St Enda's is no ordinary school, and Padraic Pearse is no ordinary headmaster. His pupils are inspired by his vision of freedom and an Irish Republic, and John Joe and his friend Roger see the Easter Rising as their chance to fight for Ireland's freedom. But the two boys are horrified to learn that they are too young to take part. They disobey orders to stay away from the city centre and quickly become caught up in the dramatic events of the Rebellion. Called to be brave and resourceful beyond their years, they witness events that change their lives forever. Another dramatic blend of history and fiction from the inimitable Morgan Llywelyn.

A riveting history of the daring politicians who challenged the disastrous policies of the British government on the eve of World War II On May 7, 1940, the House of Commons began perhaps the most crucial debate in British parliamentary history. On its outcome hung the future of Prime Minister Neville Chamberlain's government and also of Britain—indeed, perhaps, the world. Troublesome Young Men is Lynne Olson's fascinating account of how a small group of rebellious Tory MPs defied the Chamberlain government's defeatist policies that aimed to appease Europe's tyrants and eventually forced the prime minister's resignation. Some historians dismiss the "phony war" that preceded this turning point—from September 1939, when Britain and France declared war on Germany, to May 1940, when Winston Churchill became prime minister—as a time of waiting and inaction, but Olson makes no such mistake, and describes in dramatic detail the public unrest that spread through Britain then, as people realized how poorly prepared the nation was to confront Hitler, how their basic civil liberties were being jeopardized, and also that there were intrepid politicians willing to risk political suicide to spearhead the opposition to Chamberlain—Harold Macmillan, Robert Boothby, Leo Amery, Ronald Cartland, and Lord Robert Cranborne among them. The political and personal dramas that played out in Parliament and in the nation as Britain faced the threat of fascism virtually on its own are extraordinary—and, in Olson's hands, downright inspiring.

This first-of-its-kind collection presents photographer Karlheinz Weinberger’s influential portraits of rebel youth of the sixties. While Karlheinz Weinberger is known as a pioneer of male erotic imagery, the Swiss amateur photographer also left an indelible mark on the fashion world with his decades-long documenting of vibrant rebel youth culture. These working-class teenagers created looks that fused iconic American pop culture imagery—biker jackets, denim jeans, bouffant hairdos, James Dean insouciance—with their own idiosyncratic sensibilities. From the late 1950s through the ’60s, Weinberger captured the defiant glamour of these youths with a keen eye for their provocative handmade designs. Inspired by the rebel youth’s pop playfulness and fierce individuality, a legion of contemporary fashion-industry leaders have been profoundly influenced by the photographs collected in this stunning volume.

Holden Caulfield, the beat writers, Elvis Presley, Chuck Berry, and James Dean—these and other avatars of youthful rebellion were much more than entertainment. As Leerom Medovoi shows, they were often embraced and hotly debated at the dawn of the Cold War era because they stood for dissent and defiance at a time when the ideological production of the United States as leader of the “free world” required emancipatory figures who could represent America’s geopolitical claims. Medovoi argues that the “bad boy” became a guarantor of the country’s anti-authoritarian, democratic self-image: a kindred spirit to the freedom-seeking nations of the rapidly decolonizing third world and a counterpoint to the repressive conformity attributed to both the Soviet Union abroad and America’s burgeoning suburbs at home. Alongside the young rebel, the contemporary concept of identity emerged in the 1950s. It was in that decade that “identity” was first used to define collective selves in the politicized manner that is recognizable today: in terms such as “national identity” and “racial identity.” Medovoi traces the rapid absorption of identity themes across many facets of postwar American culture, including beat literature, the young adult novel, the Hollywood teen film, early rock ‘n’ roll, black drama, and “bad girl” narratives. He demonstrates that youth culture especially began to exhibit telltale motifs of teen, racial, sexual, gender, and generational revolt that would burst into political prominence during the ensuing decades, bequeathing to the progressive wing of contemporary American political culture a potent but ambiguous legacy of identity politics.

Through diary entries, reveals the life of Britain's strong-willed and short-tempered Queen Victoria from the age of eight through her twenty-fourth birthday, up to her third wedding anniversary with her beloved Albert in 1843.