero,” Superman. But the Great Depression was still on-going. Yet misery in America was not universal. The advent of Swing, pioneered by bandleaders such as Benny Goodman, made the latter thirties a new Jazz Age. And baseball, seemed more exciting than ever. It included the efforts of Detroit’s Hank Greenberg to break Babe Ruth’s record of sixty homeruns set in 1927.

"A lovingly researched and thoughtfully created portrait of the Nicholas Brothers, Fayard and Harold, two of the most explosive dancers of the twentieth century who refined a centuries-old tradition of percussive dance into the rhythmic brilliance of jazz tap at its zenith. Interweaves an intimate portrait of these great performers with a richly detailed history of jazz music and jazz dance, bringing their act to life and explaining their significance through a colourful analysis of their eloquent footwork and full-bodied expressiveness. Captures the Brohers' soaring careers, from Cotton Club appearances with Duke Ellington, Cab Calloway, and Jimmy Lunceford, to film-stealing big-screen performances with Chick Webb, Tommy Dorsey, and Glenn Miller. Drawing on endless hours of interviews with the Nicholas brothers themselves, Brotherhood in Rhythm documents their struggles against the nets of racism and segregation that constantly enmeshed their careers and denied them the recognition they deserved."--

A New York Times–bestselling historian’s in-depth portrait of life in America, from the Depression era to the early 1970s: “Magnificent” (The New York Times). Award-winning historian and biographer William Manchester, author of The Last Lion, an epic three-volume biography of Winston Churchill, brings us an evocative exploration of the American way of life from 1932 to 1972. Covering almost every facet of American culture during a very diverse and tumultuous period in history, Manchester’s account is both dramatic and surprisingly intimate—with compelling details that could only be known by a dedicated historian who lived through and documented this fascinating time. It’s an enlightening, affecting, and highly entertaining journey through four extraordinary decades in the life of America. “There is no fiction that can compete with good, gossipy, anecdotal history—the inside story of who said or did what in moments of great tensions or crisis . . . I think you ought to read this history and weep, read it and laugh, read it and don’t repeat it.” —Anatole Broyard

This book demonstrates how horror films of the 1930s and 1940s reflected specific events and personalities of the era, most notably the Great Depression and World War II. Beginning with Dracula and Frankenstein (1931), it relates the many ways that horror films and society intersected: Franklin D. Roosevelt's skepticism toward conventional wisdom and the public's distrust of experts was mirrored in Dr. Jekyll and Mr. Hyde and Murders in the Rue Morgue; the freaks in Tod Browning's 1932 film of the same name revolted against the powerful people of the circus, much like the Bonus Army protested the sufferings of the Depression; King Kong's rampage on New York personified the anti-New York sentiment in the nation at large; Lon Chaney Jr.'s Wolf Man symbolized the experience of his creator, Curt Siodmak, as a Jewish refugee from Nazi Germany.