“Fascinating . . . full of insight and a perceptive portrait of Lenin’s single-mindedness and his relentless, all-consuming drive towards revolution in Russia.” —The Guardian Combining Young Lenin and On Lenin in one volume, this is a fascinating political biography by Lenin’s fellow revolutionary, Leon Trotsky. Trotsky on Lenin brings together two long-out-of-print works in a single volume for the first time, providing an intimate and illuminating portrait of the Bolshevik leader by another of the twentieth century’s greatest revolutionaries. Written shortly after its subject’s death, On Lenin covers the period of revolutionary struggle leading up to 1917 as well as the early years of Bolshevik power. We see a man totally committed to the revolutionary cause, whose legacy was later corrupted under the Soviet Union’s Stalinist degeneration. Young Lenin, meanwhile, describes his early years and conversion to Marxism, dispelling many of the myths later created by Soviet hagiography in the process. This is the essential guide for anyone wanting to understand Lenin as a thinker, active revolutionary, and personality.

Marx, Lenin, and the Revolutionary Experience offers a fresh look at Communism, both the bad and good, and also touches on anarchism, Christian theory, conservatism, liberalism, Marxism, and more, to argue for the enduring relevance of Karl Marx, and V.I. Lenin as democratic revolutionaries. It examines the "Red Decade" of the 1930s and the civil rights movement and the New Left of the 1960s in the United States as well. Studying the past to grapple with issues of war and terrorism, exploitation, hunger, ecological crisis, and trends toward deadening "de-spiritualization", the book shows how the revolutionaries of the past are still relevant to today's struggles. It offers a clearly written and carefully reasoned thematic discussion of globalization, Marxism, Christianity (and religion in general), Communism, the history of the USSR and US radical and social movements.

The first in-depth study of the long march of the US New Left after 1968 The sixties were a time when radical movements learned to embrace twentieth-century Marxism. Revolution in the Air is the definitive study of this turning point, and examines what the resistance of today can learn from the legacies of Lenin, Mao and Che. It tells the story of the “new communist movement” which was the most racially integrated and fast-growing movement on the Left. Thousands of young activists, radicalized by the Vietnam War and Black Liberation, and spurred on by the Puerto Rican, Chicano and Asian-American movements, embraced a Third World oriented version of Marxism. These admirers of Mao, Che and Amilcar Cabral organized resistance to the Republican majorities of Nixon and Ford. By the 1980s these groups had either collapsed or become tiny shards of the dream of a Maoist world revolution. Taking issue with the idea of a division between an early “good sixties” and a later “bad sixties,” Max Elbaum is particularly concerned to reclaim the lessons of the new communist movement for today’s activists who, like their sixties’ predecessors, are coming of age at a time when the Left lacks mass support and is fragmented along racial lines. With a new foreward by Alicia Garza, cofounder of #BlackLivesMatter.

Traces the transformation of Lenin's brother, Alexander Ulyanov, from student to terrorist and examines how a failed plot to assassinate the tsar and Alexander's subsequent execution shaped the ideals and motivations of Lenin.

Based on sources from rare book libraries in Russia and around the world, Picturing the Page offers a vivid exploration of illustrated children’s literature and reading under Lenin and Stalin – a period when mass publishing for children and universal public education became available for the first time in Russia. By analysing the illustrations in fairy tales, classic "adult" literature reformatted for children, and war-time picture books, Megan Swift elucidates the vital and multifaceted function of illustrated children’s literature in repurposing the past. Picturing the Page demonstrates that while the texts of the past remained fixed, illustrations could slip between the pages to mediate and annotate that past, as well as connect with anti-religious, patriotic, and other campaigns that were central to Soviet children’s culture after the 1917 Revolution.