A selection of short stories, poems, and artwork drawn from the award-winning journal "Yellow Silk" includes contributions by William Kotzwinkle, Marge Piercy, Gary Soto, Jane Underwood, Marilyn Hacker, and Robert Silverberg

With more than 35,000 copies in print, Yellow Silk: Erotic Arts and Letters made the bestseller lists of both the San Francisco Chronicle and the Washington Post. This sequel presents more pieces from the award-winning magazine dedicated to the finest in erotic literature and art.

Over the past decade, publisher and editor Lily Pond has established Yellow Silk: Journal of Erotic Arts as the premier source of sensual literature as serious, hilarious, joyful and real as sexual passion itself. Soliciting works from a wide range of well-known authors and nurturing the talents of new writers, Pond is famous for presenting writings that evoke Eros, not erotica cliches. Now the popular 15-year-old journal of international erotic arts makes its debut as an annual book. Seven Hundred Kisses features the magazine's trademark mix of new and established writers, including Tobias Wolf, Jane Smiley, Carlos Maso, Dorothy Allison, Walter Mosely and many others. A night-table necessity, this is writing that starts at the toes and works its way slowly, lingeringly and deliciously up to the brain, leaving no erogenous zone untouched!

The year is 1861. Hervé Joncour is a French merchant of silkworms, who combs the known world for their gemlike eggs. Then circumstances compel him to travel farther, beyond the edge of the known, to a country legendary for the quality of its silk and its hostility to foreigners: Japan.There Joncour meets a woman. They do not touch; they do not even speak. And he cannot read the note she sends him until he has returned to his own country. But in the moment he does, Joncour is possessed.

Mary Gordon. Kenzaburo Oe. Amy Bloom. Ivan Klima. James Dickey. Paul Theroux. Jane Hirshfield. W. S. Merwin. And many others. Acclaimed International Writers Explore the Essence of Eros Now the editor of Yellow Silk, the world's premier publication of erotic literature, assembles a collection of over 40 new erotic short stories and poems -- many never before available -- from around the world. From Mary Gordon's tribute to seeing and being seen, to James Dickey's ode to "interspecies infatuation" ... from Dany Laferriere's confession of Haitian secrets to Ingrid Hill's revelation of Chinese ones ... from W. S. Merwin's account of sexual initiation in backwoods America to Kenzaburo Oe's adventures in urban Japan and Amy Bloom's tale of a luxurious sexual experience before the eyes of God ... Yellow Silk II conveys the power and the transformative nature of passion with the brilliance and intensity only great writing can conjure. Expect to be moved. Expect to reacquaint yourself with the many astonishing faces of sex, love, and Eros itself.

Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof.

This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.