Covering the Bronze Age, as well as the Archaic, Classical, and early Hellenistic periods, Themes in Greek Society and Culture introduces students to central aspects of ancient Greek society. The volume brings together 19 expert contributors who explore the institutions, structures,activities, and cultural output that formed the experience of living in ancient Greece.

The most engaging, accessible, and rich overview of the ancient Greeks' institutions, structures, activities, and cultural outputs from the Bronze Age to the Hellenistic period.Covering the Bronze Age, as well as the Archaic, Classical, and early Hellenistic periods, Themes in Greek Society and Culture introduces students to central aspects of ancient Greek society. The updated second edition brings together 20 expert contributors who explore the institutions, structures,activities, and cultural output that formed the experience of living in ancient Greece.

Sport and Society in Ancient Greece provides a concise and readable introduction to ancient Greek sport. It covers such topics as the links between sport, religion and warfare, the origins and history of the Olympic games, and the spirit of competition among the Greeks. Its main focus, however, is on Greek sport as an arena for the creation and expression of difference among individuals and groups. Sport not only identified winners and losers. It also drew boundaries between groups (Greeks and barbarians, boys and men, males and females) and offered a field for debate on the relative worth of athletic and equestrian competition. The book includes guides to the ancient evidence and to modern scholarship on the subject.

Sian Lewis explores the role of news and information in shaping Greek society from the sixth to the fourth centuries, b.c. Applying ideas from the study of modern media to her analysis of the functions of gossip, travel, messengers, inscriptions, and inst

William Desmond, taking issue with common popular and scholarlyviews of the ancient Greek Cynics, contends that early Cynics likeAntisthenes and Diogenes were not cultural outcasts or marginal voicesin classical culture; rather, the Cynic movement through the fourthcentury B.C. had deep and significant roots in what Desmond calls theGreek praise of poverty. Desmond demonstrates that classical views ofwealth were complex and allowed for the admiration of poverty and thevirtues it could inspire. He explains Cynicism's rise in popularity in theancient world by exploring the set of attitudes that collectively formedthe Greek praise of poverty. Desmond argues that in the fifth and fourthcenturies B.C., economic, political, military, and philosophical thoughtcontained explicit criticisms of wealth and praise of poverty.

The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.

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