The determined woodcutter stands before The Most Beautiful Tree on four occasions. In the spring, summer, and autumn, the Tree is able to use her wits and generosity to cleverly avoid his axe. In the dead cold of winter, she finds herself barren and defenseless when he comes calling one last time.

Fiercely observed, often hilarious, and “reminiscent of Ibsen and Strindberg” (The New York Times Book Review), this exquisitely controversial novel was initially banned in its author’s homeland. A searing portrayal of Vienna’s bourgeoisie, it begins with the arrival of an unnamed writer at an ‘artistic dinner’ hosted by a composer and his society wife—a couple he once admired and has come to loathe. The guest of honor, a distinguished actor from the Burgtheater, is late. As the other guests wait impatiently, they are seen through the critical eye of the writer, who narrates a silent but frenzied tirade against these former friends, most of whom have been brought together by Joana, a woman they buried earlier that day. Reflections on Joana’s life and suicide are mixed with these denunciations until the famous actor arrives, bringing an explosive end to the evening that even the writer could not have seen coming.

The Son of Monte-Cristo' is a novel that serves as the sequel to 'The Count of Monte Cristo'. It follows the adventures of Esperance, the son of the Count of Monte-Cristo, from his childhood to the end of his extraordinary and unprecedented career. Esperance's remarkable exploits make for an exciting and captivating read, and his love story with the unfortunate Jane Zeld adds to the intrigue. Alongside Esperance, readers also get to enjoy thrilling adventures from the Count of Monte-Cristo and Haydée, while Mercédès, Benedetto, Sanselme, Danglars, and Fanfar make appearances in this sequel as well.

A celebrated international author, listed among the "21 top writers for the 21st century" (The Observer, U.K.) As David Imaz, on the threshold of adulthood, divides his time between his uncle Juan's ranch and his life in the village, where he reluctantly practices the accordion, a tradition that his authoritarian father insists he continue, he becomes increasingly aware of the long shadow cast by the Spanish Civil War. Letters found in a hotel attic, along with a silver pistol, lead David to unravel the story of the conflict, including his father's association with the fascists, and the opposition of his uncle, who took considerable risks in helping to hide a wanted republican. With affection and lucidity, Bernardo Atxaga describes the evolution of a young man caught between country and town, between his uncle the horse-breeder and his political father. The course of David's life changes one summer night when he agrees to shelter a group of students on the run from the military police. This is the most accomplished novel to date by an internationally celebrated writer. The Accordionist's Son is memorable for its epic scope—from 1936 to 1999—and the details with which it sparkles in gorgeous prose. It is easy to understand why The Observer listed Atxaga as one of the top twenty-one writers for the twenty-first century.

A collection of fifteen Spanish fairy tales.