Volumes five and six contain c. 25 pieces of manuscript material, or rare tracts many of which have been available for the first time.

The first comprehensive history of libels in Elizabethan England, this interdisciplinary study traces the crime across law, literature, and culture, focusing especially on the theater. Ranging from Shakespeare to provincial pageantry, it provides a fresh account of early modern drama and the viral media ecosystem springing up around it.

This important work challenges an entrenched scholarly consensus, that at the beginning it was inspired leaders - not ordained officers - who dominated the church. James Burtchaell illustrates that the traditional argument on behalf of clerical authority had read history backwards, and found the apostles to be the first bishops. In this study, Burtchaell reads history forwards, and demonstrates that first century Jews knew only one form of community organization, that of the synagogue. The three-level structure of offices in the synagogue - president, elders, and assistant - emerges, in the author's estimation, as the most plausible antecedent for the Christian offices which stand forth clearly in the second century. Burtchaell's conclusion is that ordained office is a foundational element in Christianity, but that, while the officers presided from the first, they rarely led. Thus, while Jesus' brother James presided as the ordained chief of the mother church in Jerusalem, it was Peter - Jesus' inspired veteran disciple - whose voice carried most authority. This revisionist historical account of Christian origins creatively subverts the established positions on church order, and thus opens up the arguments to new and larger conclusions.

A fascinating account of writings penned by early modern prisoners, including Thomas More, Lady Jane Grey and Thomas Wyatt.

This is the first encyclopedia to be devoted entirely to Tudor England. 700 entries by top scholars in every major field combine new modes of archival research with a detailed Tudor chronology and appendix of biographical essays.Entries include: * Edward Alleyn [actor/theatre manager] * Roger Ascham * Bible translation * cloth trade * Devereux fami

Starting in the 1530s with John Bale, English reformers found in the apocalyptic mysteries of the Book of Revelation a framework for reinterpreting the history of Christianity and explaining the break from the Roman Catholic Church. Identifying the papacy with antichrist and the Roman Catholic Church with Babylon, they pictured the reformation as a departure from the false church that derived its jurisdiction from the devil. Those who took the initiative in throwing off the Roman yoke acted as instruments of God in the cosmic warfare against the power of evil that raged in the latter days of the world. The reformation ushered in the beginning of the end as prophesied by St. John. Reformers and Babylon examines the English apocalyptic tradition as developed in the works of religious thinkers both within and without the Established Church and distinguishes the various streams into which the tradition split. By the middle of Elizabeth's reign the mainstream apocalyptic interpretation was widely accepted within the Church of England. Under Charles I, however, it also provided a vocabulary of attack for critics of the Established Church. Using the same weapons that their ancestors had used to justify the reformation in the first place, reformers like John Bastwick, Henry Burton, William Prynne, and John Lilburne attacked the Church of England's growing sympathies with Romish ways and eventually prepared parliamentarians to take up arms against the royalist forces whom they saw as the forces of antichrist. Scholars of sixteenth- and seventeenth-century intellectual history will welcome this closely reasoned study of the background of religious dissent which underlay the politics of the time.