The book reviews scholarly literature and archival sources including maps and diagrams, to better situate Siena's achievement in urban history and broadens our understanding of medieval technology and urban life.

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.

A Companion to Late Medieval and Early Modern Siena introduces the once-powerful commune to a wider audience. Edited by Santa Casciani and Heather Richardson Hayton, this collection explores how Siena built a distinctive civic identity and institutions that endured for centuries.

"Siena: City of Secrets" is a charming, intimate portrait of this most secretive of cities, often overlooked by travelers to Italy. Part cultural history and intellectual memoir, part travelogue and guide book, Tylus writes with a novelist s flair, taking the reader on a quest of discovery through the well- and not-so-well-travelled roads and alleys of the ancient city. Today, Siena can appear on the surface standoffish, a bit static, and very old-fashioned, especially when compared to its larger, flashier cousins Roma and Firenze. But first impressions wear away as we learn from Tylus that Siena was, over the long view, an innovator among the cities of Italy: the first to pave its streets and main plaza (1298), the first to publicly fund its university (1321), the first to employ the promissory note (1720), the first to ban automobile traffic from its city center (1965), and much else. We also hear about Siena s great artistic and architectural past, hidden behind centuries of over painting and rebuilding, and about its resident apocryphal and not-so-apocryphal Saints. And about the distinctive characters of its different neighborhoods ( contrade ), exemplified in the highly competitive horserace that takes place annually in the city and that serves as both a dividing and a uniting force for the Sienese. Throughout we are guided by the assuring voice of a seasoned scholar with a gift for spinning a good story and with an eye for the telling detail, whether we are traveling Siena s modern highways or digging through ancient Etruscan tombs; or shadowing the path walked by medieval pilgrims; or tracking the city s financial history from its beginnings as the once-great center for commerce in the sixteenth century to its near collapse in January 2013; or celebrating literary giants Dante and Calvino or giants of the arena, Siena s Series A soccer team. A useful and entertaining guide for students of Italian culture (Tylus has written discursive, reader-friendly endnotes and included a full bibliography in the back matter), the book will also appeal to the traveler and tourist (virtual or otherwise) interested in learning more about this ancient, mysterious, reclusive citydespite itself."

Qanats are ubiquitous, yet unseen, and a clever way to create streams where none exist in nature. For 3,000 years, they have made life possible in impossible places and still sustain life and livelihoods in many countries today. After 30 years of field research, Dale Lightfoot provides the first comprehensive study of the qanat and sheds new light on their unique locations and distribution, their origins and history, their ecology, current status and use. Qanats are remarkably engineered underground aqueducts, using gravity to bring water to villages and towns where reliable flowing surface water is scarce or absent. Although an ancient technology, more than 46,000 of them still flow around the world today, with their sustainable nature making them a focus of renewed interest. Richly illustrated with images and a series of original maps, this is the most complete record to date of the locations and distribution of qanats worldwide, including examples from the Middle East, North Africa, Europe, Central Asia, China, India, Mexico and South America.

In A Tale of Three Thirsty Cities: The Innovative Water Supply Systems of Toledo, London and Paris in the Second Half of the Sixteenth Century, Chaim Shulman presents an analysis of three projects of urban water supply systems carried out between 1560s–1610s. The technical and economic differences between these projects resulted from external conditions not directly related to the water supply problem. Although the same basic technology was apparently available at the time in all cases, the geographical, engineering, entrepreneurial and cultural nature of each region differed. The inhabitants’ wellbeing improvement achieved varied accordingly. Much broader insights are drawn on the policies of the three monarchies regarding the initiative of and support for grand scale public works in general.

The Renaissance was not just a rebirth of the mind. It was also a new dawn for the machine. When we celebrate the achievements of the Renaissance, we instinctively refer, above all, to its artistic and literary masterpieces. During the fifteenth and sixteenth centuries, however, the Italian peninsula was the stage of a no-less-impressive revival of technical knowledge and practice. In this rich and lavishly illustrated volume, Paolo Galluzzi guides readers through a singularly inventive period, capturing the fusion of artistry and engineering that spurred some of the Renaissance’s greatest technological breakthroughs. Galluzzi traces the emergence of a new and important historical figure: the artist-engineer. In the medieval world, innovators remained anonymous. By the height of the fifteenth century, artist-engineers like Leonardo da Vinci were sought after by powerful patrons, generously remunerated, and exhibited in royal and noble courts. In an age that witnessed continuous wars, the robust expansion of trade and industry, and intense urbanization, these practitioners—with their multiple skills refined in the laboratory that was the Renaissance workshop—became catalysts for change. Renaissance masters were not only astoundingly creative but also championed a new concept of learning, characterized by observation, technical know-how, growing mathematical competence, and prowess at the draftsman’s table. The Italian Renaissance of Machines enriches our appreciation for Taccola, Giovanni Fontana, and other masters of the quattrocento and reveals how da Vinci’s ambitious achievements paved the way for Galileo’s revolutionary mathematical science of mechanics.