The plot pits a poor sidewalk artist against a fiendish mastermind who is not only intent on world domination, but determined to kill all white people and for reasons that are never made entirely clear, wants to create nymphs, satyrs, and other Greek and Roman demigods through the miracle of vivisection! These characteristics alone would qualify Caspar Pettifranc to take his rightful place alongside John Sunlight, Wu Fang, Doctor Death and the other great villains of the American pulps, but Goddard doesn't stop here. The author also makes Pettifranc a master of voodoo who thus can ring in zombies and the pantheon of loas. For reasons that the author allows to remain obscure, the loas are given to making odd whistling noises, hence the title of the book.

Ever since she was a small child, Helma Swan, the daughter of a Northwest Coast chief, loved and learned the music of her people. As an adult she began to sing, even though traditionally Makah singers had been men. How did such a situation develop? In her own words, Helma Swan tells the unusual story of her life, her music, and how she became a singer. An excellent storyteller, she speaks of both musical and non-musical activities and events. In addition to discussing song ownership and other Makah musical concepts, she describes songs, dances, and potlatch ceremonies; proper care of masks and costumes; and changing views of Native music education. More generally, she speaks of cultural changes that have had profound effects on contemporary Makah life. Drawing on more than twenty years of research and oral history interviews, Linda J. Goodman in Singing the Songs of My Ancestors presents a somewhat different point of view-that of the anthropologist/ethnomusicologist interested in Makah culture and history as well as the changing musical and ceremonial roles of Makah men and women. Her information provides a context for Helma Swan’s stories and songs. Taken together, the two perspectives allow the reader to embark on a vivid and absorbing journey through Makah life, music, and ceremony spanning most of the twentieth century. Studies of American Indian women musicians are rare; this is the first to focus on a Northwest Coast woman who is an outstanding singer and storyteller as well as a conservator of her tribe’s cultural traditions.

Reveals the shared ancestry behind our affinity with dolphins and our shared destiny • Explains how we are both descendants of the aquatic ape and still share many physiological features with dolphins that set us apart from other primates • Explores dolphins’ communication with other species and how dolphin therapy has miraculous effects on people with autism, cancer, stroke, and depression • Explores the connections between dolphins and Atlantis and Lemuria Wild animals avoid contact with humans, but wild dolphins seek us out to play and socialize, even going so far as to voluntarily rescue people from drowning. What explains this remarkable natural affinity? Revealing the evolutionary basis for our special relationship with dolphins, Frank Joseph explains how we are both descendants of the same ancient branch of human-ity. Building upon the aquatic ape theory, he details how we both began on land but devastating floods forced our distant ancestors into the seas, where humanity developed many of the traits that set us apart from other primates, such as our instinctive diving reflex and our newborns’ ability to swim. But while some of the aquatic apes returned to land, later evolving into modern humans, some remained in the cradle of Mother Ocean and became our dolphin cousins. Integrating scientific research on dolphin intelligence, communication, and physiology with enduring myths from some of the world’s oldest cultures, such as the Aborigines, Norse, Greeks, and Celts, the author examines our physical commonalities with dolphins, including their vestigial thumbs and legs, birth processes, and body temperature. He explores dolphins’ uncanny ability to diagnose disease such as cancer in humans and how dolphin therapy has had miraculous effects on children with autism, victims of stroke, and those suffering from depression. He provides evidence for dolphins’ different attitudes toward men, women, and children, their natural affinity with cats and dogs, and their telepathic communication with other species, including ours. He explores dolphins’ mysterious role in the birth of early civilization and their connections with the Dog Star, Sirius, and Atlantis and Lemuria--a bond still commemorated by annual gatherings of millions of dolphins. As Frank Joseph shows, if we can learn to fully communicate with dolphins, accessing their millennia-old oral tradition, we may learn the truth about humanity’s origins and our shared future, when humankind may yet again quit the land for a final return to the sea.

Emerging from depths comes a series of papers dealing with one of the most significant creations that reflects on and critiques human existence. Both a warning and a demonstration, the monster as myth and metaphor provides an articulation of human imagination that toys with the permissible and impermissible. Monsters from zombies to cuddly cartoon characters, emerging from sewers, from pages of literature, propaganda posters, movies and heavy metal, all are covered in this challenging, scholarly collection. This volume the third in the series presents a marvellous collection of studies on the metaphor of the monster in literature, cinema, music, culture, philosophy, history and politics. Both historical reflection and concerns of our time are addressed with clarity and written in an accessible manner providing appeal for the scholar and lay reader alike. This eclectic collection will be of interest to academics and students working in a range of disciplines, such as cultural studies, film studies, political theory, philosophy and literature studies.

In the real newspaper report dated March 25, 2015, which entered the CIA reports; It was determined that the aliens in the immediate vicinity of the landed UFOs came from the Alpha Centauri Star System and spoke Turkish among themselves. Ancient structures and inscriptions, especially the Turkish Pyramids in China; points to the Mu Civilization as the origin of Turks and Turkish Language. In the White Pyramid, besides a large statue of Oghuz Khagan; There are different mummies with surgical scars on them. There are strong opinions and indications that Oghuz Khagan is the Prophet Zulkarneyn. In the novel; events experienced by a Turkish family whose daughters are archaeologists; It is explained by integrating with historical facts. Apart from the surprising adventures of family members who come across "cognate aliens" who are said to come from a planet called “Türük” and can use their brainpower, connected to the Alpha Centauri Star System; There is also environmental protection. So much so that the alien Bartu from the same lineage, using his brainpower; a tree, stream, cat, plastic bag make our heroes talk with the layer of blackened soil around it. What about... Where was the settlement of the Turks before the Continent of Mu?..

"Many masterpieces of central African sculpture were created to amplify the power of sacred relics that affirm a family's vital connection to its ancestral heritage. This important volume, focusing on some 130 works representing a diverse variety of regional genres, illuminates the purpose and significance of these icons of African art, which first came to prominence because of their appeal to the Western avant-garde. While providing an overview of sources ranging from colonial explorers, missionaries, critics, artists, and art historians, the book breaks new ground in its examination of the complex aesthetic and spiritual dimensions of the reliquaries. Its interdisciplinary approach brings together the perspectives of scholars in African and medieval art history along with those in African history, religion, and ethnography." -- Publisher.