Best friends Greg and Tina are having a loud argument at the coffee shop about who's got it worse in love: men or women?Greg can't stand the way women give him the run-around. He's a nice guy, unlike all these jerks who always get the girl.Tina hates the way guys will say just about anything to get into her pants. She's always got to have her guard up around men. A good man is hard to find.When Greg goes home, and Tina goes to work, something incredible happens: Greg is transformed into a woman and Tina is transformed into a man.Neither can figure out how and why this has happened, and they start out hating it! But Greg's going to start to understand Tina's side of the argument, and she's going to start to see where Greg's coming from.In the end, this gender swap will show them both that true love has been staring them in the face this entire time.Author's note: This is a standalone story with a happily ever after ending! Two bonus gender swap stories have been included as a thank you to my readers!Warning: This 15,000-word novella contains graphic language and steamy descriptions of gender transformation and sex.

Harmful, culturally prevalent imagery of feminine sexuality, beauty, and motherhood constrains women's self-determination. Gender in the Mirror proposes alternative imagery of feminine sexuality, beauty, and motherhood and advances an account of feminist discursive politics that takes on the challenge of neutralizing patriarchal imagery.

The women at Julie's International Salon share their experiences of bodily self-presentation, femininity, aging, and caring. Their own words are at the center of the book; the stories of their lives, fresh and compelling, are told here with affection. But beyond the stories themselves, Frida Kerner Furman explores the socio-moral significance of these beauty shop experiences, showing how they reveal as much about society at large as about older women. For in telling us how they perceive reality, make choices, and live in their worlds, the women of Julie's expose structures of power, inequality, and resistance in the larger world that all of us, young or old, beautiful or not, face every day.

Curt's having the worst luck: his date just stood him up, he just sat in someone's cheesy nachos at the movie theatre, and a crazy naked woman BIT him in the alley outside. It's true what they say, weird things do happen at the full moon.Little does Curt know that the woman who bit him in the alley has infected him. His full moon nights are about to get a lot weirder, because from now on, he'll become a sex-hungry woman when the moon is fully exposed.His female self's appetites are insatiable when the full moon is in the sky. He can only refer to himself as a werewoman. He enlists Kathy, his oldest friend and the only person who will believe him, to help him deal with the werewoman. Together, they manage to find a bright spot in all the madness.Author's note: This is a standalone romance story with a HAE ending! Two bonus gender swap romance stories have been included as a thank you to my readers!Warning: This 15,000-word novella contains graphic language and steamy descriptions of gender transformation and sex.

"An unforgettable story of trauma and healing, told in achingly beautiful prose with great tenderness and care." —#1 New York Times-bestselling author Karen M. McManus When two teens discover that they were both sexually assaulted at the same party, they develop a cautious friendship through her family’s possibly-magical pastelería, his secret forest of otherworldly trees, and the swallows returning to their hometown, in Anna-Marie McLemore's The Mirror Season. Graciela Cristales’ whole world changes after she and a boy she barely knows are assaulted at the same party. She loses her gift for making enchanted pan dulce. Neighborhood trees vanish overnight, while mirrored glass appears, bringing reckless magic with it. And Ciela is haunted by what happened to her, and what happened to the boy whose name she never learned. But when the boy, Lock, shows up at Ciela’s school, he has no memory of that night, and no clue that a single piece of mirrored glass is taking his life apart. Ciela decides to help him, which means hiding the truth about that night. Because Ciela knows who assaulted her, and him. And she knows that her survival, and his, depend on no one finding out what really happened.

Argues that a reading act conceived of as female lies behind the polysemic identification of women as the audience of new media in the twelfth century.