This volume is a unique compendium of the works of Robert and James Adam, both built and unbuilt. It includes 900 illustrations. The Complete Works of Robert and James Adam is reprinted here in its entirety, updated and corrected. This title covers every one of the 230 or so built works, including 12 that have been recently discovered. It is complemented by a completely new title, Unbuilt Adam. This mentions all the brothers' important unbuilt projects, and it discusses and illustrates 130 of them. This volume gives an exceptionally thorough review of the brothers' designs. From public buildings to country houses, and monuments to ceilings, it is well informed and erudite. It provides a mine of information for both the expert and the general reader, and it uses the works covered to give an understanding of the Adam manner.

Robert Adam is perhaps the best known of all British architects, the only one whose name denotes both a style and an era. The new decorative language he introduced at Kedleston and Syon around 1760 put him at the forefront of dynamic changes taking place in 18th-century British architecture. His later claim that his practice with his brother James had effected 'a kind of revolution' in design was no idle boast. Their style dominated the later Georgian period and their influence was widespread, not only in Western Europe but in Russia and North America. But for such a well-known figure, much of Robert Adam's art still remains poorly understood. This new study, based on papers given at a Georgian Group symposium in 2015, looks afresh at many aspects of the Adam brothers' oeuvre, such as interior planning, their use of colour, the influence of classical sources, their involvement in the art market, town planning and building speculation, and Robert Adam's late picturesque drawings and castle designs - all within the context of the Adam family background and their personal and working relationships. The Scottish architecture of Robert and James's older brother, John, is also assessed. There are essays by established Adam experts as well as contributions from a younger generation of historians and postdoctoral scholars, one of the book's aims being to stimulate further research on the Adams' contribution to British architecture, art and design.

Expanding Fields of Architectural Discourse and Practice presents a selection of essays, architectural experiments and works that explore the diversity within the fields of contemporary architectural practice and discourse. Specific in this selection is the question of how and why architecture can and should manifest in a critical and reflective capacity, as well as to examine how the discipline currently resonates with contemporary art practice. It does so by reflecting on the first 10 years of the architectural journal, P.E.A.R. (2009 to 2019). The volume argues that the initial aims of the journal – to explore and celebrate the myriad forms through which architecture can exist – are now more relevant than ever to contemporary architectural discourse and practice. Included in the volume are architectural practitioners, design researchers, artists, architectural theorists, historians, journalists, curators and a paleobiologist, all of whom contributed to the first seven issues of the journal. Here, they provide a unique presentation of architectural discourse and practice that seeks to test new ground while forming distinct relationships to recent, and more longstanding, historical legacies. Praise for Expanding Fields of Architectural Discourse and Practice 'The story told by the authors of this work can thus be considered as the central tool of an architectural transgression.' Critique d’art

Robert and James Adam dominated British architecture for the second half of the 18th century. The key period in the development of the Adam style was their time as Grand Tourists in Italy - three years for Robert, four for James. As architects they studied and drew after the Antique, as Grand Tourists they formed a vast collection of paintings and drawings. It was this collection that was sold during the years 1765-1821. The drawings themselves were acquired by Sir John Soane in 1833 for his new Museum in Lincoln's Inn Fields, London. These drawings, together with the brothers' fascinating letters and James's journal, form a unique picture. This book gives an account of the brothers' aspirations and achievements in making their Grand Tours, tracing James's role as well as Robert's. The way in which they composed their architecture and even the manner in which they drew in watercolour and wash was the achievement of these years as Grand Tourists. AUTHOR: Professor Tait is an art historian with a particular interest in 18th-century architecture and landscape. He published a survey of the Soane Adam collection in 1996, Robert Adam, the Creative Mind. He is also the author of Robert Adam: drawings and imagination (1993). SELLING POINTS: *First of a planned series of five illustrated books on the works of the Adam brothers held at Sir John Soane's Museum (25 September 2008 to 14 February 2009), described by Robert Adam as 'the whole Soul, Body and Guts' of their architecture *The text by world-renowned art historian Professor Alan Tait accompanies the stunning reproduction of 1,000 or so drawings, including many that have never been published before *These drawings, together with the brothers' personal letters and James's journal make up a remarkable document for all those interested in 18th-century architecture and Italy 115 colour & 11 b/w illustrations