During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The beautiful landscape as well as the significant role of the coal mining industry are both detailed in the WPA Guide to West Virginia. The essay “Country Folk and Country Ways” gives the reader an idea of how rural life was in the Mountain State in the early 20th century and the descriptions of Charleston, Clarksburg, and other cities are complete with stunning photographs of classic Southern architecture.

"One of the first great reference tools on the Commonwealth, this WPA Guide is an important, vital part of our heritage. While it includes brief essays describing Kentucky's history, folklore, education, industry, geology, ethnic mix and other topics, the most remarkable feature is the driving tours that are as accurate today as they were more than half a century ago. Careful annotations give directions, point out historical and tourist sites, describe the country side, and even provide mileage for the drives."

First published in 1939, this nostalgic guide includes chapters on Montana's natural setting, history, economy, and cultural life as of half a century ago, plus separate entries for Billings, Butte, Great Falls, Helena, and Missoula--which at the time boasted four hotels and five-cent bus fares. There then follow, in the WPA Guide tradition, 18 tours that crisscross the state and point out not only natural splendors along the way but also such noteworthy historic sites as Custer Battlefield, the Blackfeet Indian Reservation, Boothill Cemetery in Virginia City, and the site of the "holing-up" shanty of Calamity Jane. Fourteen additional tours--four for roads, ten for trails--guide readers through Glacier National Park.

Written in response to the Hawk's Nest Tunnel disaster of 1931 in Gauley Bridge, West Virginia, The Book of the Dead is an important part of West Virginia's cultural heritage and a powerful account of one of the worst industrial catastrophes in American history. The poems collected here investigate the roots of a tragedy that killed hundreds of workers, most of them African American. They are a rare engagement with the overlap between race and environment in Appalachia. Published for the first time alongside photographs by Nancy Naumburg, who accompanied Rukeyser to Gauley Bridge in 1936, this edition of The Book of the Dead includes an introduction by Catherine Venable Moore, whose writing on the topic has been anthologized in Best American Essays.

During the Great Depression of the 1930s thousands of writers were hired by the Works Project Administration to create hundreds of guidebooks on all of the states in the U.S. These volumes that were produced became known as the American Guide Series. This series has been described as the biggest, fastest and most original research job in the history of the world. No library collection in Kentucky would be complete without a copy of Kentucky: A Guide To The Bluegrass State.

In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when the federal government was extending its reach into citizens' daily lives. The 400 guidebooks the teams produced have been widely celebrated as icons of American democracy and diversity. Clumped together, they manifest a lofty role for the project and a heavy responsibility for its teams of writers. The guides assumed the authority of conceptualizing the national identity. In The WPA Guides: Mapping America Christine Bold closely examines this publicized view of the guides and reveals its flaws. Her research in archival materials reveals the negotiations and conflicts between the central editors in Washington and the local people in the states. Race, region, and gender are taken as important categories within which difference and conflict appear. She looks at the guidebook for each of five distinctively different locations -- Idaho, New York City, North Carolina, Missouri, and U.S. One and the Oregon Trail--to assess the editorial plotting of such issues as gender, race, ethnicity, and class. As regionalists jostled with federal officialdom, the faultlines of the project gaped open. Spotlighting the controversies between federal and state bureaucracies, Bold concludes that the image of America that the WPA fostered is closer to fabrication than to actuality. Christine Bold is director of the Centre for Cultural Studies and an associate professor of English at the University of Guelph in Guelph, Ontario.