"An invitation to a "treasure hunt" open to thriller writers and lesser mortals confronts Scotland Yard's Chief Inspector Macdonald with two baffling deaths."— Kirkus Reviews It's all fun and games (and fake names) until someone ends up dead... Amidst the confusion of too many fake names, clues, ciphers, and convoluted alibis, Chief Inspector Macdonald and his allies in the CID must unravel a truly tangled case in this metafictional masterpiece, which returns to print for the first time since its publication in 1937. This edition includes an introduction by CWA Diamond Dagger Award-winning author Martin Edwards. "Should detectives go to parties? Was it consistent with the dignity of the Yard? The inspector tossed for it—and went." Chief Inspector Macdonald has been invited to a treasure hunt party at the house of Graham Coombe, the celebrated publisher of Murder by Mesmerism. Despite a handful of misgivings, the inspector joins a guest list of novelists and thriller writers disguised on the night under literary pseudonyms. The fun comes to an abrupt end, however, when "Samuel Pepys" is found dead in the telephone room in bizarre circumstances.

From the Newbery Award-winning author of THE WESTING GAME, more clever riddles and wordplay, clues to be found, and mysteries to be solved! Wanted: Assistant to a painter (and a secret sleuth) Dickory Dock has come to 12 Cobble Lane to take the job as painter's assistant to the artist Garson. The townhouse looks charming and quaint, but inside its redbrick walls lurk suspicious characters, multiple mysteries, and one very eccentric portrait artist. Clues abound; and suddenly Dickory finds herself assisting Garson not in art but in crime solving. Can Dickory untangle the web of mysteries within mysteries and discover the true secret hiding on Cobble Lane?

Once readers develop a taste for our thrilling little mystery stories, they just want more and more! Based on the grand success of our Five-Minute Mysteries series, this collection features fifteen light and lively tales, each of which can be solved in ten minutes or less. Set in the fictional Tudor Hall in 1926 and starring familiar characters from the classic 1949 board game, these stories give readers an opportunity to sleuth out the culprit among Colonel Mustard, Professor Plum, Mrs. Patricia Peacock, and the others in all manner of fun-to-solve intrigues.

A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

In his detailed and thought-provoking work, Philip Goodwin conducts a thorough analysis of the challenges facing the Biblical translator, with particular focus on the problematic dominance of the King James Version of the Bible in our imaginations - a dominance which has had a deleterious effect upon the accuracy and originality of the translator's work. Goodwin considers the first two chapters of the Lukan narratives in depth, comparing and contrasting a breadth of widely disparate translations and drawing on a rich body of Biblical scholarship to support his thesis. A wide-ranging discussion of other linguistic issues is also conducted, touching on such vital matters as incorporating the contextual implications of the original text, and the attempt to challenge the reader's pre-existing encyclopaedic knowledge. Goodwin evolves a fresh and comprehensive answer to the difficulties of the translator's task, and concludes by providing his own original and charming translation of the first two chapters of Luke's Gospel. 'Translating the English Bible' provides a fascinating insight into the processes of translation and will interest anyone seeking accuracy and fidelity to the Scriptural message. It will also enlighten readers seeking a challenging translation of Luke that casts off the shackles of the 'Holy Marriage' tradition of Biblical translation.

This book provides an original and compelling analysis of the ways in which British women’s golden age crime narratives negotiate the conflicting social and cultural forces that influenced depictions of gender in popular culture in the 1920s until the late 1940s. The book explores a wide variety of texts produced both by writers who have been the focus of a relatively large amount of critical attention, such as Agatha Christie, Dorothy L. Sayers and Margery Allingham, but also those who have received comparatively little, such as Christianna Brand, Ngaio Marsh, Gladys Mitchell, Josephine Tey and Patricia Wentworth. Through its original readings, this book explores the ambivalent nature of modes of femininity depicted in golden age crime fiction, and shows that seemingly conservative resolutions are often attempts to provide a ‘modern-yet-safe’ solution to the conflicts raised in the texts.