What happens to women whose lives are affected by human rights violations? What happens to their testimony in court or in front of a truth commission? Women face a double marginalization under authoritarian regimes and during and after violent conflicts. Yet reparations programs are rarely designed to address the needs of women victims. What Happened to the Women? Gender and Reparations for Human Rights Violations emphasizes the necessity of a gender dimension in reparations programs to improve their handling of female victims and their families. A joint project of the International Center for Transitional Justice and Canada's International Development Research Centre, What Happened to the Women? includes studies of gender and reparations policies in Guatemala, Peru, Rwanda, Sierra Leone, South Africa, and Timor-Leste. Contributors represent a wide range of fields related to transitional justice and include international human rights lawyers, members of truth and reconciliation commissions, and NGO representatives.

A provocative and bracing send-up of modern masculinity, from the author of Class and The Story of My Purity Marcello, an editor and poet, is on the brink of his forties. Like everyone in his life, including his sister-in-law, he’s writing a novel. This novel. This novel will be about women. Love. Growing older. Maybe even taking responsibility. But unfortunately for Marcello, the women in his life resist definition. They flit and flicker constantly between archetype and actuality: sirens and saviors, subordinates and savants, vixens and villains. So Marcello cannot write plainly about love. Instead, he tries to write into the complexities of his many relationships: Eleonora, the junior editor, his former protegeé and sometime lover; Barbara, his claustrophobic girlfriend; his estranged gay sister; his elegant mother. Fresh, frank, and painfully cool, Francesco Pacifico’s The Women I Love dives nakedly into gender, sex, and power. Set in a vivid and alcoholic Italy, it acknowledges and subverts the narrow ways canonical male writers gaze at, and somehow fail to see, women—illuminating the possibility of equity between people in love, in bed, in work, and in life.

Can you imagine a different Scotland, a Scotland where women are commemorated in statues and streets and buildings - even in the hills and valleys? This is a guidebook to that alternative nation, where the cave on Staffa is named after Malvina rather than Fingal, and Arthur's Seat isn't Arthur's, it belongs to St Triduana. Where you arrive into Dundee at Slessor Station and the Victorian monument on Stirling's Abbey Hill interprets national identity not as a male warrior but through the women who ran hospitals during the First World War. The West Highland Way ends at Fort Mary. The Old Lady of Hoy is a prominent Orkney landmark. And the plinths in central Glasgow proudly display statues of suffragettes. In this 'imagined atlas' fictional streets, buildings, statues and monuments are dedicated to real women, telling their often untold or unknown stories.For most of recorded history, women have been sidelined, if not silenced, by men who named the built environment after themselves. Now is the time to look unflinchingly at Scotland's heritage and bring those women who have been ignored to light. Sara Sheridan explores beyond the traditional male-dominated histories to reveal a new picture of Scotland's history and heritage.

SHORTLISTED FOR THE EDGAR AWARD FOR BEST NOVEL AN LA TIMES BOOK PRIZE, MYSTERY & THRILLER FINALIST * AN INTERNATIONAL THRILLER WRITERS FINALIST, BEST HARDCOVER NOVEL * A MACAVITY BEST MYSTERY NOVEL FINALIST A Recommended Book From The New York Times Book Review * The Washington Post * Vogue * Entertainment Weekly * Elle * People * Marie Claire * Vulture * The Minneapolis Star-Tribune * LitHub * Crime Reads * PopSugar * AARP * Book Marks * South Florida Sun Sentinel From the award-winning author of Wonder Valley and Visitation Street comes a serial killer story like you’ve never seen before—a literary thriller of female empowerment and social change In West Adams, a rapidly changing part of South Los Angeles, they’re referred to as “these women.” These women on the corner … These women in the club … These women who won’t stop asking questions … These women who got what they deserved … In her masterful new novel, Ivy Pochoda creates a kaleidoscope of loss, power, and hope featuring five very different women whose lives are steeped in danger and anguish. They’re connected by one man and his deadly obsession, though not all of them know that yet. There’s Dorian, still adrift after her daughter’s murder remains unsolved; Julianna, a young dancer nicknamed Jujubee, who lives hard and fast, resisting anyone trying to slow her down; Essie, a brilliant vice cop who sees a crime pattern emerging where no one else does; Marella, a daring performance artist whose work has long pushed boundaries but now puts her in peril; and Anneke, a quiet woman who has turned a willfully blind eye to those around her for far too long. The careful existence they have built for themselves starts to crumble when two murders rock their neighborhood. Written with beauty and grit, tension and grace, These Women is a glorious display of storytelling, a once-in-a-generation novel.

After yearsout of print, this new and redesigned book brings back the best and most complete history of the Women's Army Corps. Loaded with history, tables, charts, statistics, photos, personalities, and many useful appendices (including a history of WAC uniforms), The Women's Army Corps, 1945-1978 is must reading for anyone who served those years in the Army as well as for those who want a complete history of the modern-day military. Author Bettie Morden served from 1942-1972 and she used her experience and access to people and records to compile the definitive reference work. Col. Morden is a graduate of the WAC Officers' Advanced Course (1962); Command and General Staff College (1964); and the Army Management School (1965). She has been awarded the Distinguished Service Medal, the Legion of Merit, the Joint Service Commendation Medal, and the Army Commendation Medal with Oak Leaf Cluster.

Monica Won Cho Stell has been invited by the Won family to South Korea to learn about her mother and her family’s history. Her mother committed suicide when Monica was young to protect her daughter. Detective Cale Dixon is driven from the hospital by his research boss and lover, Victoria Short. Dixon was recently stabbed in the back and is now on the mend. The Won family is preparing for Won Chanyu’s traditional Korean funeral, and Mother Won is working on Monica’s safe passage. Father Won prefers to use Monica as a pawn to find her father, who is believed to have killed Father Won’s brother in London for vault keys. John Stell disappeared 20 years ago, leaving Monica to fend for herself through prepaid private school and university. Monica now works for a congressman and is on leave to discover what she can about her family. Rayman Stell, a cousin who lost his mother and father to the Won, is suspected of killing Chanyu Won in San Francisco. Both families are on edge as Cale Dixon orchestrates a convergence in Seoul, South Korea.