N rural eastern Pennsylvania, nine-year-old Jane MacLeod is writing a book about the happy family she desperately wishes she had. Her mother, Via, is dissatisfied and petulant, always resentful of the time Jane's father, Emlin, a heart surgeon, must spend with his patients at the hospital. One night in 1964, the family (including Jane's two younger brothers and sister and Via's homosexual brother, Uncle Francis) gathers to watch the Beatles on The Ed Sullivan Show. All goes well until Emlin discovers that someone has taken the phone off the hook, so that he can't receive emergency calls. Angrily, he accuses Via (who accuses Jane) and rushes off to the hospital. He is killed in an automobile accident. Fifteen years later, Jane has moved to London, where she's become friends with bohemians Nigel and Colette. A political bombing and an affair with aloof (and married) American writer Clay West lead Jane to confront her long-buried guilt over her parents' unhappiness and father's death.

"Lie back and think of England ... England, 1904. Two years ago, Captain Archie Curtis lost his friends, fingers, and future to a terrible military accident. Alone, purposeless, and angry, Curtis is determined to discover if he and his comrades were the victims of fate, or of sabotage. Curtis's search takes him to an isolated, ultra-modern country house, where he meets and instantly clashes with fellow guest Daniel da Silva. Effete, decadent, foreign and all too obviously queer, the sophisticated poet is everything the straightforward British officer fears and distrusts. As events unfold, Curtis realizes that Daniel has his own secret intentions. And there's something else they share-- a mounting sexual tension that leaves Curtis reeling. And as the house party's elegant facade cracks to reveal treachery, blackmail, and murder, Curtis finds himself needing clever, dark-eyed Daniel as he has never needed a man before."--Page 4 of cover.

Comic, opinionated and affectionately satirical photographs of England by the Magnum photographer.

Why do we still get misty-eyed about England's green and pleasant land? What explains our obsession with country houses - from the National Trust to Downton Abbey? Why do we still dream of a place in the country? In this delightul book Roy Strong explores the definition of Englishness. Celebrating our literature, music, art, gardening and drama, Strong identifies those icons and traditions that still speak to us - it is a vision of England that is inclusive and relevant for everybody living in the country today.

How the most powerful country in the UK was forged by invasion and conquest, and is fractured by its north-south divide. The Shortest History books deliver thousands of years of history in one riveting, fast-paced read. England—begetter of parliaments and globe-spanning empires, star of beloved period dramas, and home of the House of Windsor—is not quite the stalwart island fortress that many of us imagine. Riven by an ancient fault line that predates even the Romans, its fate has ever been bound up with that of its neighbors; and for the past millennia, it has harbored a class system like nowhere else on Earth. This bracing tour of the most powerful country in the United Kingdom reveals an England repeatedly invaded and constantly reinvented—yet always fractured by its very own Mason-Dixon Line. It carries us swiftly through centuries of conflict between Crown and Parliament (starring the Magna Carta), America’s War of Independence, the rise and fall of empire, two World Wars, and England’s break from the EU. We discover: why the American colonists of 1776 believed that they were the true Anglo-Saxons how the British Empire was undermined from within why Winston Churchill said the UK could only be saved by splitting up England itself and how populism spawned Brexit and its “new elite.” The Shortest History of England brings all this and more to prescient life—offering the most direct, compelling route to understanding the country behind today’s headlines.

This celebration of the English countryside does not only focus on the rolling green landscapes and magnificent monuments that set England apart from the rest of the world. Many of the contributors bring their own special touch, presenting a refreshingly eclectic variety of personal icons, from pub signs to seaside piers, from cattle grids to canal boats, and from village cricket to nimbies. First published as a lavish colour coffeetable book, this new expanded paperback edition has double the original number of contributions from many celebrities including Bill Bryson, Michael Palin, Eric Clapton, Bryan Ferry, Sebastian Faulks, Kate Adie, Kevin Spacey, Gavin Pretor-Pinney, Richard Mabey , Simon Jenkins, John Sergeant, Benjamin Zephaniah, Joan Bakewell, Antony Beevor, Libby Purves, Jonathan Dimbleby, and many more: and a new preface by HRH Prince Charles.

BOOKER PRIZE FINALIST • From the internationally acclaimed bestselling author The Sense of an Ending comes a "wickedly funny” novel (The New York Times) about an idyllic land of make-believe in England that gets horribly and hilariously out of hand. Imagine an England where all the pubs are quaint, where the Windsors behave themselves (mostly), where the cliffs of Dover are actually white, and where Robin Hood and his merry men really are merry. This is precisely what visionary tycoon, Sir Jack Pitman, seeks to accomplish on the Isle of Wight, a "destination" where tourists can find replicas of Big Ben (half size), Princess Di's grave, and even Harrod's (conveniently located inside the tower of London). Martha Cochrane, hired as one of Sir Jack's resident "no-people," ably assists him in realizing his dream. But when things go awry, Martha develops her own vision of the perfect England. Julian Barnes delights us with a novel that is at once a philosophical inquiry, a burst of mischief, and a moving elegy about authenticity and nationality.