The poems in The Ways We Touch, Miller Williams's twelfth volume of poetry, range from reminiscences of old love to meditations on the relationship between God and human beings to reflections on English poetry and children's stories. Throughout, Williams's poems use small scenes from daily life, drawing from them ruminations about life itself. They may be nostalgic or challenging, humorous or full of moral fortitude; always Williams speaks with the kind of insight that rises from wisdom and experience.

SELECTED FOR STYLIST'S FICTION YOU CAN'T MISS IN 2022 - 'AN ESSENTIAL READ' NAMED AS A BOOK OF 2022 BY ESQUIRE, STYLIST, SHEERLUXE AND FOYLES 'A stone-cold masterpiece by a shocking new talent' OLIVIA LAING 'Pure delight ... A queer romance novel like no other' TATLER It's four in the morning, and our narrator is walking home from the club when they realise that it's February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago. Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal. At Certain Points We Touch is a story of first love and last rites, conjured against a vivid backdrop of London, San Francisco and New York – a riotous, razor-sharp coming-of-age story that marks the arrival of an extraordinary new talent. 'Lauren John Joseph writes with such wit, glamour, and style! I haven't read a book that so powerfully evokes what it's like to be a wild young artist among other wild young artists since the Bright Young Things' TORREY PETERS, author of Detransition, Baby 'Screamingly funny, scandalously hot, opulent, deep - a devastating torch song of obsession and excess' JEREMY ATHERTON LIN, author of Gay Bar 'Lauren's debut novel is so exciting. The writing is so fresh, funny and gripping - and carries the trademark wit that I have always loved from Lauren' TRAVIS ALABANZA 'The struggle to find ones place in the world as an artist and lover, creating self and culture as you go along - At Certain Points We Touch captures this fleeting, dazzling moment with glamour and heart' MICHELLE TEA

The feelgood, uplifting, fabulous new book from Kindle bestseller Eva Woods. ***Shortlisted for The Goldsboro Books Contemporary Romantic Novel Award*** Perfect for fans of Lucy Diamond, Lucy Dillon and Rowan Coleman. Rosie is stuck. She wakes up in hospital after a terrible accident, unable to move or speak. And strange things are happening to her. She's reliving past days of her life, watching her most painful, sad, and embarrassing moments play out again. She's being guided by long-lost friends and family, who she's pretty sure are dead. She knows she's supposed to learn something that will help her wake up - but what is it? Daisy is Rosie's sister - the good girl, the sensible one. She's terrified that her sister tried to kill herself, so she's searching through Rosie's life and past to try and find out what happened that day. But what she learns might shatter their damaged family forever - and mean Daisy can never go back to her own safe, suffocating life. Can she find the courage to help her sister - and herself? It only takes one tiny step to change a life forever...

Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Two poets, one white and one black, explore race and childhood in this must-have collection tailored to provoke thought and conversation. How can Irene and Charles work together on their fifth grade poetry project? They don't know each other . . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is Black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko (of The Case for Loving: The Fight for Interracial Marriage), this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

*Features exposed spine showing stitching and enabling book to open completely flat!* What's the first thing we touch when we wake up? How do our favourite things reveal our hopes and fears? Can objects tell the story of our lives? Imagine how your day would look if you recorded everything that you touched. From smartphone to soap, from spice to spoon... what if they were all brought together in one place? Would they tell a bigger story? Driven by this idea, Paula Zuccotti travelled around the world to find people from an incredible array of ages, cultures, professions and backgrounds. She asked them to document every object they touched in 24 hours. Then she gathered those objects together and photographed them in a single shot. From a toddler in Tokyo to a cowboy in Arizona, from a cleaner in London to a cloister nun in Madrid, Every Thing We Touch is their story told through the objects they own, consume, need, choose, treasure and can't let go. Each image is mystery, a story, a work of art. Each is a moment in time: a life and a world reflected back at us. every-thingwetouch.tumblr.com

A poet’s memoir of taking an unplanned trip to the Bahamas and meeting a fishing guide who changed his life: “A splendid book.”—Jim Harrison in The New York Times Book Review Chris Dombrowski, a poet and passionate fly-fisher, had a second child on the way and an income hovering perilously close to zero when he received a miraculous email: can’t go, it’s all paid for, just book a flight to Miami. Thus began a journey that would eventually lead to the Bahamas and to David Pinder, a legendary bonefishing guide. Bonefish are prized for their elusiveness and their tenacity. And no one was better at hunting them than Pinder, a Bahamian whose accuracy and patience were virtuosic. He knows what the fish think, said one fisherman, before they think it. By the time Dombrowski meets him, though, Pinder has been abandoned by the industry he helped build. With cataracts from a lifetime of staring at the water and a tiny severance package after forty years of service, he watches as the world of his beloved bonefish is degraded by tourists he himself did so much to attract. But as Pinder’s stories unfold, Dombrowski discovers a profound integrity and wisdom in the bonefishing guide’s life. “A poet and Montana-based fly-fishing guide recounts his trip to the Bahamas, where he met an aging guide who taught him about fish and life…loosely links reflections on his experiences catching and releasing bonefish, the history and geography of the Bahamas, the construction of fishing rods, stories he has told his children, and the difference between fishing or hunting for sport and for dinner.”—Kirkus Reviews “Thematically complex, finely wrought, and profoundly life-affirming.”—Publishers Weekly (starred review)

You're invited to a wedding in Whiskey Creek, Heart of the Gold Country Unfortunately, it's the wrong wedding. Olivia Arnold is arranging the festivities—and it's the hardest thing she's ever done. Because she should be marrying Kyle Houseman. They were together for more than a year…. But her jealous sister, Noelle, stole him away—and now she's pregnant. All their friends in Whiskey Creek know as well as Olivia does that Kyle's making a mistake. His stepbrother, Brandon, knows it, too. But Kyle's determined to go through with it, for his child's sake. Olivia's devastated, but surprisingly Brandon—the black sheep of the family—is there to provide comfort and consolation. The intensity between them, both physical and emotional, shows Olivia that maybe Kyle wasn't the right man for her…. But is Brandon?