In More Die of Heartbreak, our erratic narrator explains to his audience that he must abandon Paris for the Midwest. Of course, Kenneth merely wants to be closer to his beloved uncle, the world-famous botanist Benn Crader, to receive the older man’s worldly wisdom. The mercurial Benn, however, struggles to put down roots himself, constantly departing for the forests of India, the mountains of China, the jungles of Brazil, or even the Antarctic. Why does he travel so much? Submerging himself in botanical studies seem insufficient, and he hunts relentlessly for more carnal satisfaction. More Die of Heartbreak has all the humor of a French farce, and all the brooding darkness of a Hitchcock film. From this tragicomedy Bellow unravels a brilliant and sinister examination of contemporary sexuality, asking why even the most noble pursuits often end in mundane disillusionment.

The Book Presents In Brief A Critical Study Of Saul Bellow S Vision Of Woman In General. As The Novelist Has Presented A Variety Of Women Having Contradictory Traits, Any Attempt At Flat Generalisation Has Been Considered Forbidding. In Spite Of His Jewish Lineage And Specific Jewish Themes, Saul Bellow Has Established Himself As A Humanistic And Conscientious American Novelist. Hence, Such Conception, As Popular In Jewish Tradition, That His Woman Characters Must Occupy A Subordinate Place And Their Freedom Of Mind Shall Be Restricted, Seems To Be Futile. Far From Being Misogynous As It Is Sometimes Alleged By A Few Critics, His Vision Of Woman Appears To Be Balanced, Objective And Free From Personal Prejudice.The Book Is A Valuable Study On Nobel Laureate Saul Bellow, And All Those Who Admire His Works Would Find It Interesting And Useful As It Will Enable Them To See His Characters From A Different Perspective. Students And Also The Teachers Of English Literature Will Find It Highly Informative.

It's sweltering summer in New York City, and Asa Leventhal is alone. His co-workers ignore or condescend to him, his wife is away with her mother, and his estranged brother has run off, abandoning his wife and two sons. One night, Leventhal is confronted by a stranger--'one of those guys who want you to think they can see to the bottom of your soul'--who reveals himself to be a marginal figure from his distant past. Leventhal, accused of ruining the man's life, becomes shocked and dismissive, vehemently denying any part in the man's unhappy lot. But as time passes, he is increasingly unable to separate his own good fortune from the bad luck of this down-and-out stranger, who will not leave him be. A brief, haunting rumination on the vagaries of fate and responsibility, The Victim is, in the words of Norman Rush, Saul Bellow's "purest creation."

Expecting to be inducted into the army, Joseph has given up his job and carefully prepared for his departure to the battlefront. When a series of mix-ups delays his induction, he finds himself facing a year of idleness. Dangling Man is his journal, a wonderful account of his restless wanderings through Chicago's streets, his musings on the past, his psychological reaction to his inactivity while war rages around him, and his uneasy insights into the nature of freedom and choice.

When this second volume of The Life of Saul Bellow opens, Bellow, at forty-nine, is at the pinnacle of American letters - rich, famous, critically acclaimed. The expected trajectory is one of decline: volume 1, rise; volume 2, fall. Bellow never fell, producing some of his greatest fiction (Mr Sammler's Planet, Humboldt's Gift, all his best stories), winning two more National Book Awards, a Pulitzer Prize, and the Nobel Prize. At eighty, he wrote his last story; at eighty-five, he wrote Ravelstein. In this volume, his life away from the desk, including his love life, is if anything more dramatic than in volume 1. In the public sphere, he is embroiled in controversy over foreign affairs, race, religion, education, social policy, the state of culture, the fate of the novel. Bellow's relations with women were often fraught. In the 1960s he was compulsively promiscuous (even as he inveighed against sexual liberation). The women he pursued, the ones he married and those with whom he had affairs, were intelligent, attractive and strong-willed. At eighty-five he fathered his fourth child, a daughter, with his fifth wife. His three sons, whom he loved, could be as volatile as he was, and their relations with their father were often troubled. Although an early and engaged supporter of civil rights, in the second half of his life Bellow was angered by the excesses of Black Power. An opponent of cultural relativism, he exercised great influence in literary and intellectual circles, advising a host of institutes and foundations, helping those he approved of, hindering those of whom he disapproved. In making his case, he could be cutting and rude; he could also be charming, loyal, and funny. Bellow's heroic energy and will are clear to the very end of his life. His immense achievement and its cost, to himself and others, are also clear.

A never-before-published collection of letters - an intimate self-portrait as well as the portrait of a century. Saul Bellow was a dedicated correspondent until a couple of years before his death, and his letters, spanning eight decades, show us a twentieth-century life in all its richness and complexity. Friends, lovers, wives, colleagues, and fans all cross these pages. Some of the finest letters are to Bellow's fellow writers-William Faulkner, John Cheever, Philip Roth, Martin Amis, Ralph Ellison, Cynthia Ozick, and Wright Morris. Intimate, ironical, richly observant, and funny, these letters reveal the influcences at work in the man, and illuminate his enduring legacy-the novels that earned him a Nobel Prize and the admiration of the world over. Saul Bellow: Letters is a major literary event and an important edition to Bellow's incomparable body of work.

"A sweeping collection and a tribute to one of the most influential, daring, and visionary minds of the twentieth century The year 2015 marks several literary milestones: the centennial of Saul Bellow's birth, the tenth anniversary of his death, and the publication of Zachary Leader's much anticipated biography. Bellow, a Nobel Laureate, Pulitzer Prize winner, and the only novelist to receive three National Book awards, has long been regarded as one of America's most cherished authors. Here, Benjamin Taylor, editor of the acclaimed Saul Bellow: Letters, presents lesser-known aspects of the iconic writer. Arranged chronologically, this literary time capsule displays the full extent of Bellow's nonfiction, including criticism, interviews, speeches, and other reflections, tracing his career from his initial success as a novelist until the end of his life. Bringing together six classic pieces with an abundance of previously uncollected material, There Is Simply Too Much to Think About is a powerful reminder not only of Bellow's genius but also of his enduring place in the western canon and is sure to be widely reviewed and talked about for years to come"--