Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

The Works of Eugene Field is a collection of poetry and essays by American author Eugene Field, originally published by Charles Scribner's Sons in 1896 under the title The Writings in Prose and Verse of Eugene Field. Known for his children's poetry, especially the light-hearted "Wynken, Blynken, and Nod," Field was a journalist who found his niche in poetry and humor writing. The original collection, published after Field's death and including artwork and letters from the author, is a charming set of books compiling all his works. Republished here for young readers and collectors of Americana, The Works of Eugene Field is sure to delight audiences young and old. Volume IX of this twelve-volume set, Songs and Other Verse, is a fifth collection of poetry and verse. It includes an Introduction from noted author and pastor Frank W. Gunsaulus. EUGENE FIELD (1850-1895) was an American author known for his humorous essays and children's poetry. Interested in many subjects and unable to decide what to do with his life, Field attended three colleges-Williams College, Knox College, and University of Missouri-tried his hand at acting, law, and journalism, and traveled Europe before meeting his wife and becoming city editor for the St. Joseph Gazette in St. Joseph, Missouri. He wrote and edited for several newspapers, establishing himself as a humor writer and publishing poetry. He died of a heart-attack at 45.

WYNKEN, BLYNKEN AND Nod one night Sailed off in a wooden shoe– Sailed off on a river of crystal light Into a sea of dew . . . So begins Eugene Field’s lovely bedtime poem, which tells of three wee fishermen who sail up to the stars, and a boy who imagines it all before he drifts off to sleep. Field’s timeless text has lulled generations of little listeners into dreamland, and this version, complimented by Giselle Potter’s magical illustrations, is perhaps the most enchanting—and the closest to Fields’ own vision—of all.

The whimsical illustrations complement the dreamy style of this classic Victorian bedtime story-poem