Seminar paper from the year 1995 in the subject American Studies - Culture and Applied Geography, grade: 1, University of Tubingen (Department of American Studies, Faculty of English Philology), course: Hauptseminar "American West ", 24 entries in the bibliography, language: English, abstract: University of Tübingen, Department for American Studies, HS: The American West Western Myth with gender change: Thelma & Louise (1990) von: Sebastian Hoos Abstract The scientific community widely agrees that no region on earth shaped as many contemporary myths as the American West. The number of definitions of what is meant by "the West" is close to the number of references made to it - in numerous fields. Only by looking at individual examples of western myth at work can we find ways to appoach the myth itself and its consequences. In this paper I want to illuminate the intellectual and cultural web that is worked into and created around the Hollywood-made motion picture "Thelma & Louise". Following a rather broad attempt I want to give a comprehensive overview over all the printed reactions and reviews of this piece of discourse beginning with a few "traditional Westerns" and a piece of generic criticism by a young female American film critic. Following that, the story of the movie will be recaptured, analyzed, and thereby, finally, interpreted. This paper is a revised and extended version of an earlier one presented to Prof. Jeff Bass at Baylor University, Texas, USA. Thanks to the excellent facilities and up to date media access of Moody Memorial Library on Baylor University campus I am apt to say that all relevant publications about this movie have been elaborated in my work. New insight about the recipience and interpretation of the western myth made me rewrite this paper specifically for a course on the American West. Directory of content p. 3 Introduction p. 4 Chapter I: Recent Western Film Reviews p. 5 Chapter II: Generic Criticism p. 8 Chapter I

Essays by leading film scholars and an interview with screenwriter Callie Khouri explore the significant, on-going influence of the 1991 film 'Thelma & Louise'.

Maiden USA: Girl Icons Come of Age explores images of powerful, contradictory pop culture icons of the past decade, which run the gamut from Mean Girls and their Endangered Victims to Superheroines and Ingenue Goddesses. Are girls of the Title IX generation in need of Internet protection, or are they Supergirls evolving beyond gender stereotypes to rescue us all? Maiden USA provides an overview of girl trends since the '90s including the emergence of girls' digital media-making and self-representation venues on MySpace, Facebook and YouTube as the newest wave of Girl Power.

The 4th edition ofGender Rolesprovides the best balance between “gender” and “women” as a focus—especially with the expanded content on men and masculinity. It addresses religion and integrates history at various points. An objective of the book is to dispel myths about gender. Both sociological and interdisciplinary content organized around clear and appropriate research serves this objective well—providing readers with a sociological perspective of gender that can be meaningfully applied to their daily lives.The more controversial topics related to gender have a greater array of supporting references directing readers to explore the topics further.Gender Rolesintegrates insights and research from other disciplines—especially biology, psychology, anthropology, and history. Interdisciplinary material is organized, presented, and guided by the sociological perspective, however, so readers can understand the commonalities and differences in the ways the various disciplines research and explain gender.An exciting and interesting read for anyone interested in gender roles and sexual identity.

The Road Movie Book is the first comprehensive study of an enduring but ever-changing Hollywood genre, its place in American culture, and its legacy to world cinema. The road and the cinema both flourished in the twentieth century, as technological advances brought motion pictures to a mass audience and the mass produced automobile opened up the road to the ordinary American. When Jean Baudrillard equated modern American culture with 'space, speed, cinema, technology' he could just as easily have added that the road movie is its supreme emblem. The contributors explore how the road movie has confronted and represented issues of nationhood, sexuality, gender, class and race. They map the generic terrain of the road movie, trace its evolution on American television as well as on the big screen from the 1930s through the 1980s, and, finally, consider road movies that go off the road, departing from the US landscape or travelling on the margins of contemporary American culture. Movies discussed include: * Road classics such as It Happened One Night, The Grapes of Wrath, The Wizard of Oz and the Bob Hope-Bing Crosby Road to films * 1960's reworkings of the road movie in Easy Rider and Bonnie and Clyde * Russ Meyer's road movies: from Motorpsycho! to Faster Pussycat! Kill! Kill! * Contemporary hits such as Paris Texas, Rain Man, Natural Born Killers and Thelma and Louise * The road movie, Australian style, from Mad Max to the Adventures of Priscilla, Queen of the Desert.