In the summer of 1588, Europe waits with bated breath for King Philip of Spain to launch his mighty armada against England. Everyone except Lady Alice Trumpington, whose father wants her wed to the highest bidder. She doesn't want to be a wife, she wants to be widow; a rich one, and the sooner, the better. So she marries an elderly viscount, gives him a sleeping draught, and spends her wedding night with Thomas Clarady, her best friend and Francis Bacon's assistant. The next morning, they find the viscount murdered in his bed and they're both locked into the Tower. Lady Alice appeals to the Andromache Society, the widows’ guild led by Francis Bacon's formidable aunt, Lady Russell. They charge Bacon with getting the new widow out of prison and identifying the real murderer. He soon learns the viscount wasn’t an isolated case. Someone is murdering Catholics in London and taking advantage of armada fever to mask the crimes. The killer seems to have privy information — from someone close to the Privy Council? The investigation takes Francis from the mansions along the Strand to the rack room under the Tower. Pulled and pecked by a coven of demanding widows, Francis struggles to maintain his reason and his courage to see through the fog of war and catch the killer.

Looking especially at widows of master craftsmen in early modern Paris, this study provides analysis of the social and cultural structures that shaped widows' lives as well as their day-to-day experiences. Janine Lanza examines widows in early modern Paris at every social and economic level, beginning with the late sixteenth century when changes in royal law curtailed the movement of property within families up to the time of the French Revolution. The glimpses she gives us of widows running businesses, debating remarriage, and negotiating marriage contracts offer precious insights into the daily lives of women in this period. Lanza shows that understanding widows dramatically alters our understanding of gender, not only in terms of how it was lived in this period but also how historians can use this idea as a category of analysis. Her study also engages the historiographical issue of business and entrepreneurship, particularly women's participation in the world of work; and explicitly examines the place of the law in the lived experience of the early modern period. How did widowed women use their newly acquired legal emancipation? How did they handle their emotional loss? How did their roles in their families and their communities change? How did they remain financially solvent without a man in the house? How did they make decisions that had always been made by the men around them? These questions all touch upon the experience of widows and on the ways women related to prevalent structures and ideologies in this society. Lanza's study of these women, the ways they were represented and how they experienced their widowhood, challenges many historical assumptions about women and their roles with respect to the law, the family, and economic activity.

This captivating volume paints a broad portrait of daily life in seventeenth-century Amsterdam. Taking the reader into the heart of the Dutch Golden Age, Derek Phillips uses a wide variety of sources in order to provide a wealth of domestic detail: from how people washed their clothes and cooked their meals to how they lived, married, and raised their children. Well-Being in Amsterdam's Golden Age covers the terrain of merchants' offices, regents' drawing rooms, and servants' quarters through a range of multidisciplinary perspectives, revealing the processes linking equality and well-being in seventeenth-century Amsterdam and beyond.

This book, first published in 1999, explores the experience of private loss and grief after the two world wars.

This very moving book on the shifting patterns of mourning and grief focuses on the experiences of Australian women who lost their husbands during the Second World War and the wars in Korea and Vietnam. The book makes use of extensive oral testimonies to illustrate how widows internalised and absorbed the traumas of their husband's war experience. Joy Damousi is able to demonstrate that a significant shift in attitudes towards grieving and loss came about between the mid century and the later part of the twentieth century. In charting the memory of grief and its expression, she discerns a move away from the denial and silence which shaped attitudes in the 1950s towards a much fuller expression of grief and mourning and perhaps a new way of understanding death and loss at the beginning of the new century.

During the upheavals of the Reformation, one of the most significant of the radical Protestant movements emerged — that of the Anabaptist movement. Profiles of Anabaptist Women provides lively, well-researched profiles of the courageous women who chose to risk prosecution and martyrdom to pursue this unsanctioned religion — a religion that, unlike the established religions of the day, initially offered them opportunity and encouragement to proselytize. Derived from sixteenth-century government records and court testimonies, hymns, songs and poems, these profiles provide a panorama of life and faith experiences of women from Switzerland, Germany, Holland and Austria. These personal stories of courage, faith, commitment and resourcefulness interweave women’s lives into the greater milieu, relating them to the dominant male context and the socio-political background of the Reformation. Taken together, these sketches will give readers an appreciation for the central role played by Anabaptist women in the emergence and persistence of this radical branch of Protestantism.

Artisans played a central role in the European town as it developed from the Middles Ages onwards. Their workshops were at the heart of productive activity, their guilds were often central to the political and legal order of towns, and their culture helped shape civic ritual and the urban order. These essays, which have all been specially written for this collection, explore the relationships between artisans and their towns across Europe between the beginning of the early-modern period and the end of the 19th century. They pay special attention to the processes of economic, juridicial and political change that have made the 18th and early 19th centuries a period of such significance. Written by leading historians of European artisans, the essays question the myths about artisans that have long pervaded research in the field. The leading myth was that shared by the artisans themselves - the myth of decline and the belief in each generation that artisans in the past had inhabited a better age. These essays open up for debate the nature of artisanship, the way economic change affected craft production, the political role of artisans, the cultural identification of the artisans with work and masculinity, and the way changing urban society and changing urban structure posed threats to which the artisans had to respond.