An exclusive behind-the-scenes look at the making of Jane Austen's Sanditon television series. Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion, and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice). This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.

Sanditon (1817) is an unfinished novel by the English writer Jane Austen. The novel centers on Charlotte Heywood, the eldest of the daughters still at home in the large family of a country gentleman from Willingdon, Sussex. Upon arrival in Sanditon, Charlotte meets the colorful and largely female inhabitants of the town. Excerpt: "My name perhaps... may be unknown at this distance from the coast – but Sanditon itself – everybody has heard of Sanditon, – the favorite – for a young and rising bathing-place, certainly the favorite spot of all that are to be found along the coast of Sussex; – the most favored by nature, and promising to be the most chosen by man."

Jane Austen begin writing her last novel, Sanditon, in 1817, wrote 12 Chapters then put it aside and with her death the same year, never finished it. Sanditon on Reflection is a romance novel based on Jane Austen's work and tells the rest of the story as seen through the eyes of Jane Austen's heroine, a young woman by the name of Charlotte Heywood.

"Probing, jargon-free and written with the pace of a detective story... [Procter] dissects western museum culture with such forensic fury that it might be difficult for the reader ever to view those institutions in the same way again. " Financial Times 'A smart, accessible and brilliantly structured work that encourages readers to go beyond the grand architecture of cultural institutions and see the problematic colonial histories behind them.' - Sumaya Kassim Should museums be made to give back their marbles? Is it even possible to 'decolonize' our galleries? Must Rhodes fall? How to deal with the colonial history of art in museums and monuments in the public realm is a thorny issue that we are only just beginning to address. Alice Procter, creator of the Uncomfortable Art Tours, provides a manual for deconstructing everything you thought you knew about art history and tells the stories that have been left out of the canon. The book is divided into four chronological sections, named after four different kinds of art space: The Palace, The Classroom, The Memorial and The Playground. Each section tackles the fascinating, enlightening and often shocking stories of a selection of art pieces, including the propaganda painting the East India Company used to justify its rule in India; the tattooed Maori skulls collected as 'art objects' by Europeans; and works by contemporary artists who are taking on colonial history in their work and activism today. The Whole Picture is a much-needed provocation to look more critically at the accepted narratives about art, and rethink and disrupt the way we interact with the museums and galleries that display it.

'I am tired of submitting my will to the caprices of others-of resigning my own judgement in deference to those to whom I owe no duty, and for whom I feel no respect.' The unfinished fictions collected here are the novels and other writing that Jane Austen did not publish. The protagonist of the earliest story is Lady Susan, a sexual predator and a brilliant and manipulative sociopath. The Watsons, a tale of riches to rags, is set in a village deep in mud and misery where the Watson sisters waste away, day after dull day, waiting for the suitors who never appear. Sanditon, the novel interrupted by the author's death, is a topical satire on the niche marketing campaign waged by investors in the latest seaside resort, the fictional Sanditon, situated on England's over-supplied south coast. If The Watsons shares the disturbed life of a Chekhov short story, Sanditon's cast of eccentrics anticipates the zany world of Dickens. Experimental and sharp-elbowed, all three probe new areas of invention and push out beyond what we expect to find in a novel by Jane Austen. This edition collects together all Austen's unpublished adult fiction, poetry, and related writings, written in her late teens, in her late twenties, and in the year she died, aged forty-one. They contribute more than a dash of discomfort to our modern image of the romantic novelist and reveal Jane Austen's development as a writer.

The Woman of Colour is a unique literary account of a black heiress’ life immediately after the abolition of the British slave trade. Olivia Fairfield, the biracial heroine and orphaned daughter of a slaveholder, must travel from Jamaica to England, and as a condition of her father’s will either marry her Caucasian first cousin or become dependent on his mercenary elder brother and sister-in-law. As Olivia decides between these two conflicting possibilities, her letters recount her impressions of Britain and its inhabitants as only a black woman could record them. She gives scathing descriptions of London, Bristol, and the British, as well as progressive critiques of race, racism, and slavery. The narrative follows her life from the heights of her arranged marriage to its swift descent into annulment and destitution, only to culminate in her resurrection as a self-proclaimed “widow” who flouts the conventional marriage plot. The appendices, which include contemporary reviews of the novel, historical documents on race and inheritance in Jamaica, and examples of other women of colour in early British prose fiction, will further inspire readers to rethink issues of race, gender, class, and empire from an African woman’s perspective.

A novelisation of ITV's lavish period drama, Sanditon, adapted for television by Emmy and BAFTA-Award winning writer Andrew Davies and based on Jane Austen's unfinished novel. When a chance accident transports Charlotte Heywood to the seaside town of Sanditon, her life changes forever. And when she meets the charming and slightly wild Sidney Parker, she finds herself caught up in a whirlwind of romance, betrayal and changing alliances - nobody in Sanditon is quite as they seem. Discover the world Jane Austen left behind and meet the characters brought to the page by Kate Riordan. Every coastal town has its secrets - but Sanditon has more than most!