" The World of Rae English is a rare novel of wry eloquence. Its remarkable sentences delineate a fifties and sixties world full of disguises, and we watch its heroine blunder through the task of unmasking those around her, past and present. A wonderful book."-Joan Silber"Lucy Rosenthal writes with the mirth and bite of the great Peter De Vries. I am amazed at how much fun she seems to be having while she fillets the pretentious and punctures the self-inflated. The smart reader will know enough to get out of her line of fire."-Billy CollinsRae English, a smart and witty young woman, is drawn to secretive men. It is the still straitlaced early sixties, the era of Mad Men where women are expected to be married and pretty. After a divorce from a disgraced politician, Rae relocates to Iowa City, hoping to find or conceal herself as a writer and to rediscover love. Lucy Rosenthal is the author of the novel The Ticket Out. The recipient of a Pulitzer Fellowship in Critical Writing, she has edited the anthologies Great American Love Stories, The World Treasury of Love Stories, and The Eloquent Short Story: Varieties of Narration. She is on the writing faculty of Sarah Lawrence College and has also taught in the creative writing programs of Columbia and New York University. She lives in New York City.

A Pulitzer prize-winning poet “offers a glimpse into her visionary world in her stunning 16th collection. . . . [D]eeply insightful.” (Publishers Weekly, starred review) Like magic, these succinct poems reveal multiple realities Rae Armantrout has always taken pleasure in uncertainties and conundrums, the tricky nuances of language and feeling. In Conjure that pleasure is matched by dread; fascination meets fear as the poet considers the emergence of new life (twin granddaughters) into an increasingly toxic world: the Amazon smolders, children are caged or die crossing rivers and oceans, and weddings make convenient targets for drone strikes. These poems explore the restless border between self and non-self and ask us to look with new eyes at what we're doing. “In this volume, Armantrout addresses topics familiar from her earlier work: the nature of consciousness, aging, the looming ecological crisis, the vacuousness of much of what passes for public discourse.” ―Simon Collings, StrideMagazine “Conjure offers a magic of its own, with sometimes sly and always unforgettable juxtapositions of the minute and the exceptional, elevated by the intellect, flair, and confidence of a poet at the top of her game.” ―Mandana Chaffa, Ploughshares “Unsettling, slippery intimations move just below the surface of Rae Armantrout’s enigmatic and unforgettable new collection of poems. For the record, Rae Armantrout is my favourite living poet.” ―Nick Cave

Enjoy photographs of an adorable Jack Russell Terrier as she shares inspirational homespun advice. Welcome to Wilma’s World, where life is full of joy and adventure lies around every corner. This charming book of photographs celebrates the wise insights of a special dog whose musings remind us to slow down and see the beauty in simple things. Wilma’s handmade style and playful personality will inspire adventurous spirits everywhere.

From the Pulitzer Finalist and universally beloved author of the New York Times best sellers Swamplandia! and Vampires in the Lemon Grove, a stunning new collection of short fiction that showcases Karen Russell’s extraordinary, irresistible gifts of language and imagination. Karen Russell’s comedic genius and mesmerizing talent for creating outlandish predicaments that uncannily mirror our inner in lives is on full display in these eight exuberant, arrestingly vivid, unforgettable stories. In“Bog Girl”, a revelatory story about first love, a young man falls in love with a two thousand year old girl that he’s extracted from a mass of peat in a Northern European bog. In “The Prospectors,” two opportunistic young women fleeing the depression strike out for new territory, and find themselves fighting for their lives. In the brilliant, hilarious title story, a new mother desperate to ensure her infant’s safety strikes a diabolical deal, agreeing to breastfeed the devil in exchange for his protection. The landscape in which these stories unfold is a feral, slippery, purgatorial space, bracketed by the void—yet within it Russell captures the exquisite beauty and tenderness of ordinary life. Orange World is a miracle of storytelling from a true modern master.

In "Dream Me Home Safely," Alice Walker, Anna Quindlen, Lois Lowry, Nikki Giovanni and many more write on their own American childhoods with intensely intimate writing, through memories both diverse and powerful.

Theories of Forgetting is concerned with how words matter, the materiality of the page, and how a literary work might react against mass reproduction and textual disembodiment in the digital age--right from its use of two back covers (one "upside down" and one "right-side up") that allow the reader to choose which of the novel's two narratives to privilege. Theories of Forgetting is a narrative in three parts. The first is the story of Alana, a filmmaker struggling to complete a short documentary about Robert Smithson’s famous earthwork, The Spiral Jetty, located where the Great Salt Lake meets the desert. Alana falls victim to a pandemic called The Frost, whose symptoms include an increasing sensation of coldness and growing amnesia. The second involves Alana’s husband, Hugh, owner of a rare-and-used bookstore in Salt Lake City, and his slow disappearance across Jordan while on a trip both to remember and to forget Alana’s death. The third involves marginalia added to Hugh’s section by his daughter, Aila, an art critic living in Berlin. Aila discovers a manuscript by her father after his disappearance and tries to make sense of it by means of a one-sided “dialogue” with her brother, Lance. Each page of the novel is divided in half. Alana’s narrative runs across the top of the page, from back to front, while Hugh’s and his daughter’s tale runs “upside down” across the bottom of the page, from front to back. How a reader initially happens to pick up Theories of Forgetting determines which narrative is read first, and thereby establishing the reader’s meaning-making of the novel.