In Kids These Days, early Wall Street occupier Malcolm Harris gets real about why the Millennial generation has been wrongly stereotyped, and dares us to confront and take charge of the consequences now that we are grown up. Millennials have been stereotyped as lazy, entitled, narcissistic, and immature. We've gotten so used to sloppy generational analysis filled with dumb clichés about young people that we've lost sight of what really unites Millennials. Namely: We are the most educated and hardworking generation in American history. We poured historic and insane amounts of time and money into preparing ourselves for the 21st-century labor market. We have been taught to consider working for free (homework, internships) a privilege for our own benefit. We are poorer, more medicated, and more precariously employed than our parents, grandparents, even our great grandparents, with less of a social safety net to boot. Kids These Days is about why. In brilliant, crackling prose, early Wall Street occupier Malcolm Harris gets mercilessly real about our maligned birth cohort. Examining trends like runaway student debt, the rise of the intern, mass incarceration, social media, and more, Harris gives us a portrait of what it means to be young in America today that will wake you up and piss you off. Millennials were the first generation raised explicitly as investments, Harris argues, and in Kids These Days he dares us to confront and take charge of the consequences now that we are grown up.

Connor Vast designs fake computer interfaces. Not the ones you see in sci-fi movies or primetime crime dramas, though he's worked on a couple of those in the past. The interfaces he designs tend to be static: they are the screens for prop computers in furniture showrooms. Young creative professional, child of the internet, refugee of the suburban Midwest, Connor goes about his life and work in New York City with a stream of status updates flowing constantly in the background. He meets K, a gamine twenty-four-year-old who doesn't own a cellphone. As he gets to know her, Connor realizes he's strayed from his younger ambitions of designing real interfaces, working on real technology. He soon falls in with a group of entrepreneurs out to invent the future, but it's the same future K is so adamantly against. These Days is a foray into the world of startups and an examination of the human side of technology, of both the makers and the end users, who are often one and the same. It's about finding happiness and fulfillment in the digital age; a meditation on time, memory, and things gained and lost in an accelerating world.

WINNER OF THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION WINNER OF THE E. M. FORSTER AWARD AS HEARD ON BBC RADIO 4s BOOK AT BEDTIME Two sisters. Four nights. One City. April, 1941. Belfast has escaped the worst of the war - so far. Following the lives of sisters Emma and Audrey - one engaged to be married, the other in a secret relationship with another woman - as they try to survive the horrors of the Belfast Blitz, These Days is an unforgettable novel about lives lived under duress, about family, and about how we try to stay true to ourselves 'Brilliantly evokes wartime love and heartbreak.' Guardian 'Breathtakingly good. A novel of enormous heart; full of luminous passages of prose.' Observer 'Meticulously researched, perfectly imagined, full of compassion and emotional truth.' CLARE CHAMBERS

A warm, witty novel about love, friendship and life, perfect for fans of Rowan Coleman and Jane Green.

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

A vivid, electric tale set in New York and personally recommended by bestselling author Nick Hornby (Fever Pitch, About a Boy): These Days Are Ours is an irresistible coming-of-age story for the Lena Dunham generation from debut author Michelle Haimoff. New York City, six months after 9/11: everything has changed and nothing has. Hailey graduated college months ago but she's still living in her family's Fifth Avenue penthouse, spending her nights falling in and out of bars across Upper East Side Manhattan - and the thrill is starting to wear off. It isn't easy being young, rich and beautiful. Overnight, it seems like everyone suddenly has their lives completely sorted. Katie has a great job at Morgan Stanley, Michael Brenner is training to be a human rights lawyer and trust-fund kid Randy is just content to carry on having fun. Hailey is lost somewhere in the middle, torn between chasing down the next wild party and admitting that it might be time to grow up. She craves something more meaningful - but what? Perhaps Brenner holds the answer: gorgeous, charismatic and aloof, Hailey is convinced he is the missing piece in her puzzle. But when she meets Adrian, a man so totally different from her usual privileged crowd, she begins to realise she's been looking for happiness in all the wrong places... These Days Are Ours captures the feverish excitement and exhilarating uncertainty of the city, where bright young things are forever brimming with possibility and buckling under the pressure. Michelle Haimoff is a writer and blogger whose writing has appeared in The New York Times, The Los Angeles Times, PsychologyToday.com and The Huffington Post. She is a founding memebr of NOW-New York State's Young Feminist Task Force and blogs about feminist issues at genfem.com. She was raised in New York City, curently lives in Los Angeles, and can be found online at MichelleHaimoff.com. These Days Are Ours is her first novel.

A New York Times Book Review Editors’ Choice, this engaging, insightful portrayal of Emily Dickinson sheds new light on one of American literature’s most enigmatic figures. On August 3, 1845, young Emily Dickinson declared, “All things are ready” and with this resolute statement, her life as a poet began. Despite spending her days almost entirely “at home” (the occupation listed on her death certificate), Dickinson’s interior world was extraordinary. She loved passionately, was hesitant about publication, embraced seclusion, and created 1,789 poems that she tucked into a dresser drawer. In These Fevered Days, Martha Ackmann unravels the mysteries of Dickinson’s life through ten decisive episodes that distill her evolution as a poet. Ackmann follows Dickinson through her religious crisis while a student at Mount Holyoke, which prefigured her lifelong ambivalence toward organized religion and her deep, private spirituality. We see the poet through her exhilarating frenzy of composition, through which we come to understand her fiercely self-critical eye and her relationship with sister-in-law and first reader, Susan Dickinson. Contrary to her reputation as a recluse, Dickinson makes the startling decision to ask a famous editor for advice, writes anguished letters to an unidentified “Master,” and keeps up a lifelong friendship with writer Helen Hunt Jackson. At the peak of her literary productivity, she is seized with despair in confronting possible blindness. Utilizing thousands of archival letters and poems as well as never-before-seen photos, These Fevered Days constructs a remarkable map of Emily Dickinson’s inner life. Together, these ten days provide new insights into her wildly original poetry and render an “enjoyable and absorbing” (Scott Bradfield, Washington Post) portrait of American literature’s most enigmatic figure.