23 of today's top Irish-American authors provide personal accounts of how they found their voices in the Big Apple, and editor Colin Broderick provides background essays on Brendan Behan, Maeve Brennan, Frank McCourt, and other Irish-American writers of the past.

As they entered their 600th year of British occupation, the Irish looked to America. By the 1840s, America was the oasis that the Irish sought during a decade of both famine and revolution, and New York City was the main destination. The city would never be the same. Refugees of the famine found leadership in Archbishop “Dagger” John Hughes, who built an Irish-Catholic infrastructure of churches, schools, hospitals, and orphanages that challenged the Protestant power structure of the city. Revolutionaries found a home in NYC, too: Thomas Francis Meagher would later become Lincoln’s favorite Irish war general; John Devoy and Jeremiah O’Donovan Rossa continued their fight from the city after the failed Rising of 1867; two men killed in the Easter Rising, Tom Clarke and James Connolly, spent substantial time in New York. From there, the Irish rose and helped shape New York politics, labor, social activism, entertainment, and art. W. R. Grace was New York’s first Irish-Catholic mayor, followed by Tammany rogue James J. Walker, and then William O’Dwyer of County Mayo. On the labor side, Michael J. Quill, ex-IRA, of the Transport Workers of America, found his perfect foil in WASP mayor John V. Lindsay. Dorothy Day and Margaret Sanger became famed social activists. While the Irish made up much of the NYPD and FDNY, there was also the criminal element of the 1860s. The toughness of the New York underworld caught the eye of Hollywood, and James Cagney would become one of America’s favorite tough-guy movie characters. Irish gangs would be made famous in Martin Scorsese’s Gangs of New York. Today, Eugene O’Neill, Jimmy Breslin, Pete Hamill and Frank McCourt populate our literary canon. These Irish influenced every phase of American society, and their colorful stories make up Real Irish New York.

"Drawing on sources such as the land, the Church, the past, changing politics, and literary styles, Irish writers ranging from W. B. Yeats, James Joyce, and Augusta Gregory to Roddy Doyle, Kate O'Brien, Colm Toibin, John Banville, and Seamus Heaney explore what it means to be a writer in Ireland"--Provided by publisher.

NEW YORK TIMES BESTSELLER • SOON TO BE AN FX LIMITED SERIES STREAMING ON HULU • NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • From the author of Empire of Pain—a stunning, intricate narrative about a notorious killing in Northern Ireland and its devastating repercussions. One of The New York Times’s 20 Best Books of the 21st Century "Masked intruders dragged Jean McConville, a 38-year-old widow and mother of 10, from her Belfast home in 1972. In this meticulously reported book—as finely paced as a novel—Keefe uses McConville's murder as a prism to tell the history of the Troubles in Northern Ireland. Interviewing people on both sides of the conflict, he transforms the tragic damage and waste of the era into a searing, utterly gripping saga." —New York Times Book Review "Reads like a novel ... Keefe is ... a master of narrative nonfiction. . .An incredible story."—Rolling Stone A Best Book of the Year: The New York Times, The Washington Post, The Wall Street Journal, TIME, NPR, and more! Jean McConville's abduction was one of the most notorious episodes of the vicious conflict known as The Troubles. Everyone in the neighborhood knew the I.R.A. was responsible. But in a climate of fear and paranoia, no one would speak of it. In 2003, five years after an accord brought an uneasy peace to Northern Ireland, a set of human bones was discovered on a beach. McConville's children knew it was their mother when they were told a blue safety pin was attached to the dress--with so many kids, she had always kept it handy for diapers or ripped clothes. Patrick Radden Keefe's mesmerizing book on the bitter conflict in Northern Ireland and its aftermath uses the McConville case as a starting point for the tale of a society wracked by a violent guerrilla war, a war whose consequences have never been reckoned with. The brutal violence seared not only people like the McConville children, but also I.R.A. members embittered by a peace that fell far short of the goal of a united Ireland, and left them wondering whether the killings they committed were not justified acts of war, but simple murders. From radical and impetuous I.R.A. terrorists such as Dolours Price, who, when she was barely out of her teens, was already planting bombs in London and targeting informers for execution, to the ferocious I.R.A. mastermind known as The Dark, to the spy games and dirty schemes of the British Army, to Gerry Adams, who negotiated the peace but betrayed his hardcore comrades by denying his I.R.A. past--Say Nothing conjures a world of passion, betrayal, vengeance, and anguish.

New York University's Glucksman Ireland House opened a quarter-century ago to foster the study of Ireland and Irish America, and since then has led and witnessed tremendous changes in Irish and Irish-American culture. Alice McDermott writes about her son's Irish awakening; Colum McCann's Joycean essay is a brilliant call to action in defence of immigrants and social justice; Colm Tóibín's first visit to New York coincided with the first St Patrick's Day parade led by a woman; Dan Barry reflects on Frank McCourt's Angela's Ashes; and a new poem by Seamus Heaney written not long before his death. Through deeply personal essays that reflect on their own experience, research and art, some of the best-known Irish writers on both sides of the Atlantic commemorate the House's anniversary by examining what has changed, and what has not, in Irish and Irish-American culture, art, identity, and politics since 1993.

In the early 1900s, the Olympic Games track and field throwing events were dominated by a group of Irish-born weight throwers representing the United States. Of immense size and with a larger-than-life presence, these athletes came to be known as the “Irish Whales.” In The Irish Whales: Olympians of Old New York, Kevin Martin shares the untold story of these Irish American athletes who competed with unparalleled distinction for the United States. James Mitchell, John Flanagan, Martin Sheridan, Pat McDonald, Paddy Ryan, and Con Walsh won a total of eighteen medals in the Olympic Games between 1900 and 1924 and completely dominated the world stage in their chosen athletic disciplines. They were lionized in the American and Irish press and became folk heroes among Irish-American immigrant communities. Almost all of these men were further distinguished by their membership in the fabled Irish American Athletic Club of New York and careers with the New York Police Department. The story of the Irish Whales is the very embodiment of the American Dream and exemplifies the triumph of many Irish emigrants in the New World. Featuring a wonderful collection of original photographs, The Irish Whales tells the dramatic stories of these international athletes and their extraordinary sporting successes.

Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O'Donnell, Mary O'Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.