[A] dramatic, affecting account...—Publishers Weekly

Tokyo Rose / An American Patriot explores the parallel lives of World War II legend Tokyo Rose and a Japanese American woman named Iva Toguri. Trapped in Tokyo during the war and forced to broadcast on Japanese radio, Toguri nonetheless refused to renounce her U.S. citizenship and surreptitiously aided Allied POWs. Despite these patriotic actions, she foolishly identified herself to the press after the war as Tokyo Rose. This book assembles for the first time a collection of images from American pre-war popular culture that provided impetus for the legend. It explains how the wartime situation of servicemen caused their imaginations to create the mythical femme fatale even though no Japanese announcer ever used the name Tokyo Rose. Further, in spite of the fact that there was only one rather innocuous broadcast by a woman between December 1941 and April 1942, a news correspondent with the U.S. Navy reported in April 1942 that sailors in the Pacific theater routinely listened to Tokyo Rose's propaganda. Using interviews conducted over decades, this biography also explores Toguri's character and decisions by placing her story and conviction for treason in the context of U.S. and Japanese racial views, Imperial Japan, and Cold War politics. New research findings prompt a different perspective on her sensational trial, the most expensive in U.S. history up to that time. Misguided strategy by Toguri's defense attorney and her deceptive testimony about a key event led to the jury's verdict as surely as the perjury suborned by prosecutors. In addition to updated information, this expanded edition discusses Manila Rose, another Japanese broadcaster who lived in San Francisco in 1949 a few blocks from the courthouse where the federal government prosecuted Tokyo Rose. The U.S. Army misstated Manila Rose’s name to the public when it interviewed her in 1945. As a result historians have never turned up her files because they researched this incorrect name. Close discovered the FBI investigation from 1954 in the National Archives and is the first here to reveal the full story of Manila Rose, a woman whose real life parallels that of the fictional Tokyo Rose.

Iva Ikuku Toguri (1916-2006) was an American citizen, born on the 4th of July. Her parents, first-generation Japanese Americans, embraced their new nation and raised Iva to think, talk, and act like a patriotic American. But, despite her allegiance to the United States, she was forced to spend most of her adult life denying that she was a traitor or that she was World War II's infamous Tokyo Rose. When the Japanese attacked Pearl Harbor, Iva was nursing an ailing aunt in Japan. Prevented from returning to home, she was viewed with suspicion by the Japanese authorities. They hounded her to renounce her American citizenship, which she adamantly refused to do. Pressured to find employment, she joined Radio Tokyo. Known as Orphan Ann, she did nothing more than emcee brief music segments on "The Zero Hour" during the war's last two years. She was never called "Tokyo Rose" by anyone and was but one of only a dozen or so English-speaking females heard on Japanese airwaves. In need of money to return home after the war, she made the mistake of allowing herself to be interviewed by two ambitious journalists who were certain that she was the Tokyo Rose, even though she denied it. The published story brought Iva to the attention of American authorities who tried and convicted Iva for treason, despite the lack of evidence and a reluctant jury. She was then stripped of her citizenship and sent to prison. Yasuhide Kawashima's account of Toguri's trials are deeply rooted in Japanese language sources, American legal archives, and the cultures of both nations. He identifies heroes and villains in both the United States and Japan and also highlights broader concerns: the internment of thousands of loyal Japanese Americans, the meaning of citizenship, the nation's commitment to the idea of fair trial, the impact of tabloid journalism, and the very concept of treason. Iva was eventually pardoned in 1977 by President Gerald Ford—she was the first person in U.S. history to be pardoned for treason—and had her citizenship restored. Yet when she died in 2006, obituaries continued to identify her as Tokyo Rose. Kafkaesque in its telling, Kawashima's tale provides a harsh reminder that the law does not always render justice.

It is 1941, the start of Word War II. Wishing only to pursue her dreams of attending medical school at UCLA, Iva Toguri reluctantly visits her sick aunt in Japan. The start of the war traps her there. When she refuses to renounce her American citizenship, the Japanese government denies her a food ration card. Soon her mother's family evicts her, and she struggles to survive. Forced to accept a job with Radio Tokyo, she refuses to participate in propaganda broadcasts despite unending pressure by Army management. Relief comes with the war's end, but the extreme politics back in the United States and continuing racial prejudice against Japanese-Americans makes Iva a target. Mistakenly identified as Tokyo Rose, she is charged with treason, leading to a trial that grips the nation.

A “fascinating, well-researched account” of Mildred Gillars, the failed actress who turned on her country and became a Nazi propagandist during WWII (Publishers Weekly). One of the most notorious Americans of the twentieth century was a failed Broadway actress turned radio announcer named Mildred Gillars (1900–1988), better known to American GIs as “Axis Sally.” Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda. At the outbreak of war in September 1939, Gillars had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI. Spicing her broadcasts with music, Gillars’s used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were. After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, and was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars’s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.

Twenty-year-old Taguchi Hiro has spent the last two years of his life living as a hikikomori—a shut-in who never leaves his room and has no human interaction—in his parents’ home in Tokyo. As Hiro tentatively decides to reenter the world, he spends his days observing life around him from a park bench. Gradually he makes friends with Ohara Tetsu, a middle-aged salaryman who has lost his job but can’t bring himself to tell his wife, and shows up every day in a suit and tie to pass the time on a nearby bench. As Hiro and Tetsu cautiously open up to each other, they discover in their sadness a common bond. Regrets and disappointments, as well as hopes and dreams, come to the surface until both find the strength to somehow give a new start to their lives. This beautiful novel is moving, unforgettable, and full of surprises. The reader turns the last page feeling that a small triumph has occurred.