Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul

Explores the history of the colony, later the independent nation of Liberia, which was established on the west coast of Africa in 1822 as a haven for free African-Americans.

“A smart, rich country noir” from the acclaimed author Kentucky Straight and The Good Brother (Stewart O’Nan, bestselling author of Henry, Himself). Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (The New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark is a taut, compelling novel set in rural Kentucky from the Korean War to 1970. Tucker, a young veteran, returns from war to work for a bootlegger. He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years. “[A] fine homage to a pocket of the country that’s as beautiful as it is prone to tragedy.”—The Wall Street Journal “A pleasure all around.”—Daniel Woodrell, author of Winter’s Bone

Too often people mistake monsters for gods. When a ravaged corpse is discovered in Pretoria, South Africa, Esmé Snyder--an occult-crime expert--is called in to investigate. But she doesn't know the scope of what she's up against. Esmé is the target of a cat-and-mouse game with a serial killer who uses the paranormal to do his bidding, with the intent of becoming a god on Earth. With assistance from her team--a brusque detective, eccentric millionaire, stoic priest, hawkeyed secretary, and handsome British forensic criminologist--Esmé hopes to find the killer before he strikes again. But the clock isn't all that's working against them. The media catches wind of the threat against the citizens of Pretoria, and their reported speculations promise a post-Apartheid Satanic Panic. As the body count grows, Esmé must figure out who is behind the heinous crimes before she ends up the final sacrifice. Dark Country highlights the multicultural mythologies, magic, histories, beauty, and horror of living in pseudo-modern South Africa.

In the same creepy vein as Philip K. Dick and Thomas Harris, Etchinson's award-winning fiction is justly known for its creepy ambiance.

They've considered him a murderer for eighteen years, so no one in Dungirri is surprised when 'Gil' Gillespie returns and a woman's body is found in his car. Wearied by too many deaths and doubting her own skills, local police sergeant Kris Mathews isn't sure whether Gil is a decent man wronged by life, or a hardened criminal she should lock up. But she does know he's not guilty of this murder, because she is his alibi. Gil isn't used to feeling anything for anyone. But there's a teenager here who has his eyes - a daughter he never knew existed. And the sergeant's fiery tenacity stirs his blood. He can't acknowledge either. He's made too many enemies in the Sydney Mafia and amongst corrupt cops. Kris's alibi might have saved him from a murder charge but her dedication to finding the truth has made her a target. Gil is surrounded by wilderness, but there's no place to hide, because his enemies have most of the town on their side, and they know that the one thing most punishing would be harming the few people he cares about.

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.