The contemporary Catholic Church finds itself in deep crisis as it questions which elements are essential to the Catholic faith, and which can be changed. Bringing a longue durée perspective to this issue, Michael Seewald historicizes the problem and investigates how theologians of the past addressed it in light of the challenges that they faced in their time. He explores the intense intellectual efforts made by theologians to explain how new components were added to Christian doctrine over time, and that dogma has always been subject to change. Acknowledging the historic cleavage between 'conservatives' who refer to tradition, and reformers, who formulate their arguments to address contemporary needs, Seewald shows that Catholic thought is intellectually expansive, enabling the Church to be transformed in order to meet the challenges of the present day. His book demonstrates how theology has dealt with the realization that there is a simultaneity of continuity and discontinuity in doctrinal matters.

This book provides an overview of the establishment and use of parish libraries in early modern England and includes a thematic analysis of surviving marginalia and readers' marks. This book is the first direct and detailed analysis of parish libraries in early modern England and uses a case-study approach to the examination of foundation practices, physical and intellectual accessibility, the nature of the collections, and the ways in which people used these libraries and read their books.

This book analyzes the nature and functions of horror films from the vantage of a theoretical reconstruction of George Santayana’s account of beauty. This neo-Santayanan framework forms the conceptual backdrop for a new model of horror’s aesthetic enjoyment, the nature of which is detailed through the examination of plot, cinematic, and visual devices distinctive of the popular genre. According to this model, the audience derives pleasure from the films through confronting the aversive scenarios they communicate and rationalizing a denial of their personal applicability. The films then come to embody these acts of self-assertion and intellectual overcoming and become objects of pride. How horror films can acquire necropolitical functions within the context of abusive systems of power is also clarified. These functions, which exploit the power of anti-tragedy, downward social comparison, or vicarious emotion, work to remediate aggressive, ascetic, or revolutionary impulses in ways that are not injurious to the status quo. This book champions horror as a source of self-empowerment and unmitigated beauty, but also attests to the potential social harms of the genre.