Contributed articles.

* This lavishly decorated book, featuring around 200 photographs, delineates the rich and varied history of Baluchar textiles, especially the saris* The very town that this wonderful sari bears the name of - Baluchar - is now gone, but the Baluchar sari is still alive, and is continuing to come off looms. How this art form traveled from Murshidabad to Bishnupur, then to Benares as well as to museums around the world has been analyzed and documented within the pages of this book* The transition from Nawabi to Colonial rule in Bengal was beautifully captured in the superbly crafted works of Baluchar weavers: from images of hookah-smoking nawabs and courtesans playing musical instruments, to English soldiers with canons, English women sitting boldly with their menfolk on elephants, hunting scenes, steamboats and trains* Each of the essays in the book has been written by a specialist in the field of Indian textiles, focusing on the heritage, conservation and revival of Baluchars The historic Baluchar textiles of Bengal are a testament to a unique weaving tradition. Composed of the finest silk, these textiles were painstakingly woven with intricate figurative and decorative patterns. They represent more than just a textile tradition. They are a window into the socio-cultural set-up of the eighteenth and nineteenth centuries. The transition from Nawabi to Colonial rule in Bengal has been beautifully captured through these textiles. This richly illustrated book traces the historical development of Baluchar textiles, especially saris, and the position this art form has come to acquire in the twenty-first century. By dissecting the conditions, inspirations, materials, techniques and aesthetic qualities of this weaving tradition, this book showcases how this art form traveled from Murshidabad to Bishnupur, then to Benares as well as to museums around the world.

"Published to accompany the exhibition The Fabric of India at the Victoria and Albert Museum, London, from 3 October 2015 to 10 January 2016"--Title page verso.

"[A] handsome digest of commercial, tribal, and folk textiles." —Fiberarts The production of textiles in India continues to flourish just as it has for many centuries. The interactions of indigenous tribes, invaders, traders, and explorers throughout history has built a culture legendary for its variety and color. From the Rann of Kutch to the Coromandel coast, handloom weavers, block printers, painters, dyers, and embroiderers are creating the most extraordinary textiles. This all-encompassing survey of textiles from every region of the Indian subcontinent runs the gamut of commercial, tribal, and folk textiles. The authors first place them in context by examining the cultural background: the history, the materials, and the techniques—weaving, printing, painting, and tie-dye. They then give a detailed region-by-region account of traditional textiles production, including chapters on Pakistan, Bangladesh, and Sri Lanka. A dazzling array of images provides an unsurpassed visual representation of the textiles, while a detailed reference section with further reading, museums, and information on technical terms completes this essential guide.

This vibrant volume showcases a stunning collection of Indian textiles from the V&A, and explores in depth their history, production techniques, and designs. Textiles have a long and distinguished history on the Indian subcontinent, from the dazzling woven silks worn by royalty to the simple block-printed patterns worn by the masses. Drawing from the Victoria and Albert Museum’s world-class collection, this beautiful and informative reference features breathtaking and varied textile designs, techniques, and colors. Each piece is examined in detail through close-up shots of the fabric and patterns, and demonstrates different weaving techniques, allowing readers to see precisely how the textile was made. Divided into three chapters by pattern style—“Floral,” “Figurative,” and “Geometric”—each chapter comprises an introduction to the style’s history along with its intended use. This authoritative volume overflows with distinctive colors and patterns to inspire and inform the reader about the history of Indian textiles and patterns, their intended use, and the methods by which they were made.

What makes Darjeeling tea, Pashmina shawl, Monsooned Malabar Arabica coffee and Chanderi saree special? Why is it that some goods derive their uniqueness through their inherent linkage to a place? In a pioneering study, this book explores this intriguing question in the Indian context across 199 registered goods with geographical indications, linked with their place of origin. It argues that the origin of these goods is attributed to a distinctive ecology that brews in a particular place. The attributes of their origin further endorse their unique geographical indications through legal channels. Drawing from a variety of disciplines including geography, history, sociology, handicrafts, paintings, and textiles, the author also examines the Geographical Indications Act of 1999, and shows how it has created a scope to identify, register and protect those goods, be they natural, agricultural, or manufactured. The work presents a new perspective on the indigenous diversities and offers an original understanding of the geography and history of India. Lucid and accessible, with several illustrative maps, this book will be useful to scholars and researchers in the social sciences, environmental studies, development studies, law, trade and history.