A unique forum of how-to advice for novices and experts alike.

Cherished objects and family heirlooms hold a special place in our lives. Whether they are personal letters, grandmother’s silverware, or the favorite stuffed animal from your childhood, these items all have significance and are part of your cultural heritage. Caring for Your Cherished Objects: The Winterthur Guide provides practical information about what you should and shouldn’t do to prolong the life of your objects, including advice about proper storage and display. The book will help you to assess your possessions, understand which objects are most vulnerable, and avoid the situations that will put them at more risk. Illustrations demonstrate the kinds of problems you may see on your own items or warning signs that indicate that some sort of action—whether preventive, conservative, or restorative—is warranted. Learn the difference between those terms. Sidebars in each chapter address the science behind the whys and hows to caring for the wide range of specific kinds of objects covered—from ephemera, documents, books, works of art on paper, photographs, and organic objects to textiles, ceramics, glass, metal objects, furniture, and frames. Included are the procedures that can be safely done by an owner as well as those that require the services of conservation professionals. So that you aren’t left to wander the Internet, a Resources section provides a list of reliable professional organizations as well as suggested readings, websites, and lists of suppliers to aid you in caring for your cherished objects. The authors of Caring for Your Cherished Objects are highly trained, experienced experts who have cared for thousands of precious objects and have a passion for the topic. In addition to caring for the collection at Winterthur Museum, Garden & Library, they teach, consult, and lecture on the care of cultural heritage to students, professionals, and the public.

How to Weed Your Attic: Getting Rid of Junk without Destroying History provides answers to the question: when someone dies or it’s time to move --- or just clean out the attic, garage, or basement, what papers and other things should we save for the sake of history and what can we safely toss? After reading this clearly written book by a retired archivist and a retired museum curator, you can comfortably clean out your attic – or office, garage, basement, cupboards – with confidence that you’re not tossing out historically valuable (or invaluable) things, and that you will not ask your local museum to take things that really belong in a thrift store, junk yard, or recycle center. The book first describes how to identify historically important documents and artifacts. The authors explain a few simple rules: 1) a complete or long collection has more value than a partial one; 2) emotive material provides a richer picture than factual material; 3) unique usually has more value than mass produced; 4) documents and objects carry more information than they intend to; and 5) a 25-year rule exists without our consciously recognizing it. They then apply the rules and assess the probable historical value of four different types of materials: mass produced (from books to vehicles), individually created (from art work to toys), business materials (from governance documents to uniforms), and commemorative materials (from awards to wedding dresses). The book includes a brief description of the basics for preserving materials the reader wants to keep and references sources for more detail. It also recognizes that the reader may not want to keep stuff that clearly has historical value. For those readers, the authors describe how to donate materials to a cultural repository. In broad strokes, they explain how repositories differ, what the repository will want to know about the stuff you're offering, where an appraiser and/or tax advisor fits into the process, and what the reader can expect the repository to do and not do. Finally, the book addresses unexpected issues that may arise around questions of legal ownership and privacy. Throughout the book, the authors illustrate their points using photographs and vignettes.

Since the first edition was published in 1958, Museum Registration Methods has defined the profession and served as a fundamental reference for all aspects of collections registration, care, and management. The sixth edition of Museum Registration Methods is a comprehensive guide to registration and collections management for museums, from acquisition to use and deaccessioning. The authors and other contributors come from a wide variety of museums and specializations. The 56 chapters in this edition are either new or updated, and include the history of the profession, the role of the registrar in the museum, managing very large collections, developing and implementing collection management policies, documentation of collections, accessioning, condition reports, deaccessioning, repositories, and provenance research. Contemporary and digital art, living and natural history collections, loans, exhibitions, found-in-collection objects, shipping, records management, and electronic data management are also addressed, along with object handling and numbering, digitization, condition reporting, preventive care, storage on and off-site, inventory, moving and packing, shipping nationally and internationally, couriering, risk assessment, security, insurance, integrated pest management, ethics, sustainability, sacred and culturally sensitive objects, intellectual property rights, appraisal, ethical and legal issues, and research. The book includes a comprehensive resource list, glossary, hypothetical situations to ponder, and model collection forms.

This second edition of Textile Conservation offers an up-to-date perspective on the role and practice of textile conservators, capturing the diversity of textile conservation work across the globe. The volume considers key factors that are integral to effective conservation decision-making. It achieves this by focusing on four major factors that have influenced development in textile conservation practice over the past decades: the changing context, an evolution in the way conservators think about objects, the greater involvement of stakeholders, and technical development. Features of the new edition include: Updated chapters that explain new techniques and recent developments in the field; New and updated international case studies that demonstrate conservation decision-making in practice, including assessments of the conservation of objects in some of the world’s major cultural institutions; Full-colour illustrations that demonstrate conservation in practice. Textile Conservation will be essential reading for conservators around the world. It will also be of great interest to academics and students engaged in the study of the conservation of textiles, as well as museum and heritage professionals.

This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.