When Jack Allison joined the Peace Corps in 1967, he never intended to write the number one hit song in Malawi or be described by Newsweek as more popular than Malawi's own president. A poor Southern white boy with a deep love of music, Jack only wanted an answer to one burning question: Should he become a minister or a doctor? In the end, the answer Jack found was that he would choose medicine as a career. And, living in extreme circumstances in the world's then-poorest country, he would find even more-that he had the inner resources that allowed him to not only thrive but give the best of what he had to those who needed it the most.

The Warm Heart of Africa A Volunteer’s Journal By: Gloria Caldwell Two years—two exhilarating, eye-opening, life-changing years spent by Gloria Caldwell in Africa volunteering in the Peace Corps. From living in a hut with no electricity, to walking or biking three miles to the tarmac road and catching a mini-bus to travel 70 miles to purchase food. Gloria truly experienced a lifestyle very different from the one to which she and most Americans have become accustomed.

The sixteen short stories in this anthology reflect some of the most pressing global issues of concern today. These stories have been carefully chosen to represent as many geographical regions of the world as possible. They address such concerns as: political leadership and politics of integration; terrorism and youth radicalisation; domestic violence, racial relations, sexuality and gender, the environment and environmental sustainability, religion and culture and globalisation. Some of the stories also give a social commentary on such aspects of life as family and social relationships. The stories are drawn from a diverse cadre of writers. There are stories from experienced and celebrated writers, others from upcoming writers and some from a new crop of writers. There are young as well not-so-young contributors. This gives the anthology both wealth in terms of style of writing and diversity of viewpoints and perspectives. A read through this anthology is like a walk across geopolitical borders, a peek into the varied cultures of the world and a dialogue with members of di erent generations, all culminating into one major realisation: we are one and we need each other. It is an enthralling read.

The Warm Heart of Africa, fifty years in the making, is the story of Susan, one of the first Peace Corps Volunteers. It is also the story of Peter, a ninety-two year old African who became her salvation. She meets him soon after attempting to quit the Peace Corps...but failing. Peter is at first reticent to talk of his past, for fear of opening old wounds. With time, he learns to trust and slowly shares his stories with Susan, beginning with, "My father was the first man to see Livingstone and he almost killed him!" Later he tells her how Yao slave traders invaded his village when he was six, burning houses and killing the very old, the very young and the weak - those who would not endure the cruel march to the Indian Ocean. He recalls the bitter memory of a slaver dragging his mother from his grasp to be sold for a sultan's harem, never to be seen again. He then shares with Susan how he and his father were auctioned at the slave market of Zanzibar and crammed into an Arab dhow sailing to Yemen, to be sold once again, his only consolation being that his father was still with him. Two days in, a frigate fired a shot across the bow and Arabs began throwing their cargo into the sea in the grim hope of out sailing the frigate. Peter, too small to be of notice, watched in hiding as an ugly Arab hurled his father into the sea. Then a cannon shot from the frigate demasted the dhow, hurling him into the sea. Unable to swim, he survived by clutching the splintered mast until he was plucked from the sea by men in blue coat who brought him back to their frigate where he took his first step in his twenty-one years in the service of the Queen. As major domo to a young officer, Horace Smith-Dorrien, he would come to see battle against Zulus, Afridis, Pathans, Boers and Sepoys, before returning home to start a life in the service of God, a story he slowly and painfully shares with Susan, like him, a stranger in a strange land. The author met Peter and was Susan.

There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.

From one of Africa’s most influential and eloquent essayists, a posthumous collection that highlights his biting satire and subversive wisdom on topics from travel to cultural identity to sexuality “A fierce literary talent . . . [Wainaina] shines a light on his continent without cliché.”—The Guardian “Africa is the only continent you can love—take advantage of this. . . . Africa is to be pitied, worshipped, or dominated. Whichever angle you take, be sure to leave the strong impression that without your intervention and your important book, Africa is doomed.” Binyavanga Wainaina was a pioneering voice in African literature, an award-winning memoirist and essayist remembered as one of the greatest chroniclers of contemporary African life. This groundbreaking collection brings together, for the first time, Wainaina’s pioneering writing on the African continent, including many of his most critically acclaimed pieces, such as the viral satirical sensation “How to Write About Africa.” Working fearlessly across a range of topics—from politics to international aid, cultural heritage, and redefined sexuality—he describes the modern world with sensual, emotional, and psychological detail, giving us a full-color view of his home country and continent. These works present the portrait of a giant in African literature who left a tremendous legacy.