This critical examination of Maoriland literature argues against the former glib dismissals of the period and focuses instead on the era’s importance in the birth of a distinct New Zealand style of writing. By connecting the literature and other cultural forms of Maoriland to the larger realms of empire and contemporary criticism, this study explores the roots of the country’s modern feminism, progressive social legislation, and bicultural relations.

Galleries of Maoriland introduces us to the many ways in which European colonists to New Zealand discovered, created, propagated, and romanticised the Maori world summed up in a popular nickname describing New Zealand; Maoriland. But Blackley shows that Maori were not merely passive victims: they too had a stake in this process of romanticisation. What, this book asks, were some of the Maori purposes that were served by curio displays, portrait collections, and the wider ethnological culture? Galleries of Maoriland looks at Maori prehistory in European art; the enthusiasm of settlers and Maori for portraiture and recreations of ancient life; the trade in Maori curios; and the international exhibition of this colonial culture. By illuminating New Zealand's artistic and ethnographic economy, this book provides a new understanding of our art and our culture.

Rua Kenana was an extraordinary prophetic leader from the Urewera. Resisting threats to expel the Tuhoe people from their ancestral lands, he established a remarkable community at Maungapohatu, identifying himself as the 'Mihaia' or 'Messiah' for Tuhoe. Judith Binney, Gillian Chaplin and Craig Wallace researched the history of the community in the 1970s, working first with a collection of photographs that they took to the Urewera. Sharing these photographs with descendants of Rua and his followers, they found that 'strangers opened their hearts to us, and shared their stories'. This biographical account focuses on a dramatic moment in Urewera history, one that incorporated a shocking episode in early twentieth-century New Zealand. The rich photographic record documents not only the police assault on the Maungapohatu community but also the lives of the people and Rua's utopian vision. The prophet lived into the 1930s, a leader still working to support and sustain his followers. Described on publication as 'an unparalleled record of a community through time', this remarkable history has been in demand since first publication by Oxford University Press in 1979.

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An authoritative scholarly edition of Mansfield's camping journal, offering new understandings of her colonial lifeKatherine Mansfield filled the first half of the Urewera Notebook during a 1907 camping tour of the central North Island, shortly before she left New Zealand forever. Her camping notes offer a rare insight into her attitude to her country of birth, not in retrospective fiction but as a nineteen year old still living in the colony. This publication is theirst scholarly edition of the Urewera Notebook, providing an original transcription, a collation of the alternative readings and textual criticism of prior editors, and new information about the politics, people and places Mansfield encountered on her journey. As a whole, this edition challenges the debate that has focused on Mansfield's happiness or dissatisfaction throughout her last year in New Zealand to reveal a young writer closely observing aspects of a country hitherto beyond her experience and forming a complex critique of her colonial homeland.Key Features:A new, more accurate transcription of the notebookTextual notes provide significant variant readings from other extant editions of the notebook An introductory essay draws on important new developments in New Zealand literary criticism, advances in historiography of the period and legal historyIncludes a route map, revised itinerary and authoritative annotation for the textIncludes 20 photographs, many previously unpublished, from Beauchamp family photograph albums at the Alexander Turnbull Library and Ebbett Papers at the Hawke's Bay Museum