In this definitive biography, Cynthia Brideson and Sara Brideson offer a comprehensive look at both the life and legacy of Florenz Ziegfeld Jr. Drawing on a wide range of sources, they provide a lively and well-rounded account of Ziegfeld as a father, a husband, a son, a friend, a lover, and an alternately ruthless and benevolent employer. Lavishly illustrated, this is an intimate and in-depth portrait of a figure who profoundly changed American entertainment.

"This biography recounts the early life of this superstar as well as her coronation on Broadway, her work in silent film, and her sexual liaisons. It also covers her eventual disappearance from public life, her alcoholism and her death, which went largely unnoticed. The book includes first-hand personal anecdotes and observations from recently discovered tapes"--Provided by publisher.

A collection of Rogers' writings and observations includes selections from his weekly articles and previously unpublished excerpts from his notes and correspondence

A unique volume, Inventing Times Square approaches the subject of twentieth-century American city culture through a multidimensional examination of one quintessential urban space: Times Square. Ranging in time from 1905, when the crossroad was given its present name, through to the current plans for redevelopment, the authors examine Times Square as economic hub, real estate bonanza, entertainment center, advertising medium, architectural experiment, and erotic netherworld. Though the volume centers on Times Square, the essays venture much further into urban history and American social history, revealing in the process how Times Square reflected—even epitomized—America as it became an urban consumer culture.

A study of the iconographic significance of the Ziegfeld girl in twentieth-century American conceptions of sexuality, race, class, and consumerism.

From the traveling troupes of the Wild West all the way to the bright lights of Broadway, Bert Williams broke through the color barriers and changed the face of the American stage