From the author of Not Me, this powerful novel about an Israeli father and his daughter brings to life a rich canvas of events and unexpected change in the aftermath of a suicide bombing. In the galvanizing opening of The Wanting, the celebrated Russian-born postmodern architect Roman Guttman is injured in a bus bombing, causing his life to swerve into instability and his perceptions to become heightened and disturbed as he embarks on an ill-advised journey into Palestinian territory. The account of Roman’s desert odyssey alternates with the vivacious, bittersweet diary of his thirteen-year-old daughter, Anyusha (who is on her own perilous path, of which Roman is ignorant), and the startlingly alive witnessings of Amir, the young Palestinian who pushed the button and is now damned to observe the havoc he has wrought from a shaky beyond. Enriched by flashbacks to the alluringly sad tale of Anyusha’s mother, a famous Russian refusenik who died for her beliefs, The Wanting is a poignant study of the costs of extremism, but it is most satisfying as a story of characters enmeshed in their imperfect love for one another and for the heartbreakingly complex world in which that love is wrought.

* Financial Times Business Book of the Month * Next Big Idea Club Nominee * One of Bloomberg's "52 New Books That Top Business Leaders Are Recommending" * Aleo Review of Books 2022 Book of the Year * A groundbreaking exploration of why we want what we want, and a toolkit for freeing ourselves from chasing unfulfilling desires. Gravity affects every aspect of our physical being, but there’s a psychological force just as powerful—yet almost nobody has heard of it. It’s responsible for bringing groups of people together and pulling them apart, making certain goals attractive to some and not to others, and fueling cycles of anxiety and conflict. In Wanting, Luke Burgis draws on the work of French polymath René Girard to bring this hidden force to light and reveals how it shapes our lives and societies. According to Girard, humans don’t desire anything independently. Human desire is mimetic—we imitate what other people want. This affects the way we choose partners, friends, careers, clothes, and vacation destinations. Mimetic desire is responsible for the formation of our very identities. It explains the enduring relevancy of Shakespeare’s plays, why Peter Thiel decided to be the first investor in Facebook, and why our world is growing more divided as it becomes more connected. Wanting also shows that conflict does not arise because of our differences—it comes from our sameness. Because we learn to want what other people want, we often end up competing for the same things. Ignoring our large similarities, we cling to our perceived differences. Drawing on his experience as an entrepreneur, teacher, and student of classical philosophy and theology, Burgis shares tactics that help turn blind wanting into intentional wanting--not by trying to rid ourselves of desire, but by desiring differently. It’s possible to be more in control of the things we want, to achieve more independence from trends and bubbles, and to find more meaning in our work and lives. The future will be shaped by our desires. Wanting shows us how to desire a better one.

Set in the near future, The Wanting Seed is a Malthusian comedy about the strange world overpopulation will produce. Tristram Foxe and his wife, Beatrice-Joanna, live in their skyscraper world where official family limitation glorifies homosexuality. Eventually, their world is transformed into a chaos of cannibalistic dining-clubs, fantastic fertility rituals, and wars without anger. It is a novel both extravagantly funny and grimly serious.

Winner of the Middle East Book Award, Youth Fiction category Jameela lives with her mother and father in Afghanistan. Despite the fact that there is no school in their poor, war-torn village, and Jameela lives with a birth defect that has left her with a cleft lip, she feels relatively secure, sustained by her faith and the strength of her beloved mother, Mor. But when Mor suddenly dies, Jameela's father impulsively decides to seek a new life in Kabul. He remarries, a situation that turns Jameela into a virtual slave to her demanding stepmother. When the stepmother discovers that Jameela is trying to learn to read, she urges her father to simply abandon the child in Kabul's busy marketplace. Jameela ends up in an orphanage. Throughout it all, it is the memory of Mor that anchors her and in the end gives Jameela the strength to face her father and stepmother when fate brings them into her life again. Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.3 Compare and contrast two or more characters, settings, or events in a story or drama, drawing on specific details in the text (e.g., how characters interact). CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described. CCSS.ELA-LITERACY.RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or change as the plot moves toward a resolution. CCSS.ELA-LITERACY.RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.

Imagine Wanting Only This is a haunting graphic memoir about leaving, and those left behind. After the sudden death of a beloved uncle, Kristen becomes obsessed with abandoned places – derelict Midwestern mining towns, an Icelandic village preserved in volcanic ash, Cambodian temples reclaimed by jungle. At the same time, she examines what it means to be an artist, to be hungry for the next experience, to be always in transit. Beautifully illustrated in black and white, Imagine Wanting Only This confirms Kristen Radtke as an important new voice in the comics world.

"Alden Jones began a deep dive into Cheryl Strayed's Wild to answer a question: How did Cheryl Strayed take material that is not inherently dramatic?hiking?and transform it into an inspirational memoir, beloved to so many? The answer would be revealed in Jones's craft analysis, and ultimately in Jones's memoir of her own time in the wilderness, written alongside her exploration of Wild. But when a sudden personal crisis occurs in the middle of writing the book, Jones realizes that an authentic account of her history requires confronting some difficult truths, both in her life and on the page. The result is a profoundly original work that merges literary criticism, craft discussion, and memoir?a celebration of Wild, of memoir, and of the power of a book to change one's life."--Amazon.com.

Richard Holton provides a unified account of intention, choice, weakness of will, strength of will, temptation, addiction, and freedom of the will. Drawing on recent psychological research, he argues that, rather than being the pinnacle of rationality, the central components of the will are there to compensate for our inability to make or maintain sound judgments. Choice is understood as the capacity to form intentions even in the absence of judgments of what action is best. Weakness of will is understood as the failure to maintain an intention, or more specifically, a resolution, in the face of temptation—where temptation typically involves a shift in judgment as to what is best, or in the case of addiction, a disconnection between what is judged best and what is desired. Strength of will is the corresponding ability to maintain a resolution, an ability that requires the employment of a particular faculty or skill. Finally, the experience of freedom of the will is traced to the experiences of forming intentions, and of maintaining resolutions, both of which require effortful activity from the agent.