Jack Hall is a former teacher of American history, Freedom Foundation George Washington Teacher of the Year award winner and Outstanding Teacher of Secondary Education recipient. His previous books: God’s Literal Plan of Creation vs. the Great Satan Generation of Viper, The Spiritron Sperm and Education, Tea Party – Patriot or Villain, The Scourge of Liberalism and the Universal Lie, Miracles and Madness. All are a roadmap to save the country, its constitution and freedom inspired conservative beliefs. Books can be purchased on Amazon or Barnes and Noble.

Reproduction of the original: The Works of William Shakespeare - Cambridge Edition (4 of 9) (1863) by William George Clark

This work searches Shakespeare's history and Roman plays to find the raw materials of English national consciousness and identity. The messages of Shakespeare's history plays are not principally the plots or "facts" of the dramas but the attitudes and imaginings they elicited in audiences. Reading Shakespeare through the lens of national identity is a study almost as old as the plays themselves, and many scholars have found various articulations of nationhood in Shakespeare's plays. This book argues that Shakespeare's histories furnished modern England with a curriculum for constructing a national identity, a confidence of language and culture, and a powerful new medium through which to communicate and express this negotiated identity. Highlighting the application of semiotics, it studies the playwright's use of symbols, metonymy, symbolic codes, and metaphor. By examining what Shakespeare and playgoers remembered and forgot, as well as the ways ideas were framed, this book explores how a national identity was crafted, contested, and circulated.

The fourth book in the Modern Library’s Paris Review Writers at Work series, Latin American Writers at Work is a thundering collection of interviews with some of the most important and acclaimed Latin American writers of our time. These fascinating conversations were compiled from the annals of The Paris Review and include a new, lyrical Introduction by Nobel Prize–winning author Derek Walcott.