Unquestionably, The Word Factory is the perfect guide to better English Grammar and effortless writing. According to one newspaper report, universities in England had begun to penalise students who employed incorrect grammar in their essays. In South Africa, the analysis of seventy-four thousand short stories found that written work of children was littered with SMS language, American slang, exclamation marks, and references to celebrities. All through my formative years, I had to contend with five different languagesEnglish, Afrikaans, and two other dialects, which for the most part, accounted for my inability to translate thought into words effortlessly and inhibited my willingness to participate in lively social discussions especially in the course of my high school years. However, possessed of determination, I had vowed to overcome that infirmity. My need to succeed at all costs precipitated the memorisation of the entire Pocket Oxford Dictionary, an accomplishment that spanned ten long years, following which a further ten years were spent in acquainting myself with most English phrases, idiomatic expressions, and collecting the data and fully researching it. I decided to name the compilation The Word Factory. The fruits of my efforts, but more specifically the extensive employment of The Word Factory, not only marked my rise onto the podiums as master of ceremonies and public speaker, but had also enabled me to write approximately twenty-five articles to the Cape Argus, Cape Towns pre-eminent newspaper, within the space of two years, with 100 per cent publication rate.

“We think of English as a fortress to be defended, but a better analogy is to think of English as a child. We love and nurture it into being, and once it gains gross motor skills, it starts going exactly where we don’t want it to go: it heads right for the goddamned electrical sockets.” With wit and irreverence, lexicographer Kory Stamper cracks open the obsessive world of dictionary writing, from the agonizing decisions about what to define and how to do it to the knotty questions of ever-changing word usage. Filled with fun facts—for example, the first documented usage of “OMG” was in a letter to Winston Churchill—and Stamper’s own stories from the linguistic front lines (including how she became America’s foremost “irregardless” apologist, despite loathing the word), Word by Word is an endlessly entertaining look at the wonderful complexities and eccentricities of the English language.

In a strange land where people must buy and swallow the words they wish to speak, Phileas hopes to communicate his love to Cybele using the small vocabulary he has been able to afford.

'One of the greats' - Lucy Caldwell 'Comic brilliance' - Sinéad Gleeson 'Ingenious' - The Irish Times 'Daring, funny, heartbreaking' - Observer Following the prize-winning Sweet Home, Wendy Erskine's Belfast is once again illuminated. Meet Drew Lord Haig, called on to sing an obscure hit from his youth at a paramilitary event. Meet Max as he recalls an eventful journey to a Christian film festival. And Mrs Dallesandro who dreams of being a teenager again as she sits in a tanning salon on her wedding anniversary. In these stories, Erskine's characters' wishes and hopes often fall short of their grasp. Brilliantly drawn, Dance Move is about the hugeness of life as seen through glimpses of the everyday. 'A masterpiece' - David Keenan 'Wendy Erskine's debut, Sweet Home, was pitch perfect . . . Dance Move is equally brilliant' - The Daily Mail 'Erskine's stories open slight, but they contain more than it seems possible for short stories to contain' - Keith Ridgway As Read on BBC Radio 4 Shortlisted for the Edge Hill Prize Shortlisted for the An Post Irish Book Awards Short Story of the Year

A “sensual, brutal . . . ambitious, dazzling, disturbing, and memorable” retelling of Jason and the Argonauts seen through the eyes of Medea (Financial Times). International bestselling and multi-prize-winning author David Vann transports readers to the Mediterranean and Black Sea, 3,250 years ago, for “[a] stunning depiction of one of mythology’s most complex characters” (The Australian). It is thirteenth century BC, and the Argo is bound for its epic return journey across the Black Sea from Persia’s Colchis with the valiant Jason, the equally heroic Argonauts, and the treasured symbol of kingship, the Golden Fleece. Aboard as well is Medea, semi-divine priestess, and a believer in power, not gods. Having fled her father, and butchered her brother, she is embarking on a conquest of her own. Rejected for her gender, Medea is hungry for revenge, and to right the egregious fate of being born a woman in a world ruled by men. In Bright Air Black, “David Vann blow[s] away all the elegance and toga-clad politeness . . . around our idea of ancient Greece . . . to reveal the bare bones of the Archaic period in all their bloody, reeking nastiness (The Times, London), and to deliver a bracing alternative to the long-held notions of Medea as monster or sorceress. We witness Medea’s humanity, her Bronze Age roots and position in Greek society, her love affair with Jason, the cataclysmic repercussions of betrayal, and the drive of an impassioned woman—victim, survivor, and ultimately, agent of her own destiny. The most intimate and corporal version of Medea’s story ever told, Bright Air Black “a compelling study of human nature stripped to its most elemental” (The Guardian).

The instant New York Times bestseller about one man's battle to save hundreds of jobs by demonstrating the greatness of American business. The Bassett Furniture Company was once the world's biggest wood furniture manufacturer. Run by the same powerful Virginia family for generations, it was also the center of life in Bassett, Virginia. But beginning in the 1980s, the first waves of Asian competition hit, and ultimately Bassett was forced to send its production overseas. One man fought back: John Bassett III, a shrewd and determined third-generation factory man, now chairman of Vaughan-Bassett Furniture Co, which employs more than 700 Virginians and has sales of more than $90 million. In Factory Man, Beth Macy brings to life Bassett's deeply personal furniture and family story, along with a host of characters from an industry that was as cutthroat as it was colorful. As she shows how he uses legal maneuvers, factory efficiencies, and sheer grit and cunning to save hundreds of jobs, she also reveals the truth about modern industry in America.

One Book for All Kinds of Writers and All Kinds of Writing Whether you're writing essays for school or fiction for fun, this book helps you be a better writer. For School... Improve your grades with techniques like the What-Why-How and Content-Purpose-Audience strategies that clarify your thinking and strengthen logical arguments on tests, in essays, and on research reports. Use Sentence Patterns and the Plain English for Handy Analysis approach to improve your grammar without having to learn grammar rules. Get your work done faster, develop more confidence, bring home better report cards, and score higher on state tests. For Fun... Improve your creative writing by using The Five Facts of Fiction to dream up compelling characters and powerful plot lines that keep your readers reading from beginning to end. Produce rich description with the Tell-Show strategy. Render your ideas in well-chosen words and smooth-sounding sentences. Find your voice and translate your passion to the page so your readers feel it, too. For Anyone... You have a voice the world wants to hear. You have stories to tell, real and imagined, that readers can't wait to read. You have things to say that will change the way people think and feel, and that will shape the way they look at life after seeing it through your eyes. Don't keep your readers waiting; give them things to read. Don't wait for someone to discover you; discover yourself. Don't wait to be a better writer; be a better writer now!