A humorous look at life in and around the Worlds End Chelsea, with my father Cyril at the helm. Follow him on his journey from near poverty as a child to his great success as a parent, and a trusted and much valued interior decorator for many of the great and good of his time.

A memoir and cultural history the World’s End, a West London area once home to bohemian artists and punk rock and now an outpost of neoliberalism. Charlie Gere’s account of growing up in the World’s End area of West London during the Cold War combines local history, cultural history, memoir, and a strong sense of the apocalyptic. Once a rundown part of Chelsea at the wrong end of the King’s Road, the World’s End has long been a place for bohemian writers and artists, including Turner, Whistler, Beckett, Bacon, and Bacon’s muse Henrietta Moraes, all of whom evinced an appropriate apocalyptic sensibility. After World War II, in which the area suffered severe bombing, it became a center of the counterculture that emerged from what Jeff Nuttall called “Bomb Culture,” formed by the threat of nuclear annihilation. The famous boutique Granny Takes a Trip opened there in 1966, joined later on by Hung On You, Puss Weber’s Flying Dragon Tea Room, and the commune Gandalf’s Garden. The area also featured trepanning aristocrats and pet lions, among other eccentricities. In the 1970s, the World’s End was the center of punk rock. Gere’s parents arrived as part of a wave of gentrification, and Gere, born and brought up there, witnessed its social and cultural evolution. As an adolescent, he was traumatized by the prospect of nuclear war. He has lived long enough to see the World’s End now bearing the marks of out-of-control neoliberalism and its grotesque accompanying inequality. But this too shall pass as worlds end.

A charming, meticulously researched, and illuminating look at how technology infiltrates every aspect of raising children today, filled with helpful advice parents can use to best navigate the digital landscape, and ultimately learn to trust their own judgment. There’s an app or device for nearly every aspect of parenting today: monitoring your baby; entertaining or educating your toddler; connecting with other new parents for tips, tricks, and community—virtually every aspect of daily life. But it isn’t a parenting paradise; the truth is much more complicated. The mother of two young daughters, journalist Sophie Brickman wondered what living in a tech-saturated world was doing to her and her children. She turned to experts, academics, doctors, and innovators for advice and insight. Baby, Unplugged brings together Brickman’s in-depth research with her own candid (sometimes hilarious) personal experience to help parents sort through the wide and often confusing tech offerings available today and to sort out what’s helpful and what’s not. Filled with relatable and entertaining stories as well as practical takeaways, Baby, Unplugged is destined to become a touchstone for parents today, giving them the permission to forge their own path through the morass of technological options, to restore their faith in themselves, and to help them raise good, social, and engaged people in the modern world.

In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.

This well-established and respected directory supports actors in their training and search for work on stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies, photographers and much more, this essential reference book editorially selects only the most relevant and reputable contacts for the actor. With several new articles including The multi-hyphenate comedy actor-performer-writer; Ignition, inspiration and the imposter; Be prepared for publicity; and Equity pension scheme, Actors' and Performers' Yearbook 2020 features aspects of the profession not previously covered, as well as continuing to provide valuable insight into auditions, interviews and securing work alongside a casting calendar and financial issues. This is a valuable professional tool in an industry where contacts and networking are key to career survival. All listings have been updated alongside fresh advice from industry experts.

The definitive illustrated guide to modern British architecture, from one of the most acclaimed critics at work today Modernism is now a century old, and its consequences are all around us, built into our everyday lived environments. Its place in Britain's history is fiercely contested, and its role in our future is the subject of ongoing controversy - but modernist buildings have undoubtedly changed our cities, politics and identity forever. In Modern Buildings in Britain, Owen Hatherley applauds the ambition and explores the significance of this most divisive of architectures, travelling from Aberystwyth to Aberdeen, from St Ives to Shetland, in search of our most important and distinctive modern buildings. Drawing on hundreds of examples, we learn how the concrete of Brutalism embodies post-war civic principles, how corporate values were expressed in the glass façades of the International Style, and why Ecomodernist experimentation is often consigned to the geographic fringes. As Hatherley considers the social, political and cultural value of these structures - a number of which are threatened by demolition - two linked questions emerge: what happens to a building after it has been lived in, and what becomes of an idea when its time has passed? With more than six hundred pages of trenchantly opinionated, often witty analysis, and with three hundred photographs in duotone and colour, Modern Buildings in Britain is a landmark contribution to the history of British architecture.

Das Zeitalter des Badezimmers als abgeschlossener Reinraum innerhalb des Wohnraums wird zu Ende gehen. Ausgehend von dieser die üblichen Grenzen des Wohnbaus sprengenden These hat sich der Lehrstuhl Marc Angélil (Architektur und Entwurf) der ETH Zürich in enger Zusammenarbeit mit der Firma Dornbracht und Architonic mit unserem heutigen Verständnis von Körperlichkeit und dessen Potenzial für den architektonischen Entwurf beschäftigt. Privates und Intimes sind nicht mehr deckungsgleich. Viele für lange Zeit private Handlungen rücken medial oder physisch rigoros in die Öffentlichkeit. Gleichzeitig entwickeln sich fortwährend neue Strategien, in dieser zunehmenden Öffentlichkeit des privaten Lebens Zonen oder Enklaven der Intimität herzustellen. Zur Darstellung kommen sieben visionäre Entwürfe von Studierenden, die von grundlegenden Essays zum Thema Körperlichkeit, Sauberkeit und Intimität in Kunst und Architektur begleitet werden.