Diane Armstrong's bestselling fictional debut A mother's silence, a village with a terrible secret, and an Australian woman who travels to Poland to uncover the truth ... When forensic dentist Halina Shore arrives in Nowa Kalwaria to take part in a war crimes investigation, she finds herself at the centre of a bitter struggle in a community that has been divided by a grim legacy. What she does not realise is that she has also embarked on a confronting personal journey. Inspired by a true incident that took place in Poland in 1941, Diane Armstrong's powerful novel is part mystery, part forensic investigation, and a moving and confronting story of love, loss and sacrifice. 'A deeply moving and inspiring novel' GOOD READING 'A bold adventure of a novel ... Here is a consummate writer at the top of her form. A fine fictional debut from a writer who's already made her mark' CANBERRA tIMES 'Profoundly moving, compelling and superbly written' AUStRALIAN WOMEN'S WEEKLY

In the Morland Dynasty series, the majestic sweep of English history is richly and movingly portrayed through the fictional lives of the Morland family. It is 1851, and the Great Exhibition brings all the Morlands to London--including a cousin from America. Charlotte is using her wealth and social position to build a hospital, and aware of how badly sick people are nursed, defies convention to train a team of female nurses. When the Crimean war begins, and her brother Cavendish departs with his cavalry regiment and her husband is called on to serve with the Intelligence Department, Charlotte goes too. Not all the soldiers' courage or high spirits can save them from the brutal horrors of war, and as the bitter Russian winter sets in, Charlotte's nursing skills are desperately needed as the army falls victim to cholera, dysentry, frostbite, and gangrene.

Stephen Dobyns, author of the best-selling Saratoga crime series, says "I consider myself entirely a poet."

An exploration of the world’s most famous and challenging song cycle, Schubert's Winter Journey (Winterreise), by a leading interpreter of the work, who teases out the themes—literary, historical, psychological—that weave through the twenty-four songs that make up this legendary masterpiece. Completed in the last months of the young Schubert’s life, Winterreise has come to be considered the single greatest piece of music in the history of Lieder. Deceptively laconic—these twenty-four short poems set to music for voice and piano are performed uninterrupted in little more than an hour—it nonetheless has an emotional depth and power that no music of its kind has ever equaled. A young man, rejected by his beloved, leaves the house where he has been living and walks out into snow and darkness. As he wanders away from the village and into the empty countryside, he experiences a cascade of emotions—loss, grief, anger, and acute loneliness, shot through with only fleeting moments of hope—until the landscape he inhabits becomes one of alienation and despair. Originally intended to be sung to an intimate gathering, performances of Winterreise now pack the greatest concert halls around the world. Drawing equally on his vast experience performing this work (he has sung it more than one hundred times), on his musical knowledge, and on his training as a scholar, Bostridge teases out the enigmas and subtle meanings of each of the twenty-four lyrics to explore for us the world Schubert inhabited, his biography and psychological makeup, the historical and political pressures within which he became one of the world’s greatest composers, and the continuing resonances and affinities that our ears still detect today, making Schubert’s wanderer our mirror.

A passionate skier since he was a child, Anders Morley dreamed of going on a significant adventure, something bold and of his own design. And so one year in his early thirties, he decided to strap on cross-country skis to travel across Canada in the winter alone. This Land of Snow is about that journey and a man who must come to terms with what he has left behind, as well as how he wants to continue living after his trip is over. It is an honest, thoughtful, and humorous reckoning of an adventure filled with adrenalin and exuberance, as well as mistakes and danger. Along the way readers gain insight, both charming and fascinating, into Northern outdoor culture and modern-day wilderness living, the history of northern exploration and Nordic skiing, the right to roam movement, winter ecology, and more. Throughout, Morley’s clear, subtle, and self-deprecating voice speaks to a backwoods-genteel aesthetic that explores the dichotomy between wildness and refinement, language and personal story, journey and home.

"I like these songs better than all the rest, and someday you will too," Franz Schubert told the friends who were the first to hear his song cycle Winterreise. These lieder have always found admiring audiences, but the poetry he chose to set them to has been widely regarded as weak and trivial. Susan Youens looks not only at Schubert's music but at the poetry, drawn from the works of Wilhelm Müller, who once wrote in his diary, "perhaps there is a kindred spirit somewhere who will hear the tunes behind the words and give them back to me!" Youens maintains that Müller, in depicting the wanderings of the alienated lover, produced poetry that was simple but not simple-minded, poetry that embraced simplicity as part of its meaning. In her view, Müller used the ruder folk forms to give his verse greater immediacy, to convey more powerfully the wanderer's complex inner state. Youens addresses many different aspects of Winterreise: the cultural milieu to which it belonged, the genesis of both the poetry and the music, Schubert's transformation of poetic cycle into music, the philosophical dimension of the work, and its musical structure.