Reluctant Bride Never the docile, obedient maid, Madeline de Montmorency railed against her fate, proclaiming she'd not go willingly to the marriage bed of a stranger. Especially since her heart had chosen another alliance—with a man branded as an outlaw, and a thief! Rebel Outlaw Dafydd ap Iolo was weary of the fight until he laid eyes upon the fiery Lady Madeline. For here was the first Norman he'd no desire to call an enemy, and his longing for the green hills of Wales dimmed against the burning flame of their mutual desire.

"The Pictorial Press: Its Origin and Progress" is a treatise on the use of pictorial form in newspapers. It gives a history on the subject, discussing various events as captured in the newspapers, from Sir Francis Drake's explorations, to various storms and natural disasters of the seventeenth century and the English Civil War. The author emphasizes the fact of universal understanding of pictorial form by even the most illiterate of men.

Eighteenth-century English fictions are full of stereotypical images of Wales and the Welsh. This volume explores a selection of 18th-century texts that have recieved little critical attention in Wales, even as they record a part of the history of Welsh people.

In 1807 Robert Southey published a pseudonymous account of a journey made through England by a fictitious Spanish tourist, ‘Don Manuel Alvarez Espriella’. Letters from England (1807) relates Espriella’s travels. On his journey Espriella comments on every aspect of British society, from fashions and manners, to political and religious beliefs.