Emerging from the mid-1960s R&B mod scene with furious teenage anthems like 'My Generation', The Who were the wildest, angriest and loudest kids on the block. And in spite of Townshend's most famous line - 'hope I die before I get old' - and unlike so many of their rivals, The Who lived to forge more mature works in the late 1960s and the 1970s with the phenomenal success of their pioneering rock opera, Tommy, their revered song collection Who's Next and Townshend's mod masterpiece Quadrophenia.

The Who: The History of My Generation is the complete unofficial illustrated history of the legendary classic rock band, starting from their debut album in 1965.

More than just a biography or discography, this work is a thoroughly detailed guide to every known recording of the legendary British rock band The Who--their entire range, from their early hits of the 1960s through the ambitious concept works to their later successes. Many previously uncovered facts are incorporated into the text, and the author has been able to glean exclusive information from The Who's archives. Unrealized Who projects are discussed and analyzed for the first time in print. Finally, the work contains a discography of CDs and an exhaustive appendix of every known Who song.

'A definitive tome for both Who fans and newcomers alike’ ***** Q Magazine Pete Townshend was once asked how he prepared himself for The Who’s violent live performances. His answer? ‘Pretend you’re in a war.’ For a band as prone to furious infighting as it was notorious for acts of ‘auto-destructive art’ this could have served as a motto. Between 1964 and 1969 The Who released some of the most dramatic and confrontational music of the decade, including ‘I Can’t Explain’, ‘My Generation’ and ‘I Can See For Miles’. This was a body of work driven by bitter rivalry, black humour and dark childhood secrets, but it also held up a mirror to a society in transition. Now, acclaimed rock biographer Mark Blake goes in search of its inspiration to present a unique perspective on both The Who and the sixties. From their breakthrough as Mod figureheads to the rise and fall of psychedelia, he reveals how The Who, in their explorations of sex, drugs, spirituality and class, refracted the growing turbulence of the time. He also lays bare the colourful but crucial role played by their managers, Kit Lambert and Chris Stamp. And – in the uneasy alliance between art-school experimentation and working-class ambition – he locates the motor of the Swinging Sixties. As the decade closed, with The Who performing Tommy in front of 500,000 people at the Woodstock Festival, the ‘rock opera’ was born. In retrospect, it was the crowning achievement of a band who had already embraced pop art and the concept album; who had pioneered the power chord and the guitar smash; and who had embodied – more so than any of their peers – the guiding spirit of the age: war.

The frontman of one of the greatest bands of all time tells the story of his rise from nothing to rock 'n' roll megastar, and his wild journey as the voice of The Who. “It’s taken me three years to unpack the events of my life, to remember who did what when and why, to separate the myths from the reality, to unravel what really happened at the Holiday Inn on Keith Moon’s 21st birthday,” says Roger Daltrey, the powerhouse vocalist of The Who. The result of this introspection is a remarkable memoir, instantly captivating, funny and frank, chock-full of well-earned wisdom and one-of-a-kind anecdotes from a raucous life that spans a tumultuous time of change in Britain and America. Born during the air bombing of London in 1944, Daltrey fought his way (literally) through school and poverty and began to assemble the band that would become The Who while working at a sheet metal factory in 1961. In Daltrey’s voice, the familiar stories—how they got into smashing up their kit, the infighting, Keith Moon’s antics—take on a new, intimate life. Also here is the creative journey through the unforgettable hits including My Generation, Substitute, Pinball Wizard, and the great albums, Who’s Next, Tommy, and Quadrophenia. Amidst all the music and mayhem, the drugs, the premature deaths, the ruined hotel rooms, Roger is our perfect narrator, remaining sober (relatively) and observant and determined to make The Who bigger and bigger. Not only his personal story, this is the definitive biography of The Who.

Long acknowledged as one of rock music’s most intelligent and literary performers, Pete Townshend—guitarist, songwriter, singer and founding member of The Who—at last tells his wild story in this candid and immersive autobiography. Raised in west London by an eccentric grandmother, while his parents were off living the early post-war, rock ’n’ roll lifestyle, Townshend describes a frenetic childhood of displacement and abuse. Then, in high school, everything changed when he met Roger Daltrey and formed a band that would travel the world, earning fame, fortune and critical acclaim. In Who I Am, Townshend brings us from the inner sanctum of Eric Clapton’s drug-ridden hotel rooms to the feet of Jimi Hendrix and his electric kool-aid guitar; from the first trial performance of Townshend’s rock opera, Tommy, in a London bar to his infamous arrest (and acquittal) on child pornography charges. With his trademark eloquence, fierce intelligence and brutal honesty, Pete Townshend has created a work of literature that stands as a primary source for popular music’s greatest epoch. Readers will be confronted by a man laying bare who he is, an artist who has asked for nearly sixty years: who are you?