When young Margarete leaves Germany with her husband Ulrich in 1907, her long-cherished dream finally comes true: Africa! Arriving at the foot of Mount Kilimanjaro, Ulrich and she set up a paradisiacal farm. But unlike Margarete, Ulrich does not feel at home in the colony of German East Africa. When she goes on safari, he remains uncomprehendingly behind. The Maasai revere her as Jeyo - mother. Only the Greek Anthimos shares her fascination for Africa. The two fall passionately in love with each other. Then, the First World War breaks out. Anthimos asks her to flee with him. But Margarete can no longer imagine a life out of Africa. Next, the dramatic events come to a head . . .

Brian Herne's White Hunters: The Golden Age of African Safaris is the story of seventy years of African adventure, danger, and romance. East Africa affects our imagination like few other places: the sight of a charging rhino goes directly to the heart; the limitless landscape of bony highlands, desert, and mountain is, as Isak Dinesen wrote, of "unequalled nobility." White Hunters re-creates the legendary big-game safaris led by Selous and Bell and the daring ventures of early hunters into unexplored territories, and brings to life such romantic figures as Cape-to-Cairo Grogan, who walked 4,000 miles for the love of a woman, and Dinesen's dashing lover, Denys Finch. Witnesses to the richest wildlife spectacle on the earth, these hunters were the first conservationists. Hard-drinking, infatuated with risk, and careless in love, they inspired Hemingway's stories and movies with Clark Gable and Gregory Peck.

"Driven by his unfulfilled passions .. ... John Wilson could find no peace, in spite of his wealth, hist talent, his fame as a Holywood director. His safari in Africa was another move in his restless search for new sensations. Here at last he found a passion so primitive and elemental he could not control it. Hi veneer of civilization was stripped away and he came fac to face with the dark secret in his evil, twisted soul.

THE following pages contain my memories of many years spent in the African bush, where I did little else than hunt game and study their habits and tracks. In 1906 my friend the late Major (then Captain) C. H. Stigand and myself brought out Central African Game and its Spoor, and then we both wrote further volumes on the game independently. I doubted whether I had enough material for another volume, but on looking up my diaries I found that there was quite a lot I had left unsaid. The first chapter deals with some of my experiences when tea-planting in Eastern India, but I had so little opportunity there to get really good sport that I think it best here to mainly confine my attention to Africa, where I had a glorious time Eastern India is so jungly that without the use of trained elephants it is impossible for a man to do much with the rifle. On the other hand, Central Africa is a country where anyone can get (or perhaps I should say could get) as much shooting as he wants if he is a good walker and able to rough it in a bad climate; for it is not a health resort. Naturally a hunter’s life in tropical Africa is not “roses all the way,” although there are wonderful compensations for the hardships and fevers

In Out of Africa, author Isak Dinesen takes a wistful and nostalgic look back on her years living in Africa on a Kenyan coffee plantation. Recalling the lives of friends and neighbours—both African and European—Dinesen provides a first-hand perspective of colonial Africa. Through her obvious love of both the landscape and her time in Africa, Dinesen’s meditative writing style deeply reflects the themes of loss as her plantation fails and she returns to Europe. HarperTorch brings great works of non-fiction and the dramatic arts to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperTorch collection to build your digital library.