A wise desert prince imparts his ideas on life and the concerns of humanity

A paradigm-shifting book in the vein of Sapiens that brings a crucial Indigenous perspective to historical and cultural issues of history, education, money, power, and sustainability—and offers a new template for living. As an indigenous person, Tyson Yunkaporta looks at global systems from a unique perspective, one tied to the natural and spiritual world. In considering how contemporary life diverges from the pattern of creation, he raises important questions. How does this affect us? How can we do things differently? In this thoughtful, culturally rich, mind-expanding book, he provides answers. Yunkaporta’s writing process begins with images. Honoring indigenous traditions, he makes carvings of what he wants to say, channeling his thoughts through symbols and diagrams rather than words. He yarns with people, looking for ways to connect images and stories with place and relationship to create a coherent world view, and he uses sand talk, the Aboriginal custom of drawing images on the ground to convey knowledge. In Sand Talk, he provides a new model for our everyday lives. Rich in ideas and inspiration, it explains how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everyone and listening carefully. It’s about finding different ways to look at things. Most of all it’s about a very special way of thinking, of learning to see from a native perspective, one that is spiritually and physically tied to the earth around us, and how it can save our world. Sand Talk include 22 black-and-white illustrations that add depth to the text.

The Sands of Kalahari, first published in 1960, begins its gripping story with the crash-landing of a small plane carrying seven people in the harsh Kalahari desert. Their struggle to survive in the wilderness around them―as well as each other―make up the bulk of this classic tale of adventure. A film version of the book was made in 1965. From the book cover: To the desert came the plane, to the immeasurable wastes of Africa. And by the dawn of the second day―after the night storm, the hours of flight, the crash, the day of waiting, and the death of Detjens―six remained, alone, strangers, with only themselves and the wreckage and the black mountain on the horizon for company. The six: Sturdevant, the pilot, burdened with a guilt far greater than the loss of his plane; Grimmelmann, the wizened old German, veteran of the Herero war and the two World Wars, wise in the lore of the desert and the ways of the world; Jefferson Smith, a Negro, a professor and a scholar, come to Africa on a Foundation grant; Mike Bain, engineer, drifter, drunkard, vaguely in search of a job in the interior, ill-equipped to cope with the demands of the desert; Grace Monckton, English divorcee, returning to her family's ranch in the Union; and finally, O'Brien, a man of great strength, sometime millionaire, sometime wanderer, a hunter by instinct and by choice. The six, brought together by chance, and with the odds of survival overwhelmingly against them, have only each other, for both friend and foe. Around them is the desert―implacable, pitiless, filled with unseen enemies. And on the horizon is the black mountain, beyond which is hidden the unknown.

A reconnaissance pilot for France during World War II, Antoine de Saint-Exupery spent many dangerous days in the air above enemy occupied territory. "Wartime Writings" recounts some of his aviation exploits.

"The ascetics of Scete and the Thebaid in the Egyptian Desert have been more often admired than known or understood. Translations by such scholars as Helen Waddell have done much to restore the true perspective. This new selection from the Latin 'Sayings of the Fathers' (Verba Seniorum) has been made by Thomas Merton with a special purpose. It is not only a translation and selection, but a new monastic redaction in the spirit of our own time. Merton has felt free, as a monk, to do what generations of monks before him have done. He has made a wholly independent and original use of material which is the traditional basis of Christian monastic spirituality." -- Dust jacket.