This structural analysis of myth, first published in 1985, focuses on social and political problems of Indo-European mythology. Dr Jarich Oosten tells how the ancient Indo-European gods competed for supreme power and the exclusive possession of the sacred potion of wisdom and immortality. In examining the social code of the wars of the gods, he reveals that there are remarkably consistent patterns in time and space: paternal relatives, equals at first, prove unable to share power, magic goods, etc; while some gods retain their divine status as an exclusive prerogative, their brothers or paternal cousins are transformed into demons; relatives by marriage, however, who are unequal at first, succeed in sharing power and magic goods, and thus become equal partners in the pantheon. Dr Oosten describes how the ancient mythological cycles were broken down and transformed into heroic sagas and epics, and shows how many traditionally related themes – the severed head, the magic cauldron – were preserved. Gradually the political problems of kingship came to overshadow the social problems of kinship, as in the development of the myths of King Arthur. Dr Oosten argues that the social code remains basically the same, and his analysis of this code gives a fascinating perspective on the development of Indo-European mythology from the oldest written sources to the comparatively recent faitytales.

This structural analysis of myth, first published in 1985, focuses on social and political problems of Indo-European mythology. Dr Jarich Oosten tells how the ancient Indo-European gods competed for supreme power and the exclusive possession of the sacred potion of wisdom and immortality. In examining the social code of the wars of the gods, he reveals that there are remarkably consistent patterns in time and space: paternal relatives, equals at first, prove unable to share power, magic goods, etc; while some gods retain their divine status as an exclusive prerogative, their brothers or paternal cousins are transformed into demons; relatives by marriage, however, who are unequal at first, succeed in sharing power and magic goods, and thus become equal partners in the pantheon. Dr Oosten describes how the ancient mythological cycles were broken down and transformed into heroic sagas and epics, and shows how many traditionally related themes – the severed head, the magic cauldron – were preserved. Gradually the political problems of kingship came to overshadow the social problems of kinship, as in the development of the myths of King Arthur. Dr Oosten argues that the social code remains basically the same, and his analysis of this code gives a fascinating perspective on the development of Indo-European mythology from the oldest written sources to the comparatively recent faitytales.

"Lively… points out that the conflict between the worship of many gods and the worship of one true god never disappeared." —Publishers Weekly "Jonathan Kirsch has written another blockbuster about the Bible and its world." —David Noel Freedman, Editor-in-Chief of the Anchor Bible Project "Kirsch tackles the central issue bedeviling the world today - religious intolerance… A timely book, well-written and researched." —Leonard Shlain, author of The Alphabet and the Goddess and Sex, Time and Power "An intriguing read." —The Jerusalem Report "A timely tale about the importance of religious tolerance in today’s world." —San Francisco Chronicle "Kirsch is a fine storyteller with a flair for rendering ancient tales relevant and appealing." —The Washington Post

This structural analysis of myth, first published in 1985, focuses on social and political problems of Indo-European mythology. Dr Jarich Oosten tells how the ancient Indo-European gods competed for supreme power and the exclusive possession of the sacred potion of wisdom and immortality. In examining the social code of the wars of the gods, he reveals that there are remarkably consistent patterns in time and space: paternal relatives, equals at first, prove unable to share power, magic goods, etc; while some gods retain their divine status as an exclusive prerogative, their brothers or patern.

The Gernet Centre was founded as a place where the structural method could be applied to the classics. ‘Structuralists’ attribute the survival, origin and function of myths to common crosscultural factors they identify as ‘structures’. As this book, first published as The Structuralists on Myth in 1992 explains, these structures are bundles of information not obvious either to the narrator or to the listener. The bundles are collected features that reveal either the reasons for the survival of myths, or their origins, or their functions within their contexts. The structuralists consider themselves to have talents as the collectors from myths of these bundles of information.

Essay from the year 2019 in the subject History of Europe - Middle Ages, Early Modern Age, grade: A, University of Nairobi, language: English, abstract: In the daily lives of the Romans, religion played an important role. It helped the citizens of Rome to make sense of the bad and good things that happened to them. When a good thing happed such as a good harvest or victory in battle, the Romans believed that was a sign of approval or help from the gods. The Romans worshiped a council of 12 gods, known as the Dii Consentes; made up of six goddesses and six gods, amongst them god Mars. Roman god of war, Mars, was second in power only to Jupiter, the sun god, in the Roman pantheon. The myth of Mars was mostly borrowed from Ares, the Greek war god. However, Mars was significantly different from Ares due to the unique Roman features that Mars had. Mars was considered to be more level headed as compared to Ares, who has disruptive and impulsive. Mars was also more virtuous as compared to the Ares. The Romans held significant warfare festivals in honor of Mars.

The islands of Britain have been a crossroads of gods, heroes, and kings-those of flesh as well as those of myth-for thousands of years. Successive waves of invasion brought distinctive legends, rites, and beliefs. The ancient Celts displaced earlier indigenous peoples, only to find themselves displaced in turn by the Romans, who then abandoned the islands to Germanic tribes, a people themselves nearly overcome in time by an influx of Scandinavians. With each wave of invaders came a battle for the mythic mind of the Isles as the newcomer's belief system met with the existing systems of gods, legends, and myths. In Gods, Heroes, and Kings, medievalist Christopher Fee and veteran myth scholar David Leeming unearth the layers of the British Isles' unique folkloric tradition to discover how this body of seemingly disparate tales developed. The authors find a virtual battlefield of myths in which pagan and Judeo-Christian beliefs fought for dominance, and classical, Anglo-Saxon, Germanic, and Celtic narrative threads became tangled together. The resulting body of legends became a strange but coherent hybrid, so that by the time Chaucer wrote "The Wife of Bath's Tale" in the fourteenth century, a Christian theme of redemption fought for prominence with a tripartite Celtic goddess and the Arthurian legends of Sir Gawain-itself a hybrid mythology. Without a guide, the corpus of British mythology can seem impenetrable. Taking advantage of the latest research, Fee and Leeming employ a unique comparative approach to map the origins and development of one of the richest folkloric traditions. Copiously illustrated with excerpts in translation from the original sources,Gods, Heroes, and Kings provides a fascinating and accessible new perspective on the history of British mythology.