Ruqayya was only thirteen when the Nakba came to her village in Palestine in 1948. The massacre in Tantoura drove her from her home and from everything she had ever known. She had not left her village before, but she would never return. Now an old woman, Ruqayya looks back on a long life in exile, one that has taken her to Syria, Lebanon, the Gulf, and given her children and grandchildren. Through her depth of experience and her indomitable spirit, we live her love of her land, her family, and her people, and we feel the repeated pain of loss and of diaspora.

Radwa Ashour skillfully weaves a history of Granadan rule and an Arabic world into a novel that evokes cultural loss and the disappearance of a vanquished population. The novel follows the family of Abu Jaafar the bookbinder—his wife, widowed daughter-in-law, her two children, and his two apprentices—as they witness Christopher Columbus and his entourage in a triumphant parade featuring exotic plants, animals, human captives from the New World. Embedded in the narrative is the preparation for the marriage of Saad, one of the apprentices, and Saleema, Abu Jaafar's granddaughter—which is elegantly revealed in a number of parallel scenes. As the new rulers of Granada confiscate books and officials burn the collected volumes, Abu Jaafur quietly moves his rich library out of town. Persecuted Muslims fight to form an independent government, but increasing economic and cultural pressures on the Arabs of Spain and Christian rulers culminate in forcing Christian conversions and Muslim uprisings. A tale that is both vigorous and heartbreaking, this novel will appeal to general readers of Spanish and Arabic literature as well as anyone interested in Christian-Muslim relations.

Winner of the Cairo International Book Fair Prize. Specters tells the story of Radwa and Shagar, two women born the same day. The narrative alternates between their childhoods, their work lives (one a professor of literature and the other of history), their married and unmarried lives, and their respective books. With her novel’s structure, Ashour pays tribute to the Arab qareen (double or companion, and sometimes demon) and the ancient Egyptian ka (the spirit that is born with and accompanies an individual through life and beyond).

Set in the late nineteenth century on a mythical island off the coast of Yemen, Radwa Ashour's Siraaj: An Arab Tale tells the poignant story of a mother and son as they are drawn inextricably into a revolt against their island's despotic sultan. Amina, a baker in the sultan's palace, anxiously awaits her son's return from a long voyage at sea, fearful that the sea has claimed Saïd just as it did his father and grandfather. Saïd, left behind in Alexandria by his ship as the British navy begins an attack on the city, slowly begins to make his way home, witnessing British colonial oppression along the way. Saïd's return brings Amina only a short-lived peace. The lessons he learned from the Egyptians' struggle against the British have radicalized him. When Saïd learns the island's slave population is planning a revolt against the sultan's tyrannical rule, both he and Amina are soon drawn in. Beautifully rendered from Arabic into English by Barbara Romaine, Radwa Ashour's novella speaks of the unity that develops among varied peoples as they struggle against a common oppressor and illuminates the rich cultures of both the Arab and African inhabitants of the island. Sub-Saharan African culture is a subject addressed by few Arabic novelists, and Radwa Ashour's novella does much to fill that void.

Hawa is a child of the grinding hardship of a Palestinian refugee camp. She has had to survive the camp itself, as well as the humiliation and destruction of an abusive family life. But now, later in life, something most unexpected has happened: she has fallen in love. Velvet unfolds over a day in Hawa’s life, as she makes plans for a new beginning that may take her out of the camp. She sifts back through her memories of the past: the stories of her family, her childhood, and her beloved mentor, who invited her into the glamorous world of the rich women of Amman. This is a novel of enormous power and great beauty. Rich in detail, it tells of the women of the camp, and the joy and relief that can be captured amid repression and sorrow.

Love who can count its varieties, measure its force, uncover the masks it wears, or predict how it binds and divides? In this spare novel, master storyteller Naguib Mahfouz gives us some of his most memorable characters, widely familiar to Egyptians from the film version of the book: Sitt Ain, with her large house, her garden, her cats, and her familiar umbrella, strong and active, mother of the neighborhood; her son Izzat, so different from her, emotional and unsure of his way; and the friends of his childhood, Sayyida, Hamdoun, and Badriya, all their lives entangled and shaped over many years by the encounter of commitment, ambition, treachery, and above all love. This is a story in and of twentieth-century Egypt, which can be read on more than one level. The neighborhood and the motifs may be familiar, but they combine to tell a new and intriguing tale, with an unexpected outcome.

Morayo Da Silva, a cosmopolitan Nigerian woman, lives in hip San Francisco. On the cusp of seventy-five, she is in good health and makes the most of it, enjoying road trips in her vintage Porsche, chatting to strangers, and recollecting characters from her favourite novels. Then she has a fall and her independence crumbles. Without the support of family, she relies on friends and chance encounters. As Morayo recounts her story, moving seamlessly between past and present, we meet Dawud, a charming Palestinian shopkeeper, Sage, a feisty, homeless Grateful Dead devotee, and Antonio, the poet whom Morayo desired more than her ambassador husband. A subtle story about ageing, friendship and loss, this is also a nuanced study of the erotic yearnings of an older woman. "In dreamlike prose, Manyika dips in and out of her present, her past, in a story that argues always for generosity, for connection, for a vigorous and joyful endurance." Karen Joy Fowler, author of The Jane Austen Book Club.